Dante-enabled Product Catalog

The AQZ32 integrates AquaControl™ with Dante® Embedded technology, significantly enhancing its I/O capabilities making it a versatile addition to any audio setup. Powered by Ashly’s next-generation AquaControl™ DSP engine, the AQZ32 offers an intuitive, web-browser based interface that requires no specialized training, getting you up and running quicker and smoother. It includes 16 analog mic/line inputs each with software controlled 48V Phantom Power and mic gain settings up to 66dB. It also has 16 analog balanced line outputs. Dante inputs 1-16 can be independently selected instead of each corresponding analog input number. So, you can choose if you need processed analog or Dante sources. Dante inputs 17-32 are available on each mixer to expand the mix with these Dante sources. Dante outputs 1-32 allow you to route processed inputs and outputs to amps and other devices. A pair of AQZ32s can be setup to provide a 32x32 audio system.

The DCon series features three advanced products, all designed to fit standard European in-wall junction boxes with a depth of 50mm and compatible with widely used EU cover frames, making them perfect for seamless integration into commercial, educational, and entertainment AV environments. This two-channel XLR input panel converts analog audio to Dante, the industry-standard audio-over-IP protocol. Each input is equipped with an adjustable preamp that offers up to 42dB of amplification plus -100 to +27dB digital gain, along with switchable Phantom Power for handling microphones and other audio sources with precision. DConXi also provides an API for integration with third-party control systems, making it an ideal choice for customized installations.

The Brick4.4 is a compact and versatile 4×4 Dante audio interface designed for seamless integration of analog audio into professional Dante networks. Its slim surface-mount design allows flexible installation in racks, under tables, or inside AV enclosures, making it ideal for commercial, educational, and entertainment environments. The unit features four balanced MIC/LINE inputs and four balanced LINE outputs, enabling bidirectional conversion between analog audio and Dante. Each input channel includes an adjustable gain control up to 45 dB and individually switchable 48V phantom power, allowing precise gain control for btoh microphones and line-level sources. Supporting 48 kHz and 96 kHz sampling rates, the Brick4.4 ensures high-quality audio performance. Clear front-panel LED indicators provide status monitoring for power, system, synchronization, and signal activity. The device can be powered via standard PoE or 5V USB-C, offering flexible installation options for professional AV systems.

Specifically designed for large-scale stage performances, speeches, and various major sports and cultural events. Features a full-color LCD dual-screen (master/sub) interface design, enabling quick operation and user-defined shortcut keys. Pilot squelch technology eliminates RF interference when the transmitter is turned off. Offers interference-free frequency settings and switching, allowing multiple units to operate simultaneously without mutual interference. Utilizes automatic diversity reception to eliminate dropouts, extend receiving range, and enhance stability; operates in the UHF band. PLL phase-locked loop frequency synthesis technology. Infrared auto-sync technology for automatic and rapid frequency matching with transmitters. Auto Scan function for quick searching of interference-free channels. Dual-channel true diversity wireless microphone system with software-adjustable timbre mode functionality. Built-in Dante module, supporting the Dante networked audio protocol. Both handheld and bodypack transmitters feature LCD color displays.

Specifically designed for large-scale stage performances, speeches, and various major sports and cultural events. Features a full-color LCD dual-screen (master/sub) interface design, enabling quick operation and user-defined shortcut keys. Pilot squelch technology eliminates RF interference when the transmitter is turned off. Offers interference-free frequency settings and switching, allowing multiple units to operate simultaneously without mutual interference. Utilizes automatic diversity reception to eliminate dropouts, extend receiving range, and enhance stability; operates in the UHF band. PLL phase-locked loop frequency synthesis technology. Infrared auto-sync technology for automatic and rapid frequency matching with transmitters. Auto Scan function for quick searching of interference-free channels. Dual-channel true diversity wireless microphone system with software-adjustable timbre mode functionality. Built-in Dante module, supporting the Dante networked audio protocol. Both handheld and bodypack transmitters feature LCD color displays.

The DCS series call stations utilize the latest network audio technology and support three-layer network transmission. They can serve as standard call stations for routine operational announcements or be used for emergency evacuation broadcasts following sudden emergencies. Depending on usage habits and the specific location, users can choose between the gooseneck microphone (DCS-CSG) or the handheld microphone (DCS-CSH). All buttons on the call station can be freely configured and programmed to meet the user’s specific needs. In addition to basic broadcasting functions, this call station supports secondary development of industry-specific broadcasting applications through interactive interfaces with dynamic operational databases across various sectors. For example, it can integrate with systems such as the Airport Operations Database (AODB) and the Integrated Business Exchange Platform (IMB) to enable dynamic automated broadcasting, personalized voice announcements for airlines, and the display of passenger flow status and other information.

The DCS series call stations utilize the latest network audio technology and support three-layer network transmission. They can serve as standard call stations for routine operational announcements or be used for emergency evacuation broadcasts following sudden emergencies. Depending on usage habits and the specific location, users can choose between the gooseneck microphone (DCS-CSG) or the handheld microphone (DCS-CSH). All buttons on the call station can be freely configured and programmed to meet the user’s specific needs. In addition to basic broadcasting functions, this call station supports secondary development of industry-specific broadcasting applications through interactive interfaces with dynamic operational databases across various sectors. For example, it can integrate with systems such as the Airport Operations Database (AODB) and the Integrated Business Exchange Platform (IMB) to enable dynamic automated broadcasting, personalized voice announcements for airlines, and the display of passenger flow status and other information.  

The AVN-M8R multi-channel Dante interface is a 19” 1U rack-mount unit which distributes 8 balanced mic/line inputs to 8 channels of Dante/AES67 on the AoIP network. Each mic/line input can be controlled remotely via a web server, with settings including, mic preamp gain and switchable phantom power. A typical application might be to distribute up-to 8 separate balanced mic and/or line feeds onto an AoIP system and routed via Dante Controller to other nodes on the network. The front panel includes clear LED indicators for power (PoE), network status and clock synchronisation, along with dedicated LEDs for secondary port link and PoE monitoring. On the rear 8 XLR balanced Neutrik connectors provide the professional mic/line interface with phantom power indicators and the unit is powered via PoE for installation savings, reliability and efficiency. Primary and secondary 1Gb ports are offered as standard to provide full power and data redundancy, ensuring an uninterrupted reliable solution in critical environments. The GPIO and VGPIO can be used to trigger events over the network between devices, such a microphone muting and other events.

Put Unison preamps on stage or in your studio with Dante.

• Expand any Dante® network with remote-controlled mic/line preamps using Power over Ethernet (PoE)
• Combine with Apollo x16D interface to get the authentic Unison™ mic preamp sounds of API, Avalon, Manley, Neve, SSL, and more
• Link multiple Apollo e1x units with included coupling bracket and integrated mic-stand mount
• Pair with Apollo e2m stereo headphone amplifier/line interface and Apollo x16D for a complete I/O solution

The RME 12Mic-D features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains; integrated MADI and Dante connectivity; plus a multitude of additional functionality, designed for use in high-end studio recording, live audio, and location sound and music recording.

The core of Panasonic's SR200P 1.9 GHz Digital Wireless Microphone system, the WX-SR204DN Dante digital wireless receiver supports four wireless microphone channels (compatible Panasonic Transmitters: WX-ST200 Wireless Handheld Microphone,
WX-ST400 Wireless Bodypack and more coming soon!). Perfect for classrooms, conference rooms, auditoriums, museums, retail and bars / restaurants, the WX-SR204DN features RJ45 (CAT5 / CAT5e / CAT6) connections for 2 Dante connections (primary and secondary), for up to eight (8) external antennas (WX-SA250) and an ethernet network connection for easy integration with third party control systems such as Crestron, Extron, or QSC’s Q-Sys. LEDs on the front panel show the system status during startup & microphone pairing, antenna status during operation, and an LED indicator of when the receiver is being controlled remotely. Features an RJ45 expansion port to add up to 4 more wireless mic channels (WX-SE200 or WX-SE200DN required). Ships with rack ears.

The core of Panasonic's SR200P 1.9 GHz Digital Wireless Microphone system, the WX-SR202DN Dante digital wireless receiver supports two wireless microphone channels (compatible Panasonic Transmitters: WX-ST200 Wireless Handheld Microphone,
WX-ST400 Wireless Bodypack and more coming soon!). Perfect for classrooms, conference rooms, auditoriums, museums, retail and bars / restaurants, the WX-SR202DN features RJ45 (CAT5 / CAT5e / CAT6) connections for 2 Dante connections (primary and secondary), for up to eight (8) external antennas (WX-SA250) and an ethernet network connection for easy integration with third party control systems such as Crestron, Extron, or QSC’s Q-Sys. LEDs on the front panel show the system status during startup & microphone pairing, antenna status during operation, and an LED indicator of when the receiver is being controlled remotely. Multiple WX-SR202’s can be installed to support up to 8 microphone channels in a single room. Ships with rack ears for easy rack mount installation.

The dobry is an unparalleled audio interface for all of your audio recording, broadcasting, and streaming needs. With individual analog audio and control resources, it is the ultimate tool for producers, artists, and technical directors alike. With the sturdy all-aluminum housing, dobry is perfect for being mounted ergonomically underneath tables to maximize studio space and be easily and comfortably accessible for users. The dobry utilizes Dante™ audio-over-IP with POE support to provide for a streamlined single cable connection to each unit for audio, control, and power. The dobry audio interface provides the best audio quality, lowest noise, and lowest distortion in its class.

Key Features
• Dante - AES67 Protocol Support
• High Fidelity Microphone Preamp
• Stereo Headphone Amplifier
• Zero Latency Headphone Output
• Encoder Based Output Volume
• Onboard GPIO
• Power-over-Ethernet (PoE)
• Under Table Mount

The SAS Luna provides 12 high quality microphone preamps, each with a very wide gain range and individually switchable +48 VDC phantom power.  Luna also provides 8 line level fully floating audio outputs.  An embedded web server allows configuration and monitoring of inputs and outputs.  The Luna pairs well with an SAS Nucleus DSP Engine to provide comprehensive dynamics processing, EQ and AGC.

Inputs / Outputs

8x Mic/Line inputs, electronally balanced on XLR-3F, with phase reversal, 48V phantom and LF cut with level control on the front panel
4x AES3 transformer balanced outputs on multi-pin connector
Optional audio over IP on RJ45 connector, for AVB and Dante

Performance

135 dB (A-weighted) overall dynamic range
90kHz overall frequency response @192 kHz
40 bits processing
24bits 48/96/192 kHz

User Interface

Using front panel push-buttons
WiFi dynamic web interface
through SX-R4+ user interface

Power

External DC 9..18V on Hirose 4pins
Class 1 IEEE 802.3af PoE (with Dante option board)

Mechanical

Machined aluminum housing
Overall dimension: 200 x 50 x 144.5 mm (7.87” x 1.96” x 5.7”)
Weight: 850g / 1.9lbs

Eight Legendary 1073® remote-controlled Preamps with Marinair® Transformers, USB and Dante digital connectivity taking the Classic Neve preamp sound into the future.

Features:

• 8 Channels of remote-controlled 1073 Mic/Line/Instrument Preamplifiers.  
• Exclusive Neve® Marinair® transformers on Microphone input.
• Class-A transformer-less DI input
• Remote control software can control up to 8 1073® OPX racks at a time (64 preamps!)
• Automatic Total Recall™ of all settings.
• Front Mic/Line combi input
• Rear Mic/Line D-Type connection
• 80Hz High pass filter
• -25dB pad
• Phase flip
• Smart Phantom Power control
• Hi/Lo Impedance selector from 300Ω to 1.3KΩ
• Separate stereo monitor path with Independent level control
• Latency-free monitoring of all signal sources
• Eight front D.I inputs for instrument tracking
• Front mounted Headphone output
• Digital Option containing:
  • USB connection for use as standalone primary audio interface/core audio device.   
  • Dante Primary and Secondary connection for Audio-over-IP application. 
  • Word Clock Sync In/Out 
  • Selectable Headroom from +18, +24, +26dB 

ISA 428 MkII incorporates four of Focusrite's renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips. The original Focusrite mic pre was designed to suit the microphones of the time; today's model makes one small change, adding three additional input impedances to the classic ISA 110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design.

Each mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. An array of 6-segment LED meters show peak signal level for the four mic pres, in addition to the four direct inputs to the optional A-D card. Switchable rear-panel insert points allow the use of inline processors such as compression.

Featuring a rugged, portable all-metal enclosure, ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel and optional 192kHz precision A-D conversion. At the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA 110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can't be truly emulated in any other way, while the modern twist of variable input impedance allows for a new degree of flexibility.

Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A-D converter and separate rear-panel XLR output.

The ISA One is Dante-enabled with the new ISA ADN2 Dante option card

16-channel Remote-control Ethernet Mic Preamp

The Millennia HV-316 is a cutting-edge 16-channel remote-control Ethernet mic preamp designed for adverse environments and mission-critical applications such as live touring rigs, scoring stages, remote recording trucks, sample houses, hot-rack installs, schools, churches, networked music venues, location recording, outdoor facilities, and multi-room studio complexes. The HV-316’s road-ready, lightweight military-spec aluminum 1U chassis houses 16 channels of legendary Millennia HV-3 mic preamps with simultaneous analog and Dante 32-bit/192kHz Ethernet outputs.

Designed for adverse environments and mission-critical applications

Extensive RF shielding is provided on audio and digital feeds to eliminate the possibility of cellular interference. Designed to withstand continuous operating temperatures up to 150° F, the HV-316 can be powered by both 12VDC and worldwide 90–240V AC with fail-safe operation. The HV-316’s medical-grade, redundant power supply is rated for 650,000 hours MTBF operation. If one power supply fails, the other supply continues operating without audio glitches.

Acclaimed Millennia remote preamps

Millennia remote preamps can seamlessly operate on a single Ethernet network — up to 384 redundant audio channels — letting you remotely control Gain, Polarity, Pad, Mute, channel Linking, HPF, and selectable ribbon or phantom paths on every channel. You also have unlimited scene recall scripting and virtual scribble-strips.

Next-gen 192kHz A/D conversion

The HV-316 uses 16 channels of meticulously integrated, next-generation AKM 192kHz A/D converters, multi-paralleled for extreme dynamic range performance and acclaimed Millennia sonics. All internal processing is achieved via a generic plug-and-play Linux Beagle processor to ensure non-obsolescence and easy field replacement. To say that engineers at Sweetwater are impressed with the Millennia HV-316 would be an understatement. With its bulletproof build, audiophile sonics, and innovative remote control capabilities, it’s a stunning technological achievement.

Millennia HV-316 16-channel Remote Control Ethernet Mic Preamp Features:

• 16 Millennia HV-3 remote mic preamps
• Up to 384 redundant audio channels on a single Ethernet network
• Next-gen AKM 192kHz A/D converters with 32dBu of input headroom
• Designed for 65° C (150° F) continuous operating temperature
• Powered by both 12VDC and worldwide 90–240VAC. Fail-safe operation
• Extensive RF shielding provided on audio and digital feeds to eliminate cellular interference
• Medical-grade, redundant power supply rated for 650,000 hours MTBF operation
• Road-ready, lightweight military-grade aluminum 1U chassis
• Mirror-polish, black finish on extruded machined aluminum front panel

The ISA 828MkII incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs,while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an 'ISA 110' setting, which replicates the impedance of the original Focusrite mic pre.

Up to 60dB of gain is available, with a further +20dB of continuously variable trim,providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel,six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.

Dedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.

Wisycom's MRK980 is a true diversity, ultra-wideband dual channel receiver.  WWisycom's MRK980 is a true diversity, ultra-wideband dual channel receiver.  With its 1090MHz of band switching, it ensures the users an exceptional band flexibility, combined with a superb selectivity and intermodulation immunity, for best operating performances of the wireless microphone systems. MRK980 also features an internal DSP processor, Wisycom famous Multicompanding system, new Dante compatibility and a completely and renewed user interface, which make this system easy and quick to setup. Features

• Two channels true diversity receiver (full DSP processing)
• Up to 1090 MHz bandwidth in 170/1260 MHz range
• Push to talk (PTT) enabled with dedicated outputs (optional)
• Analogue, AES/EBU & Dante outputs (with redundancy)
• Dante machine Synchronized mode: no sample rate delay!
• Next Gen Multiband front-end filtering:
  • High Q moving filter in 170-230 MHz
  • High Q moving filter in 470-800 MHz
  • High Q moving filter in 960-1160 MHz (DME) (or 806-810 MHz saw filter – Japan)
  • Country specific saw filters: USA 940-960 MHz or Japan 1240-1260 MHz
• Wideband and Narrowband DSP-FM operation (SW selectable):
  • Narrowband allows 50% more band efficiency (200/250 kHz channel density)
  • Narrowband allows about 3dB extra sensitivity and noise immunity
• Extreme low noise VCO with ultrafast spectrum scan for optimal quick & easy setup
• High contrast OLED display
• Monitor & control through USB and Wisycom Manager 2.0 (computer SW)
• Expansion slot for GPIO or future additional feature

The Model 5418 Mic/Line Interface provides a simple yet high-performance means of interfacing analog signals with applications that utilize Dante® audio-over-Ethernet media networking technology. The Model 5418 Mic/Line Interface provides a simple yet high-performance means of interfacing analog signals with applications that utilize Dante® audio-over-Ethernet media networking technology. Eight analog microphone- or line-level sources can be connected to the unit and then output in the digital domain by way of a Dante interface. Eight digital audio signals, which arrive by way of Dante, are converted to analog and then output as balanced line-level signals. Configuration choices also allow other audio signals to be selected as the sources for the analog output channels. A monitor section allows the input and output signals to be selectively observed using meters and a headphone output. Key Features

• Dante audio-over-Ethernet technology
• Eight mic/line inputs to Dante outputs
• Eight Dante inputs to line-level analog outputs
• Flexible monitoring with metering and headphone output
• Three Gigabit Ethernet interfaces
• Standard connectors
• Excellent audio quality
• AC mains and 12 volt DC powering
• Lightweight enclosure, single rack-space (1U) mounting

Sennheiser's EM 6000 is a digital 2-channel receiver for live productions and transmissions, even in the toughest environments. Huge spectral efficiency with equidistant frequency grid and true bit diversity. Analog and digital outputs (XLR, jack, AES-3, redundant Dante™), high-contrast OLED display with LQI indicator.   Sennheiser's EM 6000 is a digital 2-channel receiver for live productions and transmissions, even in the toughest environments. Huge spectral efficiency with equidistant frequency grid and true bit diversity. Analog and digital outputs (XLR, jack, AES-3, redundant Dante™), high-contrast OLED display with LQI indicator. Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.

The massive weight & tone of classic Rupert Neve Designs studio microphone preamps: now available for the stage. With mastering-grade 24-bit 192kHz converters and full Dante integration, the RMP-D8 finally offers the live sound world something that studios have always coveted: the sound of Rupert Neve Designs. The heart of the RMP-D8 lies in the modular mic preamp cards. Unlike other designs that rely primarily on a single IC for gain & tone, each channel on the RMP-D8 has a fully-realized class-A microphone preamplifier feeding a custom-built Rupert Neve Designs transformer. Coupled with 24-bit/192kHz converters with precision­-controlled internal clocking and enhanced jitter reduction, there is no weak link in the audio path, thus maintaining the high standards of Rupert Neve Designs' standalone preamplifiers. From concert halls to arenas, clubs, studios, houses of worship, and educational facilities, the RMP-D8 brings the classic sound of Rupert Neve Designs into the Dante-connected world.

This product has reached "end of life" and is discontinued by the manufacturer The SL DI 4 XLR four input Dante preamp is the ideal interface for wireless microphone receivers, and adding mic/line inputs to a Dante system. The small form factor to the SL DI 4 XLR allows them to be mounted almost anywhere, putting them close to audio sources and minimizing interference-prone analog wiring. The SL DI 4 XLR features four balanced mic/line inputs, each with software selectable +48V phantom power and 8 gain levels. Front panel indicators show each channel’s gain and phantom power status for easy troubleshooting. The SL DI 4 XLR has two network connections to allow Dante Daisy Chaining. Dante Daisy Chaining further simplifies system infrastructure wiring by allowing multiple SL DI 4 XLRs to use a single CAT 5 home run connection to a network switch. Power can also be daisy chained. The SL DI 4 XLR is powered by either external +12VDC or any PoE network switch. All adjustable parameters, like mic/ line gain and phantom power, are software controlled.

With intuitive design and robust capabilities, the Switch Back M8RX™ is actually two products in one. This gives the musician a choice to play live, record, or monitor their mix all in one single tool. With intuitive design and robust capabilities, the Switch Back M8RX™ is actually two products in one. This gives the musician a choice to play live, record, or monitor their mix all in one single tool. The M8RX is a personal interface to be used for live sound or recording, and also a multi-channel headphone monitoring system. While compact in size, the M8RX gives individuals options to use it in multiple ways, such as a mini recording studio setup or a simple communication system. The research and design of the M8RX is what sets it apart. Our engineers created the sleek look and feel making it perfect for hanging from a belt, mounting on a mic stand, or sitting on a table. The M8RX features a total of eight channels of audio mixing – two studio-quality microphone preamps, two channel line-inputs, and four Dante network audio inputs/outputs. The M8RX’s two mic preamps have a distortion spec below 0.001% along with zero-latency analog mixing and monitoring of the four analog inputs. With Ethernet capability becoming standard in most pro audio gear today, the M8RX includes a total of four channels of Dante network audio inputs/outputs. Along with the same high quality headphone amplifier as in the Hear Back PRO and OCTO systems, the M8RX has 5 watts of headphone power and can be connected to a computer via the Ethernet port. The unit uses PoE power over the same Cat5e cable as the Ethernet. The M8RX is manufactured in the U.S. to ensure our customers get the quality they have come to expect from Hear Technologies.

The SF-XMN4 is an interface that converts four XLR microphone inputs to Dante network audio channels.  The SF-XMN4 is an interface that converts four XLR microphone inputs to Dante network audio channels. Special software is not required to configure the SF-XMN4. Each XLR input is equipped with a switch to set the gain for dynamic or condenser microphones. A dual-LED VU meter displays the level for each input to facilitate selection of the ideal gain range. P48 phantom voltage is supplied to each microphone input. The SF-XMN4 is a professional grade product with discrete mic preamplifiers for studio quality fidelity and low noise performance. The SF-XMN4 is PoE powered. Valid PoE power and synchronization to the Dante network is indicated by a green LED visible from the front of the unit. The SF-XMN4 is constructed in a durable, professional all-metal enclosure suitable for free-standing, surface-mounted or rack-mounted operation. This full-featured SYSFLEX product is engineered and manufactured in the U.S.A for continuous duty in demanding installations. The versatility of SYSFLEX products adds enormous flexibility in the design and installation of professional A/V systems. Features:

• Dante Network Interface for Four Audio Mic Inputs
• Each XLR Input Provides Switch-Selectable Mic Gain: 40 dB, 48 dB or 62 dB
• 48 V Mic Phantom (P48) on each input
• Four XLR Front-Panel Inputs
• Converts Four Standard XLR Mic or Line Audio Sources to Dante Network Channels
• Special Software Not Required for Module Setup
• High Resolution 24 Bit Analog to Digital Conversion
• LED Indicator for Valid Power and Network Sync
• Operation from PoE Power (Class 0, IEEE 802.3af)
• Equipped for SysFlex™ Rack Mounting or Surface Mounting