Dante-enabled Product Catalog

High-density Dante networking for VENUE | S6L systems  The Dante HD Option Card brings powerful and scalable Dante connectivity to Avid VENUE | S6L. The Dante HD Option Card delivers 128×128 Dante channels per card at 96 kHz and uses BNC clocking for stable synchronization within Dante domains. Fully compatible with Avid VENUE | E6L and E6LX engines, it expands your system’s flexibility while preserving the pristine sound quality and workflow efficiency of VENUE. Key Features High-Density Dante Connectivity Handle up to 256 channels of Dante audio at 96 kHz across a maximum of two cards. This supports complex routing between FOH, monitors, broadcast trucks, amplifiers, and DSP networks. It is well suited for productions that demand low latency and high-resolution audio. Full S6L Integration The Dante HD card installs directly into any VENUE | E6L or E6LX engine running VENUE 8.1 (or higher) software. No external converters are required. Routing and patching are managed through VENUE software. BNC Clocking Output for Broadcast Stability  A dedicated BNC clock interface provides reliable synchronization in broadcast environments and Dante domains. This supports consistent performance in mission-critical situations. Purpose-Built for Large Productions The card supports high-channel-count routing for touring, corporate AV, theaters, and immersive environments. It works well with distributed I/O, multi-console workflows, and modern IP-based audio infrastructures. Applications It enables seamless integration into modern networked-audio environments and is designed for touring, broadcast, performing arts centers, and large AV installations.

• Concert touring and festivals
• Broadcast and remote production
• Houses of worship
• Theater and immersive sound
• Corporate AV and large venues

Features 

• 128×128 channels at 96 kHz, 24-bit PCM
• E6LX engines support 2 Dante HD Option Cards for up to 256 Channels
• E6L engines support 1 Dante HD Option Card for up to 128 Channels
• BNC Word Clock Output
• Compatible with all Avid VENUE | E6L and E6LX engines
• Two RJ45 Ethernet ports supporting Switched and Redundancy Modes

Compact 38in/24out 96kHz Mixer with Dante The new Qu retains the much-loved appearance and form factor of the original Qu series, but with multiple hardware improvements to elevate the sonic performance and mixing experience. Audio Updated microphone preamps and high-performance 96kHz AD/DA converters combine to deliver pristine audio to and from the XCVI core, preserving every detail of the source. Control Every channel now features a channel display – showing channel name, channel type, or socket number – and a chromatic channel meter for at-a-glance level information, and the new touchscreen accommodates a completely redesigned user interface. Dante Enabled The Qu-7D provides a 16×16 Dante interface at 96kHz or 48kHz for integration into larger systems or installs.

• 33 100mm Motorised Faders
• 32 XLR/Jack ‘Combi’ Mic/Line Input Sockets
• 20 XLR Output Sockets
• 16×16 48/96 kHz Dante interface with dedicated locking EtherCon port

Compact 38in/24out 96kHz Mixer with Dante The new Qu retains the much-loved appearance and form factor of the original Qu series, but with multiple hardware improvements to elevate the sonic performance and mixing experience. Audio Updated microphone preamps and high-performance 96kHz AD/DA converters combine to deliver pristine audio to and from the XCVI core, preserving every detail of the source. Control Every channel now features a channel display – showing channel name, channel type, or socket number – and a chromatic channel meter for at-a-glance level information, and the new touchscreen accommodates a completely redesigned user interface. Dante Enabled The Qu-6D provides a 16×16 Dante interface at 96kHz or 48kHz for integration into larger systems or installs. Features

• 17 100mm Motorised Faders
• 16 XLR/Jack ‘Combi’ Mic/Line Input Sockets
• 12 XLR Output Sockets
• 19” Rack Mountable (optional kit available)
• 16×16 48/96 kHz Dante interface with dedicated locking EtherCon port

Compact 38in/24out 96kHz Mixer with Dante The new Qu retains the much-loved appearance and form factor of the original Qu series, but with multiple hardware improvements to elevate the sonic performance and mixing experience. Audio Updated microphone preamps and high-performance 96kHz AD/DA converters combine to deliver pristine audio to and from the XCVI core, preserving every detail of the source. Control Every channel now features a channel display – showing channel name, channel type, or socket number – and a chromatic channel meter for at-a-glance level information, and the new touchscreen accommodates a completely redesigned user interface. Dante Enabled The Qu-5D provides a 16×16 Dante interface at 96kHz or 48kHz for integration into larger systems or installs. Features

• 17 100mm Motorised Faders
• 16 XLR/Jack ‘Combi’ Mic/Line Input Sockets
• 12 XLR Output Sockets
• 19” Rack Mountable (optional kit available)
• 16×16 48/96 kHz Dante interface with dedicated locking EtherCon port

CAPITOL IP PLUS is a new digital audio broadcast mixing console, specifically designed for ON AIR control but adapts to a diversity of workflows and functionalities. It incorporates all the basic features required for such operations : automatic monitor muting, cough muting, fader start, control signalling, control signals for automating external equipment, external communications management, talkback or intercom functions, and many more.

The DM7C-EX is a space-efficient Dante-enabled 72-channel single bay digital console with control expansion, designed for professional applications. It offers the convenience of rack mountability using the RK1, and equips users with an array of advanced tools to ensure the creation of a flawless mix. The DM7C is capable of 96kHz sample rates, with 18 faders and a high-resolution 12" multi-touch screen complemented by an additional 7" screen. The console comes with an internal dual power supply and an 18x18 audio interface that seamlessly integrates Yamaha's VST RACK. Additionally it features DAW remote capabilities and AI assist functions, augmenting its versatility and usability. The DM7C-EX is an ideal choice for live sound, theatrical productions, broadcasting environments, and corporate AV.

The DM7 Compact is a Dante-equipped versatile digital mixing console with unparalleled sound quality, ease of operation, and high reliability that make it perfect for a wide range of applications. The DM7 Compact is configured with 12 + 4 faders and a 1 x 12” + 1 x 7” multi-touch screen, and a rack-mountable with an optional RK1 rack mount kit.  

The DM7 Compact is a Dante-equipped versatile digital mixing console with unparalleled sound quality, ease of operation, and high reliability that make it perfect for a wide range of applications. The DM7 Compact is configured with 12 + 4 faders and a 1 x 12” + 1 x 7” multi-touch screen, and a rack-mountable with an optional RK1 rack mount kit.

the DM3—the first compact console to be fully compatible with Dante technology, allowing for faster and easier setup with multiple devices. Both consoles feature a multi-language user interface that can be configured to make operation simple and trouble-free for users with different backgrounds and varying skill levels. Equally at home in a live performance venue or your home studio, it’s easy to imagine taking a DM3 Series console to a gig, recording and streaming the audio, and then taking it home for editing as part of your DAW setup. Alternatively, you could use it as a main mixer for a small performance one day, and as a sub-mixer for live streaming the next—the possibilities are endless. FEATURES

• Packs 22 channels into an ultra-compact digital mixer: 16 mono channels, 1 stereo channel, and 2 stereo FX returns\
• 9-inch touchscreen and single all-purpose touch-and-turn knob provide easy operation and navigation
• Capable of sampling rates as high as 96kHz
• 6 mono or 3 stereo mixes, 2 matrixes, and 1 stereo bus
• 16 outstanding mic preamps and 8 convenient analog outputs\
• Excellent built-in DSP effects
• 16 x 16 Dante interface supplies loads of room for expansion\
• 18 x 18 USB audio interface for playback and recording
• 2 x 2 recording directly to a USB drive
• DAW remote mode with transport control
• Custom control via OSC, USB-MIDI, and Yamaha's powerful ProVisionaire software applications

Beautiful analog tone is at the heart of the 32Classic. Its no-compromise modular design, flexible workflows and hybrid features create a classic recording console that’s ready for the modern studio.

A full range of powerful features for Radio On-Air and Production available in 3 different formats and flexible configurations: 8, 12 and 16 faders with 1 or 2 Audio I/O Boards and 16+16 or 32+32 Dante™ I/O. Oxygen 3000 Plus is the best-equipped console of its category: Low Latency, Users Preset, Smart Keys, EQ, Compressors, Telephone Hybrid, HDMI Output, Analogue and Digital I/O, USB, BT, Dante™ AoIP, Telco, Presenter Talk Box, Streaming In/Out.

The ATDM-1012 Digital SmartMixeris a flexible and easy-to-use solution for a wide variety of installed audio applications where mix-minus operation or audio pickup from specific zones within a space is required. Its powerful feature set makes it ideal for hospitality, corporate or demanding courtroom settings, and many more.

The DM3-D is a compact Dante-equipped digital mixing console with versatile capabilities that make it perfect for a wide range of applications. The DM3 offers superb sound quality, fast and easy setup and operation, and professional-level features.

The DM7 is a Dante-equipped versatile digital mixing console with unparalleled sound quality, ease of operation, and high reliability that make it perfect for a wide range of applications. The DM7 is configured with 24 + 4 faders and a 2 x 12” + 1 x 7” multi-touch screen.

The RU-NMP44 is a network mixing processor containing six virtual audio mixers controlled by network commands from RDL and other network remote controls. Each mixer operates independently with input signal attenuation from unity to off. The output level from each mixer is independently adjustable from unity to off. Based on the commands sent to the RU-NMP44, each mixer can be used as a mixer, a source selector, a priority paging inserter and/or as a volume control. The outputs from four of the mixers drive corresponding network audio channels. The outputs from two of the mixers drive line-level +4 dBu audio outputs. The RU-NMP44 is configured using RDL CONSOLE or other network control software. If ducking is used, one of the four network audio inputs is assigned as the priority input. That input is connected to all six virtual mixers. An audio detector with installer-defined threshold and recovery delay may be assigned to one, several, or all of the six mixers. For each of those mixers, the priority input is set to a defined level, and the remaining three inputs are each set to attenuate to a fixed level between -10 and -64 dB when a message is detected on the priority input. If hum is anticipated from the paging source, one of four high-pass filter may be enabled. Up to four preset configurations may be stored in the RU-NMP44. Each preset can define any or all mixer level settings. A preset is activated by a network command, an RDL network or wired remote control, a momentary switch closure or a compatible open-collector from other equipment. The RU-NMP44 may be configured to power up to a preset, to the last settings used, or with all levels “off”. The RU-NMP44 may be powered from an external 24 Vdc power supply, available separately. The RU-NMP44 is equipped to operate from a PoE enabled network switch. The RU-NMP44 will reserve power from the switch even while being powered from an external 24 Vdc supply. If PoE power and an external 24 Vdc supply are both feeding an RU-NMP44, the unit will run from the external supply and will seamlessly switch over to PoE power upon loss of the external supply. The RU-NMP44 is ideal for adding volume control, mixing, switching and ducking to existing network audio systems. The digital signal processing offered in the RU-NMP44 often fulfills all the requirements for an audio system design, such as in classrooms, meeting rooms, restaurants/bars, fitness gyms and retail stores. The RU-NMP44’s superior performance specifications make it ideally suited to the most demanding installations, and an exceptional value in commercial networked audio systems. The RU-NMP44 is constructed in a durable, professional all-metal enclosure suitable for free-standing, surface-mounted or rack-mounted operation. This full-featured product is engineered and manufactured in the U.S.A for continuous duty in demanding installations. Built to last. Built to outperform.

32-XLR Mic Inputs 20-XLR Auxiliary Outputs XLR- Main Out Headphones Out Digital Inserts 17 Motorized Multi-Use Faders OLED Name Strips External Plug-In Processing 4 Multi-Effects Engines 10" Touchscreen Rec / Play to USB Key Sends on Faders 16 DCA Groups Automix

16-in/16-out Dante analog converter with built-in 32-bit ADC & Class 1 HDIA mic preamps. Controllable with TASCAM IO Control app or with TASCAM Sonicview series.

TASCAM has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With TASCAM Sonicview, TASCAM has created an entirely new line of digital recording and mixing consoles that incorporate the latest technology and make it easy to see and control all of the parameters you want, when you want, with completely customizable touch screens and user-definable buttons, along with motorized faders and intuitive control software. TASCAM Sonicview recording mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96 kHz multi-channel USB audio interface, built-in multi-track SD recording*, and plenty of I/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make TASCAM Sonicview recording mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.

TASCAM has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With TASCAM Sonicview, TASCAM has created an entirely new line of digital recording and mixing consoles that incorporate the latest technology and make it easy to see and control all of the parameters you want, when you want, with completely customizable touch screens and user-definable buttons, along with motorized faders and intuitive control software. TASCAM Sonicview recording mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96 kHz multi-channel USB audio interface, built-in multi-track SD recording*, and plenty of I/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make TASCAM Sonicview recording mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.

In 2010, TAIDEN developed the first paperless multimedia conference system in the world. Paperless conference, video service, conference services, etc. were successfully introduced into conference system, and promoted conference system technology to a new stage. Now, TAIDEN paperless multimedia conference system has been successfully applied to the United Nations Headquarters, the World Bank Headquarters, Lombardy district government in Italy, the People's Great Hall of Zhejiang Province, Wuhan International Expo Center and other high-end meeting places. The concept of paperless multimedia conference system

has also been widely recognized and followed by global industry of conference system, and has become the representative of the fourth generation of conference system products.

In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 64 channel simultaneous interpretation x 2), conference services, etc.

A 1U 19inch rack mounted AoIP monitoring and mixing unit.

4 models are available the RL64, RL128, RL192 and RL256 and each unit can be configured at time of purchase to be Dante or Ravenna

RL Series units allows two modes of operation a mixing mode which can mix up to 256 channels at 48kHz (128 channels at 96kHz) plus microphone input (via headphone connector) and AES input to create a 259 into 2 mixer. Alternatively, it can be set into a simple Listen mode where touching a channel instantly routes to the LR output and cancels any previous selection.

The outputs of the LR bus are presented to the user via the inbuilt 4mm x 9mm full range speakers or via the 3.5mm headphone jack. The speakers are automatically muted when a headphone jack is inserted. Simultaneous outputs are also available in the form of the stereo balanced line outputs and AES output accessed via XLR connectors on the rear of the RL Series Unit. The mix output is also routed to the AoIP output.

The RL Series units are operated and controlled via the large letterbox 6.6” diagonal (168mm) 1440 x 240 24-bit colour LCD and capacitive touch panel.

A simple and elegant menu system has been designed to be intuitive to navigate allowing the user to access all the features of the RL Series unit very quickly.

The high-resolution screen is easy to read presenting comprehensive metering, routing and status information to the user.

Firmware updates of the RL Series unit are achieved via a dedicated USB micro AB connector on the front panel. There is also a dedicated 3.5mm jack socket for the headphone output

Stacks Image 30

On the rear of the RL Series unit there are 4x Primary and Secondary ports for up to 4x AoIP inputs. 2x balanced line outputs on 3 pin male XLRs and AES output also on 3 pin male XLR. These outputs can be configured to follow the main volume settings of the speakers/headphones or they can also be set to follow the main Mute control.

Additionally, there is an AES input via 3 pin female XLR connector

The RL Series unit can be powered via either of the two 2.5mm DC input connectors requiring 24V @ 2A. These inputs also have a screw lock to prevent accidental unplugging. Using both inputs provides redundancy.

A 1U 19inch rack mounted AoIP monitoring and mixing unit.

4 models are available the RL64, RL128, RL192 and RL256 and each unit can be configured at time of purchase to be Dante or Ravenna

RL Series units allows two modes of operation a mixing mode which can mix up to 256 channels at 48kHz (128 channels at 96kHz) plus microphone input (via headphone connector) and AES input to create a 259 into 2 mixer. Alternatively, it can be set into a simple Listen mode where touching a channel instantly routes to the LR output and cancels any previous selection.

The outputs of the LR bus are presented to the user via the inbuilt 4mm x 9mm full range speakers or via the 3.5mm headphone jack. The speakers are automatically muted when a headphone jack is inserted. Simultaneous outputs are also available in the form of the stereo balanced line outputs and AES output accessed via XLR connectors on the rear of the RL Series Unit. The mix output is also routed to the AoIP output.

The RL Series units are operated and controlled via the large letterbox 6.6” diagonal (168mm) 1440 x 240 24-bit colour LCD and capacitive touch panel.

A simple and elegant menu system has been designed to be intuitive to navigate allowing the user to access all the features of the RL Series unit very quickly.

The high-resolution screen is easy to read presenting comprehensive metering, routing and status information to the user.

Firmware updates of the RL Series unit are achieved via a dedicated USB micro AB connector on the front panel. There is also a dedicated 3.5mm jack socket for the headphone output

Stacks Image 30

On the rear of the RL Series unit there are 4x Primary and Secondary ports for up to 4x AoIP inputs. 2x balanced line outputs on 3 pin male XLRs and AES output also on 3 pin male XLR. These outputs can be configured to follow the main volume settings of the speakers/headphones or they can also be set to follow the main Mute control.

Additionally, there is an AES input via 3 pin female XLR connector

The RL Series unit can be powered via either of the two 2.5mm DC input connectors requiring 24V @ 2A. These inputs also have a screw lock to prevent accidental unplugging. Using both inputs provides redundancy.

dLive CTi1500 takes our best-selling compact dLive C1500 control surface and applies 'superleggera' Italian performance car principles to set a new standard for lightweight control surfaces. CTi1500 has been engineered across the board to ruthlessly strip out as much weight as possible, while ensuring tour-grade structural integrity and a first-class user experience.

The CS-R3 control surface is the core component of RIVAGE PM3 system. The console is the most compact mixer in RIVAGE PM series regarding its size and weight, though the software and operations are almost the same as other RIVAGE PM series.

Display: 15″ touch panel x 1

Faders: 38 (12+12+12+2)

Custom Fader banks: 6 x 5 on each bay

User Defined keys: 12x4 banks

User Defined knobs: 1（4x4 banks can be assigned)

Touch and Turn knobs: 1

Analog I/O: 8in/8out

Slot: 2 MY slots

Ports: GPI (8in / 8 out), MIDI In/Out, 5 USB (1 for 2-track recording)

Power supply: Dual redundant power supply built-in

Dimensions (WxHxD): 1,145 x 385 x 650mm (45.1"" x 15.2"" x 25.6"")

Net Weight: 38 kg (83.8 lbs)

The RIVAGE PM series includes five consoles, two DSP engines, two I/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.

All RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.

The RIVAGE PM3 has a simpler single-display interface with 24 User Defined Keys to facilitate access and speed up operation. You still get full RIVAGE PM sonic quality, a full set of features, and 38 physical faders for intuitive hands-on mixing.

"The CS-R5 control surface is the core component of RIVAGE PM5 system. The console has three touch screens and 12-faders bays for flexible setup and configuration. Touch panels are brought closer to the user, making them easier to reach. The weight is 42 kg which is incredibly light.

Display: 15″ touch panel x 3

Faders: 38 (12+12+12+2)

Custom Fader banks: 6x5 on each bay

User Defined keys: 12x4 banks

User Defined knobs: 3（4x4 banks can be assigned）

Touch and Turn knobs: 3

Analog I/O: 8in/8out

Slot: 2 MY slots

AES/EBU: 4in/4out (with SRC)

Ports: GPI (8in/8out), MIDI In/Out, 5 USB (1 for 2-track recording)

Power supply: Dual redundant power supply built-in

Dimensions (WxHxD): 1,444 x 414 x 643mm (56.9"" x 16.2"" x 25.3"")

Net Weight: 42 kg (92.6 lbs)"

The RIVAGE PM series includes five consoles, two DSP engines, two I/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.

All RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.

RIVAGE PM5 Mixing System packs undiluted RIVAGE PM power and performance into a lightweight, intuitive console that is surprisingly slim. The addition of a third display screen has made it possible to offer a more touch-centric interface in a compact, significantly lighter console that is easier to transport, setup, and operate in a wide range of venues.