Yamaha – RIVAGE PM3 System


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  • ASL

ASL – ENCHORUS ENC 1101

The ENCHORUS ENC 1101 Dante™-based audio network module offers eight AES3 outputs with individual delay (at a maximum of 2.7 seconds) and four AES3 inputs, with a four-band equalizer on each input and output. The ENC 1101 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.
  • Throw-down Box
  • 8x AES3 outputs with delay (max. 2.7 sec.)
  • 4x AES3 inputs
  • Support of redundant Dante networks or daisy chainable
  • Four-band EQ for each input and output
  • 8x built-in mixing engines (16 inputs, stereo output)
  • Built-in audio matrix for flexible routing of all signals
  • Control via web interface
  • Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz
  • Sample rate converter on AES3 inputs from 8kHz to 192kHz
  • 19” rack-mounting kit available
    Mixers
Q225_Screen_Side_High_Res_Main0000 (1)|QRack_Dante_Back_Angle_0004
  • DiGiCo

DiGiCo – Quantum 225

Under The Hood

Quantum 225 brings a 17-inch, 1000 nit, high brightness multitouch screen with both a meter bridge and soft quick select buttons for quick and intuitive operation. 41 individual TFT LCDs displaying channel information and metering, bank information, macros and more guide you immediately to the controls you need. Plus, 25 100mm touch sensitive faders in two banks of 12 plus a dedicated user-assignable master fader with high resolution metering.

But there’s more… The defining feature of the Quantum 225 is the ability to customise the left worksurface with the Mounting Bracket. Mount a laptop for creative control, or a KLANG:kontroller for immersive control. You could even mount an extra screen to show your KLANG:app, plugin computer, console overview screen, or it could even display the channel screen for your left bank of faders, transforming your Quantum 225 into a dual screen console at an unbelievable price point!

With a maximum of 72 input channels with 36 busses and a 12 x 12 matrix, all with full channel processing, Quantum 225 brings Quantum to a wider user base. Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.

I/O

Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.

Local I/O: Quantum 225’s local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)

MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.

Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.

    Mixers
  • Dante Ch: 64x64
  • 24-bit
Salzbrenner_-_Polaris_evolution
  • Salzbrenner media

Salzbrenner – Polaris Evolution

POLARIS evolution is based on a novel digital mixing DSP concept that can be controlled from an advanced touch screen user interface. Driven by the desire to create the most flexible and scalable system on the market, the SALZBRENNER engineering team proudly presents the first cloud-based audio processing system for pro applications. The POLARIS evolution concept allows multiple users to share a single DSP core—a major benefit for multipurpose venues, broadcast applications, OB trucks and any project or operation requiring maximum flexibility. Thanks to a revolutionary audio network concept, rigid constraints are a thing of the past. With POLARIS evolution, live, theatre and broadcast productions can be run concurrently on the same DSP engine!
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