AMS Neve – 1073OPX


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AVB12
  • RME

RME – 12Mic-D

The RME 12Mic-D features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains; integrated MADI and Dante connectivity; plus a multitude of additional functionality, designed for use in high-end studio recording, live audio, and location sound and music recording.

    Microphone Preamps
glensound-symphony_1200px|glensound-symphony_1200px
  • Glensound

Glensound – Symphony

Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. The shape and feature set of the Symphony came from the customer's many years of experience from within the orchestral music industry. The simple controls for the musicians, the microphone amplifier setup hidden away from the musicians, the ability to mount the Symphony on a microphone stand and a clean blank audience facing side of the box were all key required features. Being a high caliber audio environment naturally the microphone amplifiers and monitoring circuits had to be the best available, which was made possible because of our many years of experience in broadcast audio. Features
  • Dante / AES67 compatible
  • Monitoring for 2 musicians
  • 2 x high spec microphone amplifiers
  • Mounts on a microphone stand
  • Plain rear view facing audience
  • 3 x stereo monitoring inputs
  • 2 x local instrument monitoring circuits
  • Individual headphone volume controls for each musician
  • Originally designed for an Orchestra
  • Talback mic on front panel
  • Push To Talk (PTT) switch
  • LCD dispaly for setup of gains etc
  • Display & setup controls on floor facing side to prevent use by musicians
    Microphone Preamps
1090-isa-one-front-rear1
  • Focusrite

Focusrite – ISA One

Featuring a rugged, portable all-metal enclosure, ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel and optional 192kHz precision A-D conversion. At the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA 110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can't be truly emulated in any other way, while the modern twist of variable input impedance allows for a new degree of flexibility.

Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A-D converter and separate rear-panel XLR output.

The ISA One is Dante-enabled with the new ISA ADN2 Dante option card

    Microphone Preamps