Hear Technologies – Switch Back M8RX


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1073opx-134-p[ekm]1000x666[ekm]
  • AMS Neve

AMS Neve – 1073OPX

Eight Legendary 1073® remote-controlled Preamps with Marinair® Transformers, USB and Dante digital connectivity taking the Classic Neve preamp sound into the future.

Features:

  • 8 Channels of remote-controlled 1073 Mic/Line/Instrument Preamplifiers.  
  • Exclusive Neve® Marinair® transformers on Microphone input.
  • Class-A transformer-less DI input
  • Remote control software can control up to 8 1073® OPX racks at a time (64 preamps!)
  • Automatic Total Recall™ of all settings.
  • Front Mic/Line combi input
  • Rear Mic/Line D-Type connection
  • 80Hz High pass filter
  • -25dB pad
  • Phase flip
  • Smart Phantom Power control
  • Hi/Lo Impedance selector from 300Ω to 1.3KΩ
  • Separate stereo monitor path with Independent level control
  • Latency-free monitoring of all signal sources
  • Eight front D.I inputs for instrument tracking
  • Front mounted Headphone output
  • Digital Option containing:
    • USB connection for use as standalone primary audio interface/core audio device.   
    • Dante Primary and Secondary connection for Audio-over-IP application. 
    • Word Clock Sync In/Out 
    • Selectable Headroom from +18, +24, +26dB 
    Microphone Preamps
Sennheiser_-_EM_6000
  • Sennheiser

Sennheiser – EM 6000

Sennheiser's EM 6000 is a digital 2-channel receiver for live productions and transmissions, even in the toughest environments. Huge spectral efficiency with equidistant frequency grid and true bit diversity. Analog and digital outputs (XLR, jack, AES-3, redundant Dante™), high-contrast OLED display with LQI indicator.   Sennheiser's EM 6000 is a digital 2-channel receiver for live productions and transmissions, even in the toughest environments. Huge spectral efficiency with equidistant frequency grid and true bit diversity. Analog and digital outputs (XLR, jack, AES-3, redundant Dante™), high-contrast OLED display with LQI indicator. Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways. Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling. Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM). The EM 6000 is compatible with UHF Sennheiser antenna systems.
    Microphone Preamps
  • Dante Ch: 0x4
  • 24-bit
glensound-symphony_1200px|glensound-symphony_1200px
  • Glensound

Glensound – Symphony

Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. The shape and feature set of the Symphony came from the customer's many years of experience from within the orchestral music industry. The simple controls for the musicians, the microphone amplifier setup hidden away from the musicians, the ability to mount the Symphony on a microphone stand and a clean blank audience facing side of the box were all key required features. Being a high caliber audio environment naturally the microphone amplifiers and monitoring circuits had to be the best available, which was made possible because of our many years of experience in broadcast audio. Features
  • Dante / AES67 compatible
  • Monitoring for 2 musicians
  • 2 x high spec microphone amplifiers
  • Mounts on a microphone stand
  • Plain rear view facing audience
  • 3 x stereo monitoring inputs
  • 2 x local instrument monitoring circuits
  • Individual headphone volume controls for each musician
  • Originally designed for an Orchestra
  • Talback mic on front panel
  • Push To Talk (PTT) switch
  • LCD dispaly for setup of gains etc
  • Display & setup controls on floor facing side to prevent use by musicians
    Microphone Preamps
  • Dante Ch: 6x4
  • 24-bit