The B2 Bomber analog to digital converter is designed to give you the ultimate in recording tone. BURL Audio designed an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.
Features:
44.1k Hz to 192k Hz, 24 bit, 2 channel ADC
Proprietary, high definition, BURL Audio BX1 transformer input
All class A, discrete transistors signal path with zero feedback, zero caps
Audiophile quality 6 position attenuator with standard headroom settings
High definition metering with simultaneous RMS and peak indication
Dante, 2 AES, SPDIF and Toslink output
BNC word clock input with two outputs of extremely low jitter clock
Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB
Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB
Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB
120dB Dynamic Range (A- weighted), 117dB (no weighting)
80-CHANNEL CONFIGURABLE AD/DA INTERFACE
Simply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth and musicality, the MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry.
Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card based system, and a heavy duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 2, 4 and 8 channel AD/DA cards, all with the B2 quality signal path.
B80 MOTHERSHIP Features:
4U main chassis
BMB1 (DigiLink) motherboard
BMB2 (MADI) motherboard
BMB3 (Dante) motherboard
B1 BNC Word Clock In
2 BNC Word Clock Out
10 card slots
All slots accept AD/DA, AES, MADI and BCLK
2, 4, and 8 channel analog cards
BAD4 Features:
44.1k Hz to 192k Hz, 24 bit, 4 channel ADC
Exact same circuit path as B2 BOMBER ADC
Proprietary, high definition, BURL AUDIO BX1 transformer input
All class-A, discrete transistors signal path with zero feedback, zero capacitors
4 XLR connectivity
BDA8 Features:
44.1k Hz to 192k Hz, 24 bit, 8 channel DAC
Circuit path based on B2 BOMBER DAC
Latest BURL AUDIO BOPA2, OP-AMP
All class-A, discrete transistors signal path zero capacitors
THE B2 BOMBER DIGITAL / ANALOG CONVERTER
The B2 Bomber DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of.
Features:
• 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC
• Proprietary custom design BOPA1, all discrete op-amps
• Passive filters
• All class-A
• Zero capacitor signal path
• Audiophile quality 6 position attenuator with standard headroom settings
• High definition metering with simultaneous RMS and peak indication
• Dante, 2 AES, SPDIF and Toslink input
• BNC word clock input with two outputs of extremely low jitter clock
• Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB
• Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz
• Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz
• 115dB Dynamic Range
• -96 dB THD+N, full scale output = +18dBu
• Rugged, Made in USA design
• Check with dealers for pricing
he OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production.
The OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production. It’s ideal for studios needing an additional professional grade fader unit and additional I/O or a compact and cost effective mixing console for a production room or studio. Integrated USB playback and record functions make the OnAir 1500 a very compact yet complete mixer.
12-channel, 6-fader console with Studer NANO SCORE DSP and I/O Engine, 100 mm faders
6-fader add-on expansion module, 100mm faders
Super slim design for ergonomic table top installation
Flush-mount and 19" rack-mount options available
Full channel processing, including four-band EQ, compressor, limiter, expander, gate and de-esser
Comprehensive monitoring and talkback with unique headphone split mode and internal speaker
OLEDs (Organic LED) in fader strips and central module provide clearest displays.
Ergonomic, easy-to-learn Touch 'n' Action™ user interface.
USB jingle playback and bus recording facilities
I/O Expansion through standard Studer D21m card slots
Complete integration with Radio Automation Systems, Studer's Call Management System, and RELINK our I/O sharing technology
Advanced timer functionality
USB user identifier for easy user rights assignment
With simple point-to-point connectivity, the OnAir 1500 can be easily moved around as a backup or secondary unit, with a recommended maximum distance of 60 m away from its core when connected via high-quality Cat5 cabling.
Flexibility is increased with addition of the 6-fader extension bay, creating either a 12 fader surface, or 6 faders can be remotely placed in a producer's bay or used as a redundant surface. The system can bridge the gap between on-air and production needs, offering an all inclusive design of features and function to improve ease and efficiency of executing great programming in either setting, all of the time.
POLARIS evolution is based on a novel digital mixing DSP concept that can be controlled from an advanced touch screen user interface. Driven by the desire to create the most flexible and scalable system on the market, the SALZBRENNER engineering team proudly presents the first cloud-based audio processing system for pro applications.
The POLARIS evolution concept allows multiple users to share a single DSP core—a major benefit for multipurpose venues, broadcast applications, OB trucks and any project or operation requiring maximum flexibility.
Thanks to a revolutionary audio network concept, rigid constraints are a thing of the past. With POLARIS evolution, live, theatre and broadcast productions can be run concurrently on the same DSP engine!
The RMio64-D remote rack enables audio from a Yamaha CL or QL console to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production.
The RMio64-D remote rack enables audio from a Yamaha CL or QL console to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production.
Word clock synchronization can be an issue when converting between different audio formats, but with
The RMio64-D MADI built-in inputs and outputs built-in eliminate the problem of word clock synchronization when converting between different audio formats. Sample rate conversion sources with differing word clocks can be connected without causing noise or dropouts.
In addition to redundant Dante network connections, the RMio64-D also supports MADI redundancy through simultaneous coaxial and optical connections. With the MADI Split (loopback) capability, a signal received at either the coaxial or optical input can now be retransmitted to the output.
The Sennheiser EM 9046 microphone receiver incorporates up to 8 digital receiving channels, each with 328 MHz of switching bandwidth covering the UHF spectrum from 470 to 798 MHz.
A highly intuitive, icon-based user interface provides a complete system overview via a large TFT display. Designed for maximum spectral efficiency, the EM 9046 can safely accommodate as many as 40 channels within a 24 MHz frequency window. Complex intermodulation calculations are no longer necessary - operating frequencies can now be evenly spaced.
The new EM 9046 multichannel receiver is destined to become the reference standard throughout the broadcast and theatre production industries, like the legendary Sennheiser EM 1046 that came before.
The Sennheiser Dante™ card for the EM 9046 receiver enables its top-of-the-range Digital 9000 microphone system to be integrated into Dante audio-over-IP networks.
The EM 9046 DAN extension card inserts into the EM 9046 eight-channel receiver expansion slot. Sixteen audio inputs can send both digital audio and command signals over the Dante network using the card. Two Gbit RJ45 sockets are provided that serve to establish two redundant network circuits or daisy-chain the signals. Sampling rates of 44.1/48/88.2 and 96 kHz at a resolution of 24 bits are possible with the card.
Download firmware for Digital 9000 Microphone System to support Sennheiser EM 9046 DAN Dante option card
The power amp H2500 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers.
The power amp H2500 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers. The innovative 3-stage Grounded Bridge Class H Topology with “floating” switching power supply unit offers very high and stable output with extreme high efficiency on an extremely high performance level at minimum weight. PowerH amps are ideal for driving professional touring, high-end Concert-Sound and Pro-Sound applications. Next to classical protections, this new design employs the multi-stage ATP system (Advanced Thermal Protection) for the first time, which in most cases prevents the power amplifier from switching off when the temperature exceeds a critical level. The newly designed MCS system (Mains Current Supervision) prevents power amplifier breakdown caused by the activation of the automatic circuit breaker. For this, among other things, the MCS system uses the highly precise measurement of the RMS value ofthe actual mains current consumption. Information about the status of the power amplifier and its internal protections is provided on a LC-display. By utilizing the optionally available remote control module that is compatible with IRIS-Net™, this power amplifier additionally offers comprehensive remote monitoring and remote control functions plus a universal 2-channel digital audio controller (DSP) including highly precise FIR-filtering and digital speaker protection algorithms.
The RCM-28 Remote Control Module is a two-channel digital controller module for live sound reinforcement, PA and fixed installation applications.
The RCM-28 Remote Control Module is a two-channel digital controller module for live sound reinforcement, PA and fixed installation applications. The module can be used in DYNACORD PowerH amplifier models. Installing the RCM-28 turns a conventional amp into a remote amplifier, which, at any time, provides complete overview of the overall system status and control of all system parameters. RCM-28 modules allow the integration of amplifiers into an OMNEO network with up to 100 devices in a single subnet without additional hardware. This offers the possibility to control and monitor an entire sound system from one or more PCs using the IRIS-Net - Intelligent Remote & Integrated Supervision - software package. In addition to digital signal processing functions, the RCM-28 also offers a digital audio input (AES/EBU), OMNEO network audio inputs and outputs, and freely programmable control inputs and control outputs.
The power amp H5000 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers.
The power amp H5000 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers. The innovative 3-stage Grounded Bridge Class H Topology with “floating” switching power supply unit offers very high and stable output with extreme high efficiency on an extremely high performance level at minimum weight. PowerH amps are ideal for driving professional touring, high-end Concert-Sound and Pro-Sound applications. Next to classical protections, this new design employs the multi-stage ATP system (Advanced Thermal Protection) for the first time, which in most cases prevents the power amplifier from switching off when the temperature exceeds a critical level. The newly designed MCS system (Mains Current Supervision) prevents power amplifier breakdown caused by the activation of the automatic circuit breaker. For this, among other things, the MCS system uses the highly precise measurement of the RMS value ofthe actual mains current consumption. Information about the status of the power amplifier and its internal protections is provided on a LC-display. By utilizing the optionally available remote control module that is compatible with IRIS-Net™, this power amplifier additionally offers comprehensive remote monitoring and remote control functions plus a universal 2-channel digital audio controller (DSP) including highly precise FIR-filtering and digital speaker protection algorithms.
StudioLive® 18sAI Active Integration subwoofers deliver studio-monitor accuracy onstage with unprecedented onboard processing and networking features.
With the StudioLive™ 18sAI active PA subwoofer, you can get pretty darned low—down to 35 Hz (-6 dB). Better yet, the 18sAI’s 18-inch ferrite speaker delivers those lows with an accuracy usually found only in studio monitors—except a whole lot louder (up to 135 dB SPL), thanks to a 1,000 watt (bridged), Class D power amplifier. It adds up to punchy, round-sounding lows that make kick drums, basses, and other basement-dwelling sounds come alive. But that’s just the start!
StudioLive® 18sAI Active Integration subwoofers deliver studio-monitor accuracy onstage with unprecedented onboard processing and networking features. PreSonus® Active Integration technology enables wireless and wired networking control for setup, tuning, and monitoring functions, using an iPad®, a Mac® or Windows® laptop, or both. Powerful and musical, the StudioLive 18sAI naturally extends low-frequencies with a fast and accurate transient response and is a perfect mate for StudioLive 312AI, 315AI, and 328AI full-range loudspeakers, making it an ideal choice for installations and mobile applications where fidelity matters.
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
The RCM-28 Remote Control Module is a two-channel digital controller module for live sound reinforcement, PA and fixed installation applications. The module can be used in Electro-Voice Tour Grade amplifier models. Installing the RCM-28 turns a conventional amp into a remote amplifier, which, at any time, provides complete overview of the overall system status and control of all system parameters. RCM-28 modules allow the integration of amplifiers into an OMNEO network with up to 100 devices in a single subnet without additional hardware. OMNEO is a media networking architecture for professional applications. Using standard IP Ethernets, media products that integrate OMNEO can be assembled into networks of 2 to 10,000 cooperating devices that exchange studio-quality synchronized multichannel audio and share common control systems. This offers the possibility to control and monitor an entire sound system from one or more PCs using the IRIS-Net - Intelligent Remote & Integrated Supervision - software package. In addition to digital signal processing functions, the RCM-28 also offers a digital audio input (AES/EBU), OMNEO network audio inputs and outputs, and freely programmable control inputs and control outputs.
The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit that reduces weight while increasing output power, reliability and thermal efficiency.
The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 and CKd 1204 provide 1,250 Watts per channel in eight and four channels, respectively, while the CKd 608 and CKd 604 provide 625 Watts per channel in eight and four channels. Each amplifier channel will operate to rated power in direct 70-volt, 100-volt, 8-ohm or 4-ohm modes, configurable per channel.
CKd amplifiers are networkable through Crest Audio’s Nx Dante-8™ and Nx Cobranet-8 NexSys control modules and either Crest Audio NexSys 5 or Peavey® MediaMatrix® NWare™ software programs for advanced control and audio routing. The Nx Dante-8 and Nx Cobranet-8 modules fit into the rear bay of CKd Series power amps and support all NexSys functions, DSP functions and Dante digital audio I/O (via 1 Gigabit Ethernet connection) or Cobranet digital audio I/O (via 100baseT connection).
A Control Voltage input is included on each channel to allow external gain control, while the Fault output on each channel allows the CKd power amps to be wired to other monitoring systems. In addition, users can conserve energy by disabling channels that are not in use.
The CKd Series includes Crest Audio's exclusive ACL™ (Active Clip Limiting), which automatically reduces gain at the onset of clipping to prevent amplifier and load damage, and IGM™ (Instantaneous Gain Modulation), which monitors load current to protect against overloading.
The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit that reduces weight while increasing output power, reliability and thermal efficiency.
The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 and CKd 1204 provide 1,250 Watts per channel in eight and four channels, respectively, while the CKd 608 and CKd 604 provide 625 Watts per channel in eight and four channels. Each amplifier channel will operate to rated power in direct 70-volt, 100-volt, 8-ohm or 4-ohm modes, configurable per channel.
CKd amplifiers are networkable through Crest Audio’s Nx Dante-8™ and Nx Cobranet-8 NexSys control modules and either Crest Audio NexSys 5 or Peavey® MediaMatrix® NWare™ software programs for advanced control and audio routing. The Nx Dante-8 and Nx Cobranet-8 modules fit into the rear bay of CKd Series power amps and support all NexSys functions, DSP functions and Dante digital audio I/O (via 1 Gigabit Ethernet connection) or Cobranet digital audio I/O (via 100baseT connection).
A Control Voltage input is included on each channel to allow external gain control, while the Fault output on each channel allows the CKd power amps to be wired to other monitoring systems. In addition, users can conserve energy by disabling channels that are not in use.
The CKd Series includes Crest Audio's exclusive ACL™ (Active Clip Limiting), which automatically reduces gain at the onset of clipping to prevent amplifier and load damage, and IGM™ (Instantaneous Gain Modulation), which monitors load current to protect against overloading.
The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology.
The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit that reduces weight while increasing output power, reliability and thermal efficiency.
The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 provides 1,250 Watts per channel in eight and four channels.
The EXP1x adds eight RAD ports to a HAL1x via the Expansion Bus. The EXP1x requires a HAL1x to operate.
The EXP1x adds eight RAD ports to a HAL1x via the Expansion Bus. The EXP1x requires a HAL1x to operate. DR remotes are also supported on any RAD port, so the EXP1x also adds additional DR remotes. The graphic below shows most of the range of RADs and DRs that connect with shielded CAT 5e cable (or better). 512 inputs and 512 outputs are possible if 32 EXP1x Expanders are cascaded to a HAL1x.
The Rane EXP7x Expander for the HAL1x provides eight channels of full-featured, drag and drop Acoustic Echo Cancellation (AEC). Each channel of AEC can be added to any HAL1x system input and route to any Halogen DSP block, including the gain-sharing automixer, manual mixer, regular Room Combine block, or Conference Room Combine block.
The Rane EXP7x Expander for the HAL1x provides eight channels of full-featured, drag and drop Acoustic Echo Cancellation (AEC). Each channel of AEC can be added to any HAL1x system input and route to any Halogen DSP block, including the gain-sharing automixer, manual mixer, regular Room Combine block, or Conference Room Combine block. Chain up to 32 EXP7x units to a HAL1x for 256 assignable AEC channels.
Because EXP7x AEC channels are not associated with a particular hardware input, preset recall can re-assign an AEC resource across inputs / rooms as required. Drag and drop AEC supports the typical one-AEC-per-microphone configuration. With optimum acoustics, mic and loudspeaker placement, or with rarely used mics (such as audience mics) it allows mixing more than one mic into a single AEC channel, significantly reducing cost.
The EXP5x is a 12 Mic/Line/Line-Plus input & DSP expander for the HAL1x. It also supplies four DR ports, useful for adding source selection and/or volume control remote controls.
The EXP5x is a 12 Mic/Line/Line-Plus input & DSP expander for the HAL1x. It also supplies four DR ports, useful for adding source selection and/or volume control remote controls. Each of the 12 inputs independently supports either dynamic mic, 48V phantom mic, +4 dBu line-level, or Rane’s Line-Plus input. Line-Plus accepts -10 dBV unbalanced Left/Right Monoed together on the “+” and “–” ports, respectively. For stereo unbalanced sources, Line-Plus allows connecting the stereo RCA left tip conductor to the “+” terminal, the RCA right tip to the “–” terminal, and both RCA shields to the EXP5x Euroblock ground. Select Line-Plus in Halogen and you get a properly monoed audio channel.
The EXP3x is an 8-channel analog output & DSP expander for the HAL1x (required for operation).
The EXP3x is an 8-channel analog output & DSP expander for the HAL1x (required for operation). Two RAD ports make it a 4-input, 12-output audio device — depending on which two RADs are connected. Thus, 32 daisy-chained EXP3x Expanders provide 256 discrete zone outputs maximum, including output compression, parametric EQ, two levels of paging and background music. Also, eight logic outputs and six DR remote ports are included. Therefore, 32 daisy-chained EXP3x Expanders would provide 64 RAD ports, 192 DR ports and 256 logic outputs.
The dedicated DSP for each of the eight analog outputs offers two signal processing choices independently selectable per output. When you need background music, paging and emergency paging on an output, select the Zone Output processing set. This provides a Zone Processor block, and an Emergency Zone in addition to a Compressor and a 5-band parametric EQ with high- and low-cut filters. When Line Output is selected, the compressor and parametric EQ are available without the zone processing block and emergency paging blocks.
The product range includes oratis matrix frames of various sizes. Up to 15 oratis cards per 4-U matrix frame is achievable. Thus, oratis systems are the first choice whenever every inch counts – for example, in an OB truck.
The product range includes oratis matrix frames of various sizes. Up to 15 oratis cards per 4-U matrix frame is achievable. Thus, oratis systems are the first choice whenever every inch counts – for example, in an OB truck.
Each matrix frame holds up twelve oratis IF LAN cards, each connecting one commentator terminal. The IF LAN cards can be combined with audio interface and intercom cards and can be supplemented with GPI interfaces used for controlling external devices.
oratis matrix frames can include a line-ident memory used for loop-playing up to 24 idents. This enables the various stations live studio lines to be identified uniquely. As soon as the commentator goes on-air, the line ident is automatically muted.
Third party applications that use Dante Ready™ allow customers to purchase and activate Dante audio channels after installation using the Dante Activator tool in Dante Controller 4.5 or higher. Dante Activator is tied to an active Audinate user account and accepts standard credit card payments.
