Dante-enabled Product Catalog

Premium audio interface in Neumann quality with intuitive touchscreen control

• Class-leading AD/DA converters with enormous dynamic range
• Intuitive touchscreen user interface
• DSP processing (EQ, dynamics, reverb)
• 4 independent mixers with integrated talkback
• USB, ADAT and AES67 connectivity

THE PERFECT LINK The MT 48 brings Neumann quality to the digital workflow. It is the first audio interface in its class that is able to capture the full dynamic range of Neumann microphones and is optimally matched to the KH-Line of studio monitors and Neumann headphones. The result is an ideal signal chain without any bottlenecks: uncompromising sound quality from the microphone diaphragm to your ear. SWISS PRECISION INSIDE The MT 48 was developed in close cooperation with the Swiss manufacturer Merging Technologies, whose high-precision AD converters offer a staggering dynamic range of 136 dB. This gives the MT 48 four times the resolution of comparable audio interfaces. The MT 48 comes fully equipped for the reference-class personal studio: two extremely low-noise mic/line preamps with up to 78 dB gain, two line/instrument inputs, four monitor/line outputs and two superb headphone outputs, each with state-of-the-art AD/DA converters. The MT 48’s connectivity may be expanded via ADAT / S/PDIF and AES67; a MIDI interface is also integrated. Four separate monitor mixes can be controlled directly on the unit via touchscreen. On-board processing includes a fully parametric 4-band EQ and a 3-way dynamics processor (gate/compressor/limiter) per channel as well as a high-quality reverb. So musicians get inspiring sound for top performances. And there is still plenty of DSP power for future developments.

The Audient ORIA is the world’s first audio interface and monitor controller designed specifically with immersive audio in mind. Built for creating immersive audio mixes for formats such as Dolby Atmos, ORIA lets you calibrate, control and monitor multi-channel speaker arrays from stereo up to 9.1.6 and everything in between. Perfect for music, film, TV, game and VR production. Designed with a dual purpose, ORIA not only excels as a powerful USB-C audio interface providing 16 outputs for up to 9.1.6 mixing workflows, but can also effortlessly integrate into your existing studio setup as a standalone monitor controller via its ADAT Inputs. Flexibility where you need it.

ADVANCED SPEAKER PROCESSING
ORIA’s Advanced Speaker Processing lets you calibrate your room and create custom onboard calibration Profiles (presets) for any monitoring format from stereo to surround to 9.1.6 immersive setups, making reference checking your mix in different formats a breeze.

• 8-Band EQ: Deal with unwanted acoustic issues and colouration to ensure a flat and consistent translation of your audio
• Speaker Delay: Make sure audio from every speaker arrives at the mix position precisely at the same time
• Trim: Adjust the level of every speaker individually to ensure a balanced soundfield
• Bass Management: Accurately hear ALL of the bass and low end frequencies in your mix with ORIA’s bass management controls, featuring a per channel configurable crossover filter

Add to that the ability to calibrate your room in one of two ways. Either create a Profile by manually taking room measurements and dialing in the calibration settings or take advantage of upgrading to Sonarworks.

AX Center It's the audio interface that dreams are made of, as it unites the distinguished audio quality of pristine Digital Audio Denmark AD & DA conversion with the renowned transparency and musicality of the DAD mic preamps. It's all about capturing the source truthfully and get it into your DAW exactly as it is. But that's only the beginning of this journey through the various applications covered by AX Center. On the analog side, two XLR / 1/4" Jack combo connectors on the front for connecting microphones and instruments, you can add two 8 ch. mic/line A/D cards for 16 mic inputs and you have the perfect interface for a small studio or location recording. Or add one 8 ch. D/A card for an additional 8 analog outputs and you have the perfect interface for mixing in 7.1.4 ATMOS format. With one 8 ch. line A/D card and one 8 ch. D/A card, you have the perfect mastering converter. And all along you have two headphone connections where all sources in the system can be easily monitored. Included on the rear panel are a host of connectivity, covering Thunderbolt, Dante AoIP, MADI, ADAT, S/PDIF and Word Clock. In total - and fully expanded - you can max out AX Center with a staggering 984 input and output channels.

When it comes to sending and receiving extremely large numbers of audio signals over a network, the solution is called: Dante with the Clara E.

Up to 512 bi-directional channels, connection over long distances through low-cost network cables and infrastructure, samplerates of up to 192 kHz, auto-configuration – all these advantages of the Dante protocol are now available with the Clara E at an amazingly low price. In contrast to virtual solutions, the Clara E offers the security of redundancy with 2 separate network ports and latencies down to 1 ms in connection with the reliable PCIe interface.

Fast and Reliable Multi-Client Treiber Suite

The continuously enhanced driver includes multi-client support for ASIO 2.2 as well as multi-channel WDM audio / WASAPI with the lowest latencies in all software environments. This ensures that multiple audio applications can access the sound system simultaneously via the same or different driver interfaces.

Realtime Routing, Mixing and EQ

Each input signal of the sound system can be adjusted in volume and routed latency-free to any output. The BEAST DSP mixer also sums up to 64 signals to 8 different busses and plays them back on any number of outputs without delay. Furthermore, the BEAST Mixer adds playback signals from any DAW. In each channel of the BEAST mixer there are 4 parametric EQ available for sonic processing.

Expansion options

An optional plug-on module serves as a bridge to the classic audio formats and expands the Clara E with AES/EBU, ADAT or analog interfaces. In the routing and in the Beast Mixer the signals of these interfaces are available as well and can thus be integrated into the Dante network.

If several Clara E are installed in one computer, they are synchronized via the TDM SyncBus and appear as a combined sound system to an ASIO application. In the Beast Mixer, up to 32 audio signals can be exchanged with other Clara sound systems (e.g. Clara Dmaj) and thus also be integrated for use with ASIO.

Powerful and Future-Proof

Every MARIAN sound system is a quality product developed 100% in Germany and manufactured according to DIN EN ISO 9001. This is guaranteed by its warranty period of 5 years.

AX64 is a Multi-format Audio A/D and D/A converter, router and monitoring interface with 256 ch. Thunderbolt 3 I/O, 256 ch. Dante AoIP I/O, MADI 64 ch. BNC I/O, 128 ch. MADI SFP I/O module option and 16 ch. ADAT dual TosLink I/O with 256x64 ch. and 8 slots for optional multi-format DAD I/O cards. Pro|Mon summing and speaker eq processing.

Core 256 is a digital router and monitoring interface with 256 ch. Thunderbolt 3 I/O, 256 ch. Dante AoIP I/O, MADI 64 ch. BNC I/O, 128 ch. 128 ch. MADI SFP I/O module option and 16 ch. ADAT dual TosLink I/O with 256x64 ch. Pro|Mon summing and speaker eq processing.

The Thunder|Core-driven Core 256 does not take up much space, but the power you can squeeze out of this little box is might make your jaw drop to the floor. With tons of channels, a wide palette of digital connectivity, built-in SPQ processing, Eucon control compatibility, internal summing engine and drivers for macOS and Windows 10, it is a pristine digital audio interface by any measure and for just about any application.

Red 8Line has a total of 58 inputs and 64 outputs, including two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it features professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise, mastering-quality recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.

The two digitally controlled Red Evolution mic preamps are the product of decades of Focusrite’s impeccable attention to detail in designing audio hardware. Each preamp provides up to 63dB of ultra-clean gain, with individual phantom power, high-pass filter and phase reverse, and an option to stereo-link the two channels. The switchable Air mode mimics the sonic profile of the famous Focusrite ISA 110 input module and breathes life into any signal it touches.

The Focusrite Red Range is the best choice for professionals who work in Pro Tools | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it’s possible to instantly switch between Pro Tools | HD and other DAWs without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you’ll never lose that moment of inspiration, or leave your clients waiting.

Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite’s session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it’s also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.

In addition to Thunderbolt 3 and Pro Tools HD connectivity, the on-board Dante connection enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DigiCo.

Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presents for immersive monitoring environments including Dolby Atmos®.

Other features of the Red 8Line include precision metering and display: the interface has three LCD displays for highly accurate level metering for any input or output block, as well as main monitor and headphone outputs. Two discrete high-fidelity headphone outputs are powerful enough to deliver loud and clear audio on high impedance headphones and are controlled from the interface front panel. Dual instrument inputs on the front panel ensure you always have immediate access to quickly plug in a guitar, for example, even when racked.

The RedNet Control 2 is a software mixer with a hardware-focussed workflow, which is designed to allow quick setup of both simple and complex monitoring and routing configurations, together with controlling Red Evolution preamps remotely. This allows tighter integration with RedNet equipment over Dante.

RedNet R1 enables users to interact with their audio system like never before. It provides the flexibility to control a range of different monitor output setups, ranging from mono through to 7.1.4 surround, including Dolby Atmos® and other immersive audio workflows. Alternatively, completely custom setups of up to 12 outputs can be configured for bespoke speaker configurations. RedNet R1 can be used to control groups of outputs from a Red interface’s multitude of sources and destinations, including from Pro Tools | HD and other DAWs, analogue inputs and outputs, ADAT and S/PDIF connections, and from entire Dante audio ecosystems, simultaneously and interchangeably.

RedNet R1 supports a maximum of eight input sources from 32 available audio channels, across analogue, digital, DAW and Dante connections, and mixes and routes signals to up to 12 monitor output channels. Top-panel control includes level, reference level preset selection, cut, dim, mute and a variety of solo modes. There’s an A/B switch for switching between numerous monitoring presets, and up to four fold-down presets allow fast switching for checking downmixes. Custom cue mixes can be sent to talent from any of the 32 available inputs.

RedNet R1 also features a Dante-enabled talkback section, internal mic-pre and a high-powered headphones output, so you can interact with your Dante system like never before. Up to four talkback destination groups are available when used with a Red interface. (When used with other Dante devices, a single talkback group is available.) RedNet R1 has an internal microphone, or users can connect their own microphone via the rear-panel XLR. The high-fidelity headphone output is powerful enough to deliver high-SPL audio to high-impedance headphones.

RedNet R1 features two LCD displays for highly accurate level metering of the outputs, sources and headphone outputs, and for giving visual cues for navigating around menus. The unit is configured using RedNet Control 2, the software manager designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations. Other features of the RedNet R1 include a quarter-inch jack socket, which accepts a footswitch for talkback management, LFE muting and more. It can be powered via Ethernet to reduce cabling complexity (using the PoE standard), or by a DC power supply.

The ISA 828MkII incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs,while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an 'ISA 110' setting, which replicates the impedance of the original Focusrite mic pre.

Up to 60dB of gain is available, with a further +20dB of continuously variable trim,providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel,six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.

Dedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.

ISA ADN2 is an optional two-channel A-D card that provides high-quality analogue-to-digital conversion for the ISA One mic preamp and DI. Featuring Dante, AES3, ADAT andS/PDIF connectivity, the card operates at sample rates up to 24-bit/192kHz.

The card offers primary and secondary RJ45 Dante output ports, an XLR connector for AES3 output, a TOSLINK connector for ADAT output and RCA connector for S/PDIFoutput. Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources. This also includes syncing the Dante network to house clock,or for syncing external equipment to the Dante network.

Dante outputs on the card provide ISA One with network connectivity to all Focusrite RedNet devices and Red interfaces, as well as any other Dante-enabled device from hundreds of manufacturers. Metering and settings are accessed through RedNet Control, routing is configured using Dante Controller.

ISA ADN8 is an optional eight-channel A-D card that provides high-quality analogue-to-digital conversion for the Focusrite ISA 428 MkII and ISA 828 MkII microphone preamps. Featuring Dante, AES3 and ADAT connectivity, the card operates at sample rates up to 24-bit / 192kHz.

The card offers primary and secondary RJ45 Dante output ports, an AES59 DB25 connector for AES3 output, and a pair of TOSLINK connectors for ADAT output. Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources. This also includes syncing the Dante network to house clock, or for syncing external equipment to the Dante network.

Dante outputs on the ISA ADN8 provide ISA 428 MkII and ISA 828 MkII with network connectivity to all Focusrite RedNet devices and Red interfaces, as well as any other Dante-enabled device from hundreds of manufacturers. Metering and settings are accessed through RedNet Control, routing is configured using Dante Controller.

The PULSE16DX is the high-quality solution to connect and route a wide range of Analog, MADI, ADAT and Dante equipment – with up to 192 kHz. The PULSE16DX is the high-quality solution to connect and route a wide range of Analog, MADI, ADAT and Dante equipment – with up to 192 kHz. The high-density converter provides 16 x 16 balanced analoge TRS-I/Os. Combined with a temperature-compensated high-precision clock and an active jitter reduction hardware design, the 354-channel DX delivers an exceptional detailed sound. On the digital side, the multi-format device provides an optical MADI I/O with 64 I/Os. 2 x 4 ADAT ports can convert all 16 analog I/Os – even with up to 96 kHz. On top of it, the DX adds 64 x 64 channels of Dante/AES67 to an already impressive array of various I/Os – unique in this size and price range. The Pulse16DX incorporates a Word Clock I/O and a MIDI I/O for embedding signals and remote control of the unit. Many popular features from the flagship A32 have been added as well: Preset Management, Panel Lock and the sophisticated routing matrix. All in all the fan-less, small footprint device is a huge problem solver for studio and live sound applications.

Atlas is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Atlas is ideal for music and sound recording, mixing, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.    Atlas is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Atlas is ideal for music and sound recording, mixing, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.  Atlas offers eight analogue recording channels, eight monitoring outputs, stereo digital input and output on a phono connector plus concurrent optical digital I/O ports that can interface to S/PDIF or ADAT data formats, giving Atlas a maximum capability of 18 concurrent input and output channels plus stereo headphones.   

Titan is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Titan is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.    Titan is a USB multi-track audio interface for personal recording and sound production, for professional musicians, songwriters, engineers and producers as well as recording studios, post production facilities and scoring stages. Titan is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. 

For audio professionals working in stereo, surround and immersive formats up to 22.2, Grace Design presents the M908. With powerful DSP functionality, the latest generation AD/DA converters, and a highly intuitive control platform, the M908 provides a comprehensive, all in one monitoring solution for a vast array of formats and workflows.

• 24 channel AES3 digital I/O / 16 channel analog outputs
• 16 channel ADAT Lightpipe in / USB 24 channel inputs
• AES3, S/PDIF, and TOSLINK stereo inputs
• Optional Dante™ or DigiLink™ module for an additional 32 channels of I/O
• Optional 8 channel ADC module for 8 or 16 channel analog inputs
• Our latest generation of AD and DA converters
• 4th generation s-Lock pll clocking system for vanishingly low jitter
• High resolution volume control
• Powerful room correction EQ
• Complete bass management capability
• Channel level and delay calibration
• Comprehensive downmix control
• Built in SPL meter and pink noise source
• Powerful and intuitive remote control unit for access to all system controls and calibration
• Dual redundant external power supply
• Reference quality headphone amplifier with cross-feed
• Flexible talkback system with built-in mic on remote control and mic input for external talkback mics
• Up to 8 stereo CUE paths
• 4 General Purpose Input and Output pins for interfacing to external systems

The Vista 5 M3 is a highly flexible, compact digital mixer, with a superbly-conceived control surface that will find favour amongst users in broadcast production, live sound and performance venues.  The Vista 5 M3 is a highly flexible, compact digital mixer, with a superbly-conceived control surface that will find favour amongst users in broadcast production, live sound and performance venues. The console's particularly small size and simple connectivity make it one of the most portable desks on the market, equipping it ideally for use in small to midsize studios and OB trucks. The Vista 5 M3 can easily moved be from one location to another and set up within minutes.  The console is available in 22, 32 and 42- fader versions. The 32-fader desk consists of 20 channel strips, optimised for input channel operation, and 12 additional versatile strips for operating input or output channels. By using the standard Vistonics screen rotary controls, up to 52 outputs are under immediate control. A total of up to 240 channels can be accessed from the desk and laid out in any order, with the Vistonics system giving instant control over all related channel functions. DSP power and I/O are specified by the customer. The total I/O capacity, comprising various cards including mic/line, ADAT, TDIF, AES/EBU, SDI and MADI, may exceed 1700 inputs and outputs.  The 42-fader version has an additional bay of 10 input faders which allows an operator to control 42 input channels simultaneously, but equally importantly allows true two-person operation of the desk. This input bay is situated to the right of the output/master section, and can be 'isolated' from any global adjustments made on the left side of the desk using the LOCK mode. For example, changing fader layers or sections on the leftside will not affect the right-hand side channel faders when locked. The right-hand fader section features its own control panel to switch in or out the processing and EQs, so two operators will always have direct access within their own sections and users don't have to do any unnecessary moves across the console. When not locked, all channels on the desk follow the global view changes of displayed parameters, as well as following any section/layer changes. The 22-fader version delivers Vista mixing power in applications such as OB trucks where space is at a premium, providing all the flexibility of the D21m I/O system. All models are available with or without the TFT meterbridge.  At just 6U (6 rack spaces), Studer's SCore Live DSP engine is much smaller than many DSP engines, and, by including some local I/O, demands much less space on installation than many other console systems.  The Vista 5 M3 offers all the surround capabilities a user can dream of. Formats include 2CH stereo, LCR, LCRS and 5.1. The internal 5.1-to-stereo downmix function allows for simultaneous live productions in both formats. The Vista 5 also includes Studer's world-famous 'Virtual Surround Panning' (VSP™), using not only amplitude, but also time delay and frequency response panning.  Recommended for: Broadcast, Performing Arts, TV, OB Van, Theatres, Houses of Worship, Installed Sound.

TSL Product's flagship Precision Audio Monitor (PAM) range supports stereo, multichannel, multi-language and surround sound environments via a sophisticated, intuitive control interface. TSL Product's flagship Precision Audio Monitor (PAM) range supports stereo, multichannel, multi-language and surround sound environments via a sophisticated, intuitive control interface. Features

• Now supports IP Infrastructures whilst maintaining 3G/HD/SD-SDI, AES and Analogue Audio connections
• Now supports Dante Audio over IP
• Monitoring and decoding of Dolby E®, Dolby Digital® and Dolby Digital Plus® (including Metadata)
• Loudness Monitoring – EBU (R128) and ATSC (A85)
• 3G/HD/SD-SDI Video Source Monitoring directly on Front Panel.
• User Programmable Presets

The A32 Dante Version has an additional interface with 64 digital inputs and 64 digital outputs, which can be easily integrated into existing DANTE networks. The VERTO series make integration of digital ADAT and MADI into an existing DANTE network really easy. The compact enclosure of 1RU height and a ½-19“ width saves a lot of rack space. Every VERTO device features word clock I/O for external synchronization and is remote controllable via MIDI or MIDI-over-MADI (VERTOMX). No matter if used together with our A16 MKII, A32 or Pulse16, or a converter from another brand – simply connect to the VERTO via ADAT or MADI – and you’re ready to go! Remote Control Via the Dante Network Both the VERTO series and all other converters from Ferrofish can be remotely controlled via the DANTE Network. If all devices are connected via MIDI, the VERTO converts all DANTE audio streams to ADAT or MADI and the control commands sent over DANTE into MIDI remote control messages. The VERTOMX offers an additional feature: Instead of a separate MIDI Port the MIDI messages are extracted from the MIDI-over-MADI port. The Verto series comprises of:

• Verto32
• Verto64
• VertoMX

The A32 Dante Version has an additional interface with 64 digital inputs and 64 digital outputs, which can be easily integrated into existing DANTE networks. The A32 Dante Version has an additional interface with 64 digital inputs and 64 digital outputs, which can be easily integrated into existing DANTE networks. Alternatively, with an interconnection of two A32 DANTEs, a live recording on the computer of up to 64 channels is possible at any time. In this case, a separate sound card (such as, for example, when using the ADAT or MADI ports) is not necessary. The intuitive operating concept and the redundancy options, as well as the multiple submix and routing possibilities, make the A32 DANTE an ideal component of every DANTE interconnected system.

24 tracks digital on-site audio recorder with embedded mixer plate, intuitive interface and a optional Dante board with 32 channels input and output.

Analog and Digital Inputs

• 12 analog inputs on XLRs
• 8 low noise mic preamps with very high quality transformer, 48V Phantom, limiters and filters
• 4 analog line inputs
• Multiple AES digital inputs includes 2 AES42 pairs (mode 2), 8 AES/EBU and a Dante Audinate network access

Mixer and Outputs

• Ten tracks mixer plate with magnetic linear assignable faders
• All inputs can be routed to any of the 24 tracks
• All tracks and inputs can be routed to 8 analog auxiliary outputs and /or digital outputs
• Mixdown can be assigned to any of the tracks

Recording Media

• Records and playback to and from internal 256 Gg SSD drive (expandable SSD size)
• Simultaneous recording to internal SSD drive, two SD cards and USB external drive

Metering and Controls

• Ultra bright large swivelling display panel, visibility optimised for shoulder work or cart
• Two large rotary control selectors for easy record and operations in any situations
• Linear control faders addressable to any inputs and output
• New improved interface menu accessible through buttons, jog wheel - All inputs and outputs monitoring and routing available through comprehensive and intuitive menus
• USB keyboard input for easy metadata editing and routing control
• Wifi and Bluetooth communication 

The leading choice of broadcasters worldwide, Wohler's AMP2-16V could be the only audio monitor you will ever need. The modular design, superb quality, upgradeability and ease of use is why broadcasters consistently choose the AMP2-16V Series monitors for their most demanding applications. Since we invented the in-rack audio monitor, we have not stopped improving it—and the world’s best selling and most powerful monitor now offers an even broader set of critical audio management tools. A complete suite of tools for analyzing and managing audio quality, level and loudness, metadata, and more. Now includes modular options for Dante™ and AES67. Features/Benefits: Monitor, mix, and route embedded AoIP, SDI, AES, analog, and TOSLINk audio sources; 16-channels of simultaneous, multi-format audio monitoring, metering and management; Add additional module cards/features as requirements change; Dual high resolution LCD screens with auto-detecting 3G/HD/SD-SDI video; Display application specific audio, video, or metadata information on either screen; Loudness monitoring with alarms; Fully customizable level meters including scale, color, range, thresholds and more; 32 presets allow complete reconfiguration of the entire unit with one button press.

The D*AP8 CODEC EDITION is designed to replace a wide range of legacy Dolby® processors wherever there is a requirement for decoding, encoding or transcoding of audio signals. Multiple audio I/O formats are supported including native AES along with optional SDI, MADI, Dante™ and analog. Developed in close cooperation with Dolby® Labs, the D*AP8 CODEC EDITION is designed to replace a wide range of legacy Dolby® processors wherever there is a requirement for decoding, encoding or transcoding of audio signals. Multiple audio I/O formats are supported including native AES along with optional 3G SDI, MADI, Dante™ and analog. Designed for use in all areas of audio broadcast and distribution, Jünger Audio’s D*AP8 CODEC EDITION offers the functionality to decode and/or encode any current Dolby® audio bitstream and to effectively manage and emulate all Metadata parameters. The D*AP8 CODEC EDITION has built in Dolby® decoding with metadata management and emulation as standard. Encoding is also available as an option. Network based loudness metering and voice over are standard whilst logging, automatic Upmix and fail over are optional. The following Dolby® formats are supported: Dolby® E, Dolby® Digital Plus, Dolby® Digital, Pro Logic II, AAC, HE-AAC.

The D*AP8 MAP EDITION is a multi-purpose audio device comprising of an 8 channel audio monitor, an optional comprehensive Dolby® toolkit including metadata emulation, along with loudness metering and logging capabilities. Supporting SDI, AES, MADI, Dante™ and analog I/O, the unit can handle all audio formats up to 7.1. The D*AP8 MAP EDITION is a multi-purpose audio device comprising of an 8 channel audio monitor, an optional comprehensive Dolby® toolkit including metadata emulation, along with full loudness metering and logging capabilities. Supporting 3G SDI, AES, MADI, Dante™ and analog I/O, the unit can handle all audio formats from mono up to 7.1 surround. Aimed at production, QC and live broadcast applications, Jünger Audio’s D*AP8 MAP EDITION is designed to serve as an ideal replacement and upgrade for the discontinued Dolby® DP570 Multi-Channel Audio Tool. Selectable Primary and Secondary inputs allow easy switching between source signals for monitoring and auditioning of either surround or stereo mixes. A fully featured downmix section, a speaker control section, matrix re-mapping and an output section with full bass management are part of the D*AP8 MAP EDITION’s comprehensive feature set. The D*AP8 MAP EDITION may be also equipped with optional Dolby® decoding and encoding.

The D*AP8 TAP EDITION is the ideal solution for automatic and intelligent loudness management in real-time surround TV broadcast playout environments. Level Magic™ ensures maximum audio quality whilst maintaining compliance with all worldwide loudness standards. Multiple audio I/O formats are supported including AES, SDI, MADI, Dante™ and analog. The D*AP8 TAP EDITION is the ideal solution for automatic and intelligent loudness management in real-time surround TV broadcast playout environments. Jünger Audio’s Level Magic™ ensures maximum audio quality whilst maintaining compliance with all worldwide loudness standards. Multiple audio I/O formats are supported including native AES along with optional 3G SDI, MADI, Dante™ and analog, allowing the D*AP8 TAP EDITION to also function as a bridge between different standards such as Dante™, 3G SDI or MADI. The D*AP8 TAP EDITION audio processor features loudness control plus dynamic range processing for up to eight channels of audio. Optional Dolby® audio decoding and encoding including metadata management is also available, along with 5.1 Downmix and automatic Upmix features, sophisticated fail over and voice over solutions. Additionally, Jünger Audio’s Spectral Signature™ dynamic equalizer, a powerful creative tool that allows adaptive control of the spectral balance of your content is a standard feature.

AuviTran Audio ToolBox is a modular audio platform giving access to a large variety of professional audio networked configurations. With 3 or 7 slots, AVBx3 and AVBx7 can convert microphone, line in, line out, AES EBU, ADAT, MADI, EtherSound or CobraNet to DANTE. The AVBx3 and AVBx7 can be mounted in Installation or Touring mode for front or rear panel connectors. AVBx7 embed a built in 1024x1024 digital routing matrix. Accessories such as redundant power supplies, Switch card with Fiber connectors, 128 channels Sample Rate Converter or GPIOs can be added to extend the ToolBox Solution.

AuviTran Audio ToolBox is a modular audio platform giving access to a large variety of professional audio networked configurations. With 3 or 7 slots, AVBx3 and AVBx7 can convert microphone, line in, line out, AES EBU, ADAT, MADI, EtherSound or CobraNet to DANTE. The AVBx3 and AVBx7 can be mounted in Installation or Touring mode for front or rear panel connectors. AVBx7 embed a built in 1024x1024 digital routing matrix. Accessories such as redundant power supplies, Switch card with Fiber connectors, 128 channels Sample Rate Converter or GPIOs can be added to extend the ToolBox Solution.