Dante-enabled Product Catalog

It’s the way to add Millennia preamps to your Dante network.  Any HV-3R ever made can have this option installed (digital option required). RedNet compatible

It’s the way to add Millennia preamps to your Dante network.  Any HV-3D ever made can have this option installed (digital option required). RedNet compatible.

The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people. 

The Millennia HV-3D is an 4-channel version of the very successful and popular HV-3C stereo preamp. The Millennia HV-3D is a 4-channel version of the very successful and popular HV-3C stereo preamp. The HV-3D combines multiple channels to minimize redundant mechanical and electrical parts. This is a tool you can build a career around: it will remain valuable and useful no matter how far your sonic explorations take you. Acquiring an HV-3D is a step off the upgrade treadmill, a step that will ultimately save you much more than your initial investment. Authentic Transparency for Unrestricted Creativity

• Unsurpassed ambience retrieval
• Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
• Uncolored timbral accuracy at all dynamic levels
• Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
• Effortless, vividly realistic, musical performance
• Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease
• Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB
• Ultra-clean toroid power supply
• Gold audio connectors and switches
• Mogami Neglex OFC audio wiring
• Silver Teflon power wiring
• Welded 16 gauge steel rack chassis

The FORUM is a self-contained digital audio mixing console specifically designed to meet the most rigorous demands of the radio and television broadcast industry. Its flexible design allows it to readily be adapted to any ON-AIR application. FORUM adapts perfectly to any environment: auto-control, studio control, television production, sound production, mixed configurations, integration in large installations, etc. The control surface can be configured with a minimum of 4 faders, and easily expanded to 8, 12 or even 20 channels with the FRGRAND chassis.

Mid-scale live production console. L300 helps highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. The L300 offers ample power for mid-scale productions and combines superb audio quality with a comprehensive collection of processing tools, within a superb user interface. Smaller But Still Mighty There are two models available in the SSL Live console range, the larger L500 Plus and the more compact L300. Both consoles are perfectly equipped for applications in Touring, Installation, Houses Of Worship and Theatre. At SSL we believe that offering a more compact console should not mean compromising and reducing quality or features. Both consoles offer the same immaculate, huge SSL sound and the same superb operator experience. There are no compromises in build quality and both consoles use and can share the same Remote I/O. The L300 is physically smaller than the L500 Plus, so it is a more compact, lower cost option… with no hidden performance compromises – it’s that simple.

The DN32-DANTE expansion card provides up to 32 channels of bidirectional, networked audio to your MIDAS M32 or BEHRINGER X32 mixing console for seamless integration with Dante enabled IP networks. Based on information technology standards, Dante provides uncompressed, multichannel digital media networking, with low latency and synchronisation. By focusing on flexible interoperability on an existing IP network infrastructure, Dante has been widely accepted and adopted by many pro audio manufacturers. Overview

• Audinate Dante* expansion module for MIDAS and BEHRINGER digital consoles
• Up to 32 bidirectional channels @ 48 kHz
• Enables multichannel recording and playback via Dante Virtual Soundcard* (PC or Mac* computer)
• Primary and secondary Ethernet interfaces for dual-redundant Dante networking
• Operates from internal Dante network Precision Time Protocol (PTP) clock
• Optional Dante Controller software for remote confi guration (PC or Mac* computer)
• LED indicators monitor network activity and speed
• 3-Year Warranty Program**
• Designed and engineered in England

The M32 is a live performance and studio recording digital console with up to 40 simultaneous input channels. It includes 32 award-winning MIDAS microphone preamplifiers, 25 time-aligned and phase-coherent mix buses and Dante network connectivity when including the DN32-DANTE card. By installing the DN32-DANTE card in place of the DN32-USB card, your M32 will interface with Dante networks using virtually any 100Mbit/s or Gigabit Network infrastructure with DSCP-based QoS – providing dependable multi-channel audio that coexist with other IP-based data traffic on the same network. The DN32-DANTE card utilizes 24-bit signal transmission with sample-accurate synchronization and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32 is possible using the integrated Ethernet switch. When the DN32-DANTE card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.

The B2 Bomber analog to digital converter is designed to give you the ultimate in recording tone. BURL Audio designed an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. Features:

• 44.1k Hz to 192k Hz, 24 bit, 2 channel ADC
• Proprietary, high definition, BURL Audio BX1 transformer input
• All class A, discrete transistors signal path with zero feedback, zero caps
• Audiophile quality 6 position attenuator with standard headroom settings
• High definition metering with simultaneous RMS and peak indication
• Dante, 2 AES, SPDIF and Toslink output
• BNC word clock input with two outputs of extremely low jitter clock
• Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB
• Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB
• Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB
• 120dB Dynamic Range (A- weighted), 117dB (no weighting)
• -100dB THD+N (+4dBU = -15dBFs)
• -94 dB THD+N (+18dBU = -1dBFs)
• Rugged, Made in USA design

80-CHANNEL CONFIGURABLE AD/DA INTERFACE Simply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth and musicality, the MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry.  Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card based system, and a heavy duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 2, 4 and 8 channel AD/DA cards, all with the B2 quality signal path. B80 MOTHERSHIP Features:

• 4U main chassis
• BMB1 (DigiLink) motherboard
• BMB2 (MADI) motherboard
• BMB3 (Dante) motherboard
• B1 BNC Word Clock In
• 2 BNC Word Clock Out
• 10 card slots
• All slots accept AD/DA, AES, MADI and BCLK
• 2, 4, and 8 channel analog cards

BAD4 Features:

• 44.1k Hz to 192k Hz, 24 bit, 4 channel ADC
• Exact same circuit path as B2 BOMBER ADC
• Proprietary, high definition, BURL AUDIO BX1 transformer input
• All class-A, discrete transistors signal path with zero feedback, zero capacitors
• 4 XLR connectivity

BDA8 Features:

• 44.1k Hz to 192k Hz, 24 bit, 8 channel DAC
• Circuit path based on B2 BOMBER DAC
• Latest BURL AUDIO BOPA2, OP-AMP
• All class-A, discrete transistors signal path zero capacitors
• D-sub DB-25 connectivity

BCLK Features:

• 9 Word Clock Outputs (8 BNC, 1 AES)
• Two independently programmable banks
• Extremely stable, low jitter clock
• Up to 92 Word Clock outputs in 1 unit

THE B2 BOMBER DIGITAL / ANALOG CONVERTER The B2 Bomber DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of. Features: • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC • Proprietary custom design BOPA1, all discrete op-amps • Passive filters • All class-A • Zero capacitor signal path • Audiophile quality 6 position attenuator with standard headroom settings • High definition metering with simultaneous RMS and peak indication • Dante, 2 AES, SPDIF and Toslink input • BNC word clock input with two outputs of extremely low jitter clock • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz • 115dB Dynamic Range • -96 dB THD+N, full scale output = +18dBu • Rugged, Made in USA design • Check with dealers for pricing

he OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production.  The OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production. It’s ideal for studios needing an additional professional grade fader unit and additional I/O or a compact and cost effective mixing console for a production room or studio. Integrated USB playback and record functions make the OnAir 1500 a very compact yet complete mixer.

• 12-channel, 6-fader console with Studer NANO SCORE DSP and I/O Engine, 100 mm faders
• 6-fader add-on expansion module, 100mm faders
• Super slim design for ergonomic table top installation
• Flush-mount and 19" rack-mount options available
• Full channel processing, including four-band EQ, compressor, limiter, expander, gate and de-esser
• Comprehensive monitoring and talkback with unique headphone split mode and internal speaker
• OLEDs (Organic LED) in fader strips and central module provide clearest displays.
• Ergonomic, easy-to-learn Touch 'n' Action™ user interface.
• USB jingle playback and bus recording facilities
• I/O Expansion through standard Studer D21m card slots
• Complete integration with Radio Automation Systems, Studer's Call Management System, and RELINK our I/O sharing technology
• Advanced timer functionality
• USB user identifier for easy user rights assignment
• Standard I/O:
  • Inputs: 16 Mic/Line, 4 stereo AES (with SRC), D21m card slot, USB 
  • Outputs: 16 Line Out, 4 stereo AES, D21m card slot, USB
  • Control: 8 x GPI, 8 x GPO, Ethernet
  • Busses: 1 stereo PGM, 1 stereo RECORD, 1 stereo PFL, 4 N–1 busses (AUX), 1 Audition, CR and ST monitoring (stereo)

With simple point-to-point connectivity, the OnAir 1500 can be easily moved around as a backup or secondary unit, with a recommended maximum distance of 60 m away from its core when connected via high-quality Cat5 cabling. Flexibility is increased with addition of the 6-fader extension bay, creating either a 12 fader surface, or 6 faders can be remotely placed in a producer's bay or used as a redundant surface. The system can bridge the gap between on-air and production needs, offering an all inclusive design of features and function to improve ease and efficiency of executing great programming in either setting, all of the time.

POLARIS evolution is based on a novel digital mixing DSP concept that can be controlled from an advanced touch screen user interface. Driven by the desire to create the most flexible and scalable system on the market, the SALZBRENNER engineering team proudly presents the first cloud-based audio processing system for pro applications. The POLARIS evolution concept allows multiple users to share a single DSP core—a major benefit for multipurpose venues, broadcast applications, OB trucks and any project or operation requiring maximum flexibility. Thanks to a revolutionary audio network concept, rigid constraints are a thing of the past. With POLARIS evolution, live, theatre and broadcast productions can be run concurrently on the same DSP engine!

The RMio64-D remote rack enables audio from a Yamaha CL or QL console to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production. The RMio64-D remote rack enables audio from a Yamaha CL or QL console to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production. Word clock synchronization can be an issue when converting between different audio formats, but with The RMio64-D MADI built-in inputs and outputs built-in eliminate the problem of word clock synchronization when converting between different audio formats. Sample rate conversion sources with differing word clocks can be connected without causing noise or dropouts. In addition to redundant Dante network connections, the RMio64-D also supports MADI redundancy through simultaneous coaxial and optical connections. With the MADI Split (loopback) capability, a signal received at either the coaxial or optical input can now be retransmitted to the output.

The Sennheiser EM 9046 microphone receiver incorporates up to 8 digital receiving channels, each with 328 MHz of switching bandwidth covering the UHF spectrum from 470 to 798 MHz.  A highly intuitive, icon-based user interface provides a complete system overview via a large TFT display. Designed for maximum spectral efficiency, the EM 9046 can safely accommodate as many as 40 channels within a 24 MHz frequency window. Complex intermodulation calculations are no longer necessary - operating frequencies can now be evenly spaced. The new EM 9046 multichannel receiver is destined to become the reference standard throughout the broadcast and theatre production industries, like the legendary Sennheiser EM 1046 that came before.

The Sennheiser Dante™ card for the EM 9046 receiver enables its top-of-the-range Digital 9000 microphone system to be integrated into Dante audio-over-IP networks. The EM 9046 DAN extension card inserts into the EM 9046 eight-channel receiver expansion slot. Sixteen audio inputs can send both digital audio and command signals over the Dante network using the card. Two Gbit RJ45 sockets are provided that serve to establish two redundant network circuits or daisy-chain the signals. Sampling rates of 44.1/48/88.2 and 96 kHz at a resolution of 24 bits are possible with the card. Download firmware for Digital 9000 Microphone System to support Sennheiser EM 9046 DAN Dante option card

The power amp H2500 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers. The power amp H2500 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers. The innovative 3-stage Grounded Bridge Class H Topology with “floating” switching power supply unit offers very high and stable output with extreme high efficiency on an extremely high performance level at minimum weight. PowerH amps are ideal for driving professional touring, high-end Concert-Sound and Pro-Sound applications. Next to classical protections, this new design employs the multi-stage ATP system (Advanced Thermal Protection) for the first time, which in most cases prevents the power amplifier from switching off when the temperature exceeds a critical level. The newly designed MCS system (Mains Current Supervision) prevents power amplifier breakdown caused by the activation of the automatic circuit breaker. For this, among other things, the MCS system uses the highly precise measurement of the RMS value ofthe actual mains current consumption. Information about the status of the power amplifier and its internal protections is provided on a LC-display. By utilizing the optionally available remote control module that is compatible with IRIS-Net™, this power amplifier additionally offers comprehensive remote monitoring and remote control functions plus a universal 2-channel digital audio controller (DSP) including highly precise FIR-filtering and digital speaker protection algorithms.    

The RCM-28 Remote Control Module is a two-channel digital controller module for live sound reinforcement, PA and fixed installation applications.  The RCM-28 Remote Control Module is a two-channel digital controller module for live sound reinforcement, PA and fixed installation applications. The module can be used in DYNACORD PowerH amplifier models. Installing the RCM-28 turns a conventional amp into a remote amplifier, which, at any time, provides complete overview of the overall system status and control of all system parameters. RCM-28 modules allow the integration of amplifiers into an OMNEO network with up to 100 devices in a single subnet without additional hardware. This offers the possibility to control and monitor an entire sound system from one or more PCs using the IRIS-Net - Intelligent Remote & Integrated Supervision - software package. In addition to digital signal processing functions, the RCM-28 also offers a digital audio input (AES/EBU), OMNEO network audio inputs and outputs, and freely programmable control inputs and control outputs.

The power amp H5000 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers.  The power amp H5000 is part of Dynacord’s new PowerH SERIES, which marks a milestone in the design and the production of high-performance power amplifiers. The innovative 3-stage Grounded Bridge Class H Topology with “floating” switching power supply unit offers very high and stable output with extreme high efficiency on an extremely high performance level at minimum weight. PowerH amps are ideal for driving professional touring, high-end Concert-Sound and Pro-Sound applications. Next to classical protections, this new design employs the multi-stage ATP system (Advanced Thermal Protection) for the first time, which in most cases prevents the power amplifier from switching off when the temperature exceeds a critical level. The newly designed MCS system (Mains Current Supervision) prevents power amplifier breakdown caused by the activation of the automatic circuit breaker. For this, among other things, the MCS system uses the highly precise measurement of the RMS value ofthe actual mains current consumption. Information about the status of the power amplifier and its internal protections is provided on a LC-display. By utilizing the optionally available remote control module that is compatible with IRIS-Net™, this power amplifier additionally offers comprehensive remote monitoring and remote control functions plus a universal 2-channel digital audio controller (DSP) including highly precise FIR-filtering and digital speaker protection algorithms.    

Dante card for Capitol console. Dante card for Capitol console.

Dante card for FORUM console. Dante card for FORUM console.

StudioLive® 18sAI Active Integration subwoofers deliver studio-monitor accuracy onstage with unprecedented onboard processing and networking features. With the StudioLive™ 18sAI active PA subwoofer, you can get pretty darned low—down to 35 Hz (-6 dB). Better yet, the 18sAI’s 18-inch ferrite speaker delivers those lows with an accuracy usually found only in studio monitors—except a whole lot louder (up to 135 dB SPL), thanks to a 1,000 watt (bridged), Class D power amplifier. It adds up to punchy, round-sounding lows that make kick drums, basses, and other basement-dwelling sounds come alive. But that’s just the start! StudioLive® 18sAI Active Integration subwoofers deliver studio-monitor accuracy onstage with unprecedented onboard processing and networking features. PreSonus® Active Integration technology enables wireless and wired networking control for setup, tuning, and monitoring functions, using an iPad®, a Mac® or Windows® laptop, or both. Powerful and musical, the StudioLive 18sAI naturally extends low-frequencies with a fast and accurate transient response and is a perfect mate for StudioLive 312AI, 315AI, and 328AI full-range loudspeakers, making it an ideal choice for installations and mobile applications where fidelity matters.

The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people. 

The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people. 

The RCM-28 Remote Control Module is a two-channel digital controller module for live sound reinforcement, PA and fixed installation applications. The module can be used in Electro-Voice Tour Grade amplifier models. Installing the RCM-28 turns a conventional amp into a remote amplifier, which, at any time, provides complete overview of the overall system status and control of all system parameters. RCM-28 modules allow the integration of amplifiers into an OMNEO network with up to 100 devices in a single subnet without additional hardware. OMNEO is a media networking architecture for professional applications. Using standard IP Ethernets, media products that integrate OMNEO can be assembled into networks of 2 to 10,000 cooperating devices that exchange studio-quality synchronized multichannel audio and share common control systems. This offers the possibility to control and monitor an entire sound system from one or more PCs using the IRIS-Net - Intelligent Remote & Integrated Supervision - software package. In addition to digital signal processing functions, the RCM-28 also offers a digital audio input (AES/EBU), OMNEO network audio inputs and outputs, and freely programmable control inputs and control outputs.

The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit that reduces weight while increasing output power, reliability and thermal efficiency. The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 and CKd 1204 provide 1,250 Watts per channel in eight and four channels, respectively, while the CKd 608 and CKd 604 provide 625 Watts per channel in eight and four channels. Each amplifier channel will operate to rated power in direct 70-volt, 100-volt, 8-ohm or 4-ohm modes, configurable per channel. CKd amplifiers are networkable through Crest Audio’s Nx Dante-8™ and Nx Cobranet-8 NexSys control modules and either Crest Audio NexSys 5 or Peavey® MediaMatrix® NWare™ software programs for advanced control and audio routing. The Nx Dante-8 and Nx Cobranet-8 modules fit into the rear bay of CKd Series power amps and support all NexSys functions, DSP functions and Dante digital audio I/O (via 1 Gigabit Ethernet connection) or Cobranet digital audio I/O (via 100baseT connection). A Control Voltage input is included on each channel to allow external gain control, while the Fault output on each channel allows the CKd power amps to be wired to other monitoring systems. In addition, users can conserve energy by disabling channels that are not in use. The CKd Series includes Crest Audio's exclusive ACL™ (Active Clip Limiting), which automatically reduces gain at the onset of clipping to prevent amplifier and load damage, and IGM™ (Instantaneous Gain Modulation), which monitors load current to protect against overloading.

The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit that reduces weight while increasing output power, reliability and thermal efficiency. The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 and CKd 1204 provide 1,250 Watts per channel in eight and four channels, respectively, while the CKd 608 and CKd 604 provide 625 Watts per channel in eight and four channels. Each amplifier channel will operate to rated power in direct 70-volt, 100-volt, 8-ohm or 4-ohm modes, configurable per channel. CKd amplifiers are networkable through Crest Audio’s Nx Dante-8™ and Nx Cobranet-8 NexSys control modules and either Crest Audio NexSys 5 or Peavey® MediaMatrix® NWare™ software programs for advanced control and audio routing. The Nx Dante-8 and Nx Cobranet-8 modules fit into the rear bay of CKd Series power amps and support all NexSys functions, DSP functions and Dante digital audio I/O (via 1 Gigabit Ethernet connection) or Cobranet digital audio I/O (via 100baseT connection). A Control Voltage input is included on each channel to allow external gain control, while the Fault output on each channel allows the CKd power amps to be wired to other monitoring systems. In addition, users can conserve energy by disabling channels that are not in use. The CKd Series includes Crest Audio's exclusive ACL™ (Active Clip Limiting), which automatically reduces gain at the onset of clipping to prevent amplifier and load damage, and IGM™ (Instantaneous Gain Modulation), which monitors load current to protect against overloading.