The Biamp Tesira SERVER-IO offers the flexibility to have scalable DSP and I/O in the same device, with up to three DSP-2 cards and up to 12 I/O cards, as well as Dante™, AVB, and/or CobraNet®.
The SERVER-IO can support up to 12 standard Tesira I/O cards for up to 48 channels of audio I/O (e.g. mic and line level, VoIP, and telephone interface). The SERVER-IO can be configured with up to three total audio networking cards per server. The combinations of networking cards can include up to one AVB-1 Audio Video Bridging network card, up to two SCM-1 CobraNet network cards, and up to two Biamp DAN-1 Dante network cards in any configuration. An integral network card provides network connectivity for configuration and control of the Tesira network.
The Roland XI-DANTE expansion interface card enables the Roland ORCHA series of products such as the M-5000 live mixing console, full-duplex two-way communication on a maximum of 64 channels at 48kHz (32 channels at 96kHz). The card contains primary and secondary ports to allow for redundancy or daisy-chained Dante-enabled devices, and a control port.
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each).
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application.
The M-5000 is the first offering in Roland's new approach to audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions.
Extensibility
Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
Outstanding 24-bit, 96kHz sound quality
High-precision 72-bit linear summing circuitry
High-end discrete preamps onboard and available in remote snake options
Surface Design
12" touch screen with “touch and turn” operation
28 freely scrollable, isolatable, or assignable faders
Numerous knobs and buttons, both contextual and assignable, to support rapid response
The Bittner 4Xi power amplifier is available in 2 models, the 4X 1200i and 4X 2000i (with 4 x 1200 watt and 4 x 2000 watts @ 4 ohms respectively), and offers rear controls, analog or digital inputs, XLR or Phoenix input connectors, Speakon or Phoenix output connectors – the concept of the 4X is as flexible as its applications. Also available are audio networking via Dante™ and control via Ethernet (with SXL II) offering worldwide diagnostics and maintenance via the Internet
The 4Xi and the front control version, the 4Xe, both offer the following specifications:
Up to 4x 2000 W in only 2 RU
Impedance measurement
Selectable Clip Limiter (hard/soft)
4-channel Dante Inputs
SXL II Dataport (RS485)
High Tech SMT Design
Excellent sound and superior impulse response
2 separate stereo amplifiers
Ready for 2 Ohm operation
Protection Circuits: DC, LF, HF, Thermal, Short Circuit, Current Limiter, 3 ms Muting Delay
XLR inputs and Speakon outputs (e version)
Phoenix in- and outputs (i version)
High-End switched power supply with PFC
LED indicators for SIGNAL, CLIP, PROTECT, POWER
Temperature controlled, variable speed low noise fans
Digital wear-free Volume Controls (can be operated manually)
The Bittner 4Xe power amplifier is available in 2 models, the 4X 1200e and 4X 2000e (with 4 x 1200 watt and 4 x 2000 watts @ 4 ohms respectively), and offers front controls, analog or digital inputs, XLR or Phoenix input connectors, Speakon or Phoenix output connectors – the concept of the 4X is as flexible as its applications. Also available are audio networking via Dante™ and control via Ethernet (with SXL II) offering worldwide diagnostics and maintenance via the Internet
The 4Xe and the rear control version, the 4Xi, both offer the following specifications:
Up to 4x 2000 W in only 2 RU
Impedance measurement
Selectable Clip Limiter (hard/soft)
4-channel Dante Inputs
SXL II Dataport (RS485)
High Tech SMT Design
Excellent sound and superior impulse response
2 separate stereo amplifiers
Ready for 2 Ohm operation
Protection Circuits: DC, LF, HF, Thermal, Short Circuit, Current Limiter, 3 ms Muting Delay
XLR inputs and Speakon outputs (e version)
Phoenix in- and outputs (i version)
High-End switched power supply with PFC
LED indicators for SIGNAL, CLIP, PROTECT, POWER
Temperature controlled, variable speed low noise fans
Digital wear-free Volume Controls (can be operated manually)
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
Eight channels of the acclaimed Millennia HV-3 mic preamp circuits. It’s the way to add uncolored preamps to your Dante network.
Authentic Transparency for Unrestricted Creativity
Unsurpassed ambience retrieval
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
Uncolored timbral accuracy at all dynamic levels
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
Eight remote controllable channels of the acclaimed Millennia HV-3 mic preamp circuits. It’s the way to add uncolored preamps to your Dante network.
Unrestricted Capacity, Uncompromised Clarity
Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
Plug ‘n play Pro Tools interface via MIDI
AElogic Windows software offers total control
Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
Effortless, vividly realistic musical performance
Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
Gain controls (1 dB per step) on all channels are-matched to .08 dB
Ultra-clean toroid power supply
Mogami Neglex OFC audio wiring, silver Teflon power wiring
It’s the way to add Millennia preamps to your Dante network. Any HV-3R ever made can have this option installed (digital option required). RedNet compatible
It’s the way to add Millennia preamps to your Dante network. Any HV-3D ever made can have this option installed (digital option required). RedNet compatible.
The DICENTIS Conference System integrates audio, video and meeting content with internet access in one single system. Emphasis has been placed on putting people and their content at the core of the system concept. This increases presentation effectiveness and enhances interaction between people.
The Millennia HV-3D is an 4-channel version of the very successful and popular HV-3C stereo preamp.
The Millennia HV-3D is a 4-channel version of the very successful and popular HV-3C stereo preamp. The HV-3D combines multiple channels to minimize redundant mechanical and electrical parts. This is a tool you can build a career around: it will remain valuable and useful no matter how far your sonic explorations take you. Acquiring an HV-3D is a step off the upgrade treadmill, a step that will ultimately save you much more than your initial investment.
Authentic Transparency for Unrestricted Creativity
Unsurpassed ambience retrieval
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
Uncolored timbral accuracy at all dynamic levels
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
The FORUM is a self-contained digital audio mixing console specifically designed to meet the most rigorous demands of the radio and television broadcast industry. Its flexible design allows it to readily be adapted to any ON-AIR application. FORUM adapts perfectly to any environment: auto-control, studio control, television production, sound production, mixed configurations, integration in large installations, etc. The control surface can be configured with a minimum of 4 faders, and easily expanded to 8, 12 or even 20 channels with the FRGRAND chassis.
Mid-scale live production console. L300 helps highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. The L300 offers ample power for mid-scale productions and combines superb audio quality with a comprehensive collection of processing tools, within a superb user interface.
Smaller But Still Mighty
There are two models available in the SSL Live console range, the larger L500 Plus and the more compact L300. Both consoles are perfectly equipped for applications in Touring, Installation, Houses Of Worship and Theatre.
At SSL we believe that offering a more compact console should not mean compromising and reducing quality or features. Both consoles offer the same immaculate, huge SSL sound and the same superb operator experience. There are no compromises in build quality and both consoles use and can share the same Remote I/O. The L300 is physically smaller than the L500 Plus, so it is a more compact, lower cost option… with no hidden performance compromises – it’s that simple.
The DN32-DANTE expansion card provides up to 32 channels of bidirectional, networked audio to your MIDAS M32 or BEHRINGER X32 mixing console for seamless integration with Dante enabled IP networks. Based on information technology standards, Dante provides uncompressed, multichannel digital media networking, with low latency and synchronisation. By focusing on flexible interoperability on an existing IP network infrastructure, Dante has been widely accepted and adopted by many pro audio manufacturers.
Overview
Audinate Dante* expansion module for MIDAS and BEHRINGER digital consoles
Up to 32 bidirectional channels @ 48 kHz
Enables multichannel recording and playback via Dante Virtual Soundcard* (PC or Mac* computer)
Primary and secondary Ethernet interfaces for dual-redundant Dante networking
Operates from internal Dante network Precision Time Protocol (PTP) clock
Optional Dante Controller software for remote confi guration (PC or Mac* computer)
The M32 is a live performance and studio recording digital console with up to 40 simultaneous input channels. It includes 32 award-winning MIDAS microphone preamplifiers, 25 time-aligned and phase-coherent mix buses and Dante network connectivity when including the DN32-DANTE card.
By installing the DN32-DANTE card in place of the DN32-USB card, your M32 will interface with Dante networks using virtually any 100Mbit/s or Gigabit Network infrastructure with DSCP-based QoS – providing dependable multi-channel audio that coexist with other IP-based data traffic on the same network. The DN32-DANTE card utilizes 24-bit signal transmission with sample-accurate synchronization and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32 is possible using the integrated Ethernet switch. When the DN32-DANTE card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.
The B2 Bomber analog to digital converter is designed to give you the ultimate in recording tone. BURL Audio designed an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.
Features:
44.1k Hz to 192k Hz, 24 bit, 2 channel ADC
Proprietary, high definition, BURL Audio BX1 transformer input
All class A, discrete transistors signal path with zero feedback, zero caps
Audiophile quality 6 position attenuator with standard headroom settings
High definition metering with simultaneous RMS and peak indication
Dante, 2 AES, SPDIF and Toslink output
BNC word clock input with two outputs of extremely low jitter clock
Frequency response at 48kHz sample rate is 12Hz to 22kHz, +/- 0.1dB
Frequency response at 96kHz sample rate is 15Hz to 46kHz, +/- 0.1dB
Frequency response at 192kHz sample rate is 18Hz to 94kHz, +/- 0.1dB
120dB Dynamic Range (A- weighted), 117dB (no weighting)
80-CHANNEL CONFIGURABLE AD/DA INTERFACE
Simply put, the B80 MOTHERSHIP has redefined digital recording. For anyone who has felt that digital recording has been lacking soul, warmth and musicality, the MOTHERSHIP is the answer. Building on the technology of the two-channel B2 BOMBERS, the MOTHERSHIP was forged from BURL AUDIO’S deep dedication to analog class-A circuitry.
Pushing the boundaries once again, the B80 MOTHERSHIP AD/DA converter has up to 80 analog channel capability. Using a card based system, and a heavy duty 4U chassis, the B80 MOTHERSHIP employs 10 card slots with 2, 4 and 8 channel AD/DA cards, all with the B2 quality signal path.
B80 MOTHERSHIP Features:
4U main chassis
BMB1 (DigiLink) motherboard
BMB2 (MADI) motherboard
BMB3 (Dante) motherboard
B1 BNC Word Clock In
2 BNC Word Clock Out
10 card slots
All slots accept AD/DA, AES, MADI and BCLK
2, 4, and 8 channel analog cards
BAD4 Features:
44.1k Hz to 192k Hz, 24 bit, 4 channel ADC
Exact same circuit path as B2 BOMBER ADC
Proprietary, high definition, BURL AUDIO BX1 transformer input
All class-A, discrete transistors signal path with zero feedback, zero capacitors
4 XLR connectivity
BDA8 Features:
44.1k Hz to 192k Hz, 24 bit, 8 channel DAC
Circuit path based on B2 BOMBER DAC
Latest BURL AUDIO BOPA2, OP-AMP
All class-A, discrete transistors signal path zero capacitors
THE B2 BOMBER DIGITAL / ANALOG CONVERTER
The B2 Bomber DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 Bomber DAC delivers sonic purity and dynamics thus far unheard of.
Features:
• 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC
• Proprietary custom design BOPA1, all discrete op-amps
• Passive filters
• All class-A
• Zero capacitor signal path
• Audiophile quality 6 position attenuator with standard headroom settings
• High definition metering with simultaneous RMS and peak indication
• Dante, 2 AES, SPDIF and Toslink input
• BNC word clock input with two outputs of extremely low jitter clock
• Frequency response at 48kHz sample rate is 10Hz to 22kHz, +/- 0.1dB
• Frequency response at 96kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -0.3 dB @ 40kHz
• Frequency response at 192kHz sample rate is 10Hz to 30kHz, +/- 0.1dB, -1.5 dB @ 90kHz
• 115dB Dynamic Range
• -96 dB THD+N, full scale output = +18dBu
• Rugged, Made in USA design
• Check with dealers for pricing
he OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production.
The OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as a flexible hybrid solution for radio broadcasting and production. It’s ideal for studios needing an additional professional grade fader unit and additional I/O or a compact and cost effective mixing console for a production room or studio. Integrated USB playback and record functions make the OnAir 1500 a very compact yet complete mixer.
12-channel, 6-fader console with Studer NANO SCORE DSP and I/O Engine, 100 mm faders
6-fader add-on expansion module, 100mm faders
Super slim design for ergonomic table top installation
Flush-mount and 19" rack-mount options available
Full channel processing, including four-band EQ, compressor, limiter, expander, gate and de-esser
Comprehensive monitoring and talkback with unique headphone split mode and internal speaker
OLEDs (Organic LED) in fader strips and central module provide clearest displays.
Ergonomic, easy-to-learn Touch 'n' Action™ user interface.
USB jingle playback and bus recording facilities
I/O Expansion through standard Studer D21m card slots
Complete integration with Radio Automation Systems, Studer's Call Management System, and RELINK our I/O sharing technology
Advanced timer functionality
USB user identifier for easy user rights assignment
With simple point-to-point connectivity, the OnAir 1500 can be easily moved around as a backup or secondary unit, with a recommended maximum distance of 60 m away from its core when connected via high-quality Cat5 cabling.
Flexibility is increased with addition of the 6-fader extension bay, creating either a 12 fader surface, or 6 faders can be remotely placed in a producer's bay or used as a redundant surface. The system can bridge the gap between on-air and production needs, offering an all inclusive design of features and function to improve ease and efficiency of executing great programming in either setting, all of the time.
POLARIS evolution is based on a novel digital mixing DSP concept that can be controlled from an advanced touch screen user interface. Driven by the desire to create the most flexible and scalable system on the market, the SALZBRENNER engineering team proudly presents the first cloud-based audio processing system for pro applications.
The POLARIS evolution concept allows multiple users to share a single DSP core—a major benefit for multipurpose venues, broadcast applications, OB trucks and any project or operation requiring maximum flexibility.
Thanks to a revolutionary audio network concept, rigid constraints are a thing of the past. With POLARIS evolution, live, theatre and broadcast productions can be run concurrently on the same DSP engine!
The RMio64-D remote rack enables audio from a Yamaha CL or QL console to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production.
The RMio64-D remote rack enables audio from a Yamaha CL or QL console to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production.
Word clock synchronization can be an issue when converting between different audio formats, but with
The RMio64-D MADI built-in inputs and outputs built-in eliminate the problem of word clock synchronization when converting between different audio formats. Sample rate conversion sources with differing word clocks can be connected without causing noise or dropouts.
In addition to redundant Dante network connections, the RMio64-D also supports MADI redundancy through simultaneous coaxial and optical connections. With the MADI Split (loopback) capability, a signal received at either the coaxial or optical input can now be retransmitted to the output.
The Sennheiser EM 9046 microphone receiver incorporates up to 8 digital receiving channels, each with 328 MHz of switching bandwidth covering the UHF spectrum from 470 to 798 MHz.
A highly intuitive, icon-based user interface provides a complete system overview via a large TFT display. Designed for maximum spectral efficiency, the EM 9046 can safely accommodate as many as 40 channels within a 24 MHz frequency window. Complex intermodulation calculations are no longer necessary - operating frequencies can now be evenly spaced.
The new EM 9046 multichannel receiver is destined to become the reference standard throughout the broadcast and theatre production industries, like the legendary Sennheiser EM 1046 that came before.
The Sennheiser Dante™ card for the EM 9046 receiver enables its top-of-the-range Digital 9000 microphone system to be integrated into Dante audio-over-IP networks.
The EM 9046 DAN extension card inserts into the EM 9046 eight-channel receiver expansion slot. Sixteen audio inputs can send both digital audio and command signals over the Dante network using the card. Two Gbit RJ45 sockets are provided that serve to establish two redundant network circuits or daisy-chain the signals. Sampling rates of 44.1/48/88.2 and 96 kHz at a resolution of 24 bits are possible with the card.
Download firmware for Digital 9000 Microphone System to support Sennheiser EM 9046 DAN Dante option card
Third party applications that use Dante Ready™ allow customers to purchase and activate Dante audio channels after installation using the Dante Activator tool in Dante Controller 4.5 or higher. Dante Activator is tied to an active Audinate user account and accepts standard credit card payments.
