Dante-enabled Products

Designed for use in immersive audio, broadcast, post-production, or live sound, RedNet TNX brings the performance of RedNet to a more compact and portable format. With direct Thunderbolt connectivity for macOS and Windows systems, RedNet TNX makes it easier than ever to access low-latency, high-resolution Dante audio in studios, mobile rigs, or shared workspace environments. Out of the box, RedNet TNX delivers 128x128 channels of 24-bit/192kHz audio with ultra-low round-trip latency. For larger systems, a paid Dante Ready™ upgrade unlocks 256x256 channels at 24-bit/96kHz. This flexibility makes it a powerful choice for facilities looking to scale or transition to AoIP workflows without overhauling the infrastructure of your studio.  

The RedNet D16R MkII is a 16-channel bi-directional AES3 interface for Dante® networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control. RedNet D16R MkII features power supply and Ethernet redundancy with auto switchover in case of failure.

Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made.

Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronisation to house clock, or syncing external equipment to the Dante network.

Red 8Line has a total of 58 inputs and 64 outputs, including two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it features professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise, mastering-quality recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.

The two digitally controlled Red Evolution mic preamps are the product of decades of Focusrite’s impeccable attention to detail in designing audio hardware. Each preamp provides up to 63dB of ultra-clean gain, with individual phantom power, high-pass filter and phase reverse, and an option to stereo-link the two channels. The switchable Air mode mimics the sonic profile of the famous Focusrite ISA 110 input module and breathes life into any signal it touches.

The Focusrite Red Range is the best choice for professionals who work in Pro Tools | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it’s possible to instantly switch between Pro Tools | HD and other DAWs without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you’ll never lose that moment of inspiration, or leave your clients waiting.

Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite’s session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it’s also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.

In addition to Thunderbolt 3 and Pro Tools HD connectivity, the on-board Dante connection enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DigiCo.

Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presents for immersive monitoring environments including Dolby Atmos®.

Other features of the Red 8Line include precision metering and display: the interface has three LCD displays for highly accurate level metering for any input or output block, as well as main monitor and headphone outputs. Two discrete high-fidelity headphone outputs are powerful enough to deliver loud and clear audio on high impedance headphones and are controlled from the interface front panel. Dual instrument inputs on the front panel ensure you always have immediate access to quickly plug in a guitar, for example, even when racked.

The RedNet Control 2 is a software mixer with a hardware-focussed workflow, which is designed to allow quick setup of both simple and complex monitoring and routing configurations, together with controlling Red Evolution preamps remotely. This allows tighter integration with RedNet equipment over Dante.

RedNet A16R MkII is a 16-channel analogue Interface for Dante networks, with two channels of AES3 I/O. Individual input and output channel level controls allow for precise adjustment of all I/O levels using RedNet Control. With two power supplies and primary and secondary etherCON network connectors, RedNet A16R MkII is perfect for critical-path applications in recording, post-production, live sound and broadcast. Built-in redundancy features allow for silent fail-over in the event of power or network outage, providing reassurance for system technicians.

Analogue inputs and outputs are connected through four rear-panel AES59-configured DB25 connectors, while an additional pair of AES3 I/O is provided through male and female XLR for added flexibility. The XLR input can accept DARS signals in addition to AES3. Word Clock I/O on BNC connectors allows external devices to clock to RedNet A16R MkII, or alternatively allows RedNet A16R MkII to act as a network clock grand master, synchronised to external input. RedNet A16R MkII is well suited to permanent installation and repeated strike and setup: all connectors lock and remain terminated even under stress, providing worry-free installation and peace of mind once situated in a rack. In addition, all Focusrite Pro products come with a three-year warranty and award-winning customer support.

The RedNet D16R MkII is a 16-channel bi-directional AES3 interface for Dante® networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control. RedNet D16R MkII features power supply and Ethernet redundancy with auto switchover in case of failure.

Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made.

Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronisation to house clock, or syncing external equipment to the Dante network.

RedNet R1 enables users to interact with their audio system like never before. It provides the flexibility to control a range of different monitor output setups, ranging from mono through to 7.1.4 surround, including Dolby Atmos® and other immersive audio workflows. Alternatively, completely custom setups of up to 12 outputs can be configured for bespoke speaker configurations. RedNet R1 can be used to control groups of outputs from a Red interface’s multitude of sources and destinations, including from Pro Tools | HD and other DAWs, analogue inputs and outputs, ADAT and S/PDIF connections, and from entire Dante audio ecosystems, simultaneously and interchangeably.

RedNet R1 supports a maximum of eight input sources from 32 available audio channels, across analogue, digital, DAW and Dante connections, and mixes and routes signals to up to 12 monitor output channels. Top-panel control includes level, reference level preset selection, cut, dim, mute and a variety of solo modes. There’s an A/B switch for switching between numerous monitoring presets, and up to four fold-down presets allow fast switching for checking downmixes. Custom cue mixes can be sent to talent from any of the 32 available inputs.

RedNet R1 also features a Dante-enabled talkback section, internal mic-pre and a high-powered headphones output, so you can interact with your Dante system like never before. Up to four talkback destination groups are available when used with a Red interface. (When used with other Dante devices, a single talkback group is available.) RedNet R1 has an internal microphone, or users can connect their own microphone via the rear-panel XLR. The high-fidelity headphone output is powerful enough to deliver high-SPL audio to high-impedance headphones.

RedNet R1 features two LCD displays for highly accurate level metering of the outputs, sources and headphone outputs, and for giving visual cues for navigating around menus. The unit is configured using RedNet Control 2, the software manager designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations. Other features of the RedNet R1 include a quarter-inch jack socket, which accepts a footswitch for talkback management, LFE muting and more. It can be powered via Ethernet to reduce cabling complexity (using the PoE standard), or by a DC power supply.

ISA 428 MkII incorporates four of Focusrite's renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips. The original Focusrite mic pre was designed to suit the microphones of the time; today's model makes one small change, adding three additional input impedances to the classic ISA 110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design.

Each mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. An array of 6-segment LED meters show peak signal level for the four mic pres, in addition to the four direct inputs to the optional A-D card. Switchable rear-panel insert points allow the use of inline processors such as compression.

Featuring a rugged, portable all-metal enclosure, ISA One combines the classic Focusrite microphone preamp with a flexible, independent DI channel and optional 192kHz precision A-D conversion. At the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer – essentially the same circuit, based on the original ISA 110, that has been used for 30 years in successive Focusrite designs. The input transformer imparts a special character to the sound that can't be truly emulated in any other way, while the modern twist of variable input impedance allows for a new degree of flexibility.

Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low/high impedance switching and an amplifier output, and its own feed to the optional A-D converter and separate rear-panel XLR output.

The ISA One is Dante-enabled with the new ISA ADN2 Dante option card

ISA ADN8 is an optional eight-channel A-D card that provides high-quality analogue-to-digital conversion for the Focusrite ISA 428 MkII and ISA 828 MkII microphone preamps. Featuring Dante, AES3 and ADAT connectivity, the card operates at sample rates up to 24-bit / 192kHz.

The card offers primary and secondary RJ45 Dante output ports, an AES59 DB25 connector for AES3 output, and a pair of TOSLINK connectors for ADAT output. Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources. This also includes syncing the Dante network to house clock, or for syncing external equipment to the Dante network.

Dante outputs on the ISA ADN8 provide ISA 428 MkII and ISA 828 MkII with network connectivity to all Focusrite RedNet devices and Red interfaces, as well as any other Dante-enabled device from hundreds of manufacturers. Metering and settings are accessed through RedNet Control, routing is configured using Dante Controller.

ISA ADN2 is an optional two-channel A-D card that provides high-quality analogue-to-digital conversion for the ISA One mic preamp and DI. Featuring Dante, AES3, ADAT andS/PDIF connectivity, the card operates at sample rates up to 24-bit/192kHz.

The card offers primary and secondary RJ45 Dante output ports, an XLR connector for AES3 output, a TOSLINK connector for ADAT output and RCA connector for S/PDIFoutput. Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources. This also includes syncing the Dante network to house clock,or for syncing external equipment to the Dante network.

Dante outputs on the card provide ISA One with network connectivity to all Focusrite RedNet devices and Red interfaces, as well as any other Dante-enabled device from hundreds of manufacturers. Metering and settings are accessed through RedNet Control, routing is configured using Dante Controller.

The ISA 828MkII incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs,while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an 'ISA 110' setting, which replicates the impedance of the original Focusrite mic pre.

Up to 60dB of gain is available, with a further +20dB of continuously variable trim,providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel,six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.

Dedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.

Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt™ connections, it's now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface. Red’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the Focusrite Control software mixer) or playing back, with all your plug-ins in place, all the time. Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.

RedNet X2P is a compact, robust 2x2 Dante™ interface with Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P is a compact, robust 2x2 Dante™ audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P quickly adds I/O to your Focusrite Red interface or any Dante™ audio-over-IP system, and power, audio and remote control are supplied using a single Ethernet cable – simply use a power-over-Ethernet switch or PoE injector. A local input mixer allows 'more me' monitoring control, while a control lockout ensures settings remain unchanged when used remotely. The two digitally-controlled Red Evolution mic pres provide large amounts of ultra-clean gain along with stereo linking, individual phantom power, a high-pass filter and phase reverse. Plus they include Air mode, emulating the sound of Focusrite’s classic transformer-based mic preamps. RedNet X2P provides high-performance audio conversion with over 118dB dynamic range. These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency.

64 In / 64 Out Thunderbolt™ 2 and Pro Tools | HD™ compatible audio interface, with Dante networking audio connectivity. 64 In / 64 Out Thunderbolt™ 2 and Pro Tools | HD™ compatible audio interface, with Dante networking audio connectivity. Red 8Pre features both Thunderbolt 2 connectivity and dual mini-DigiLink ports allowing you the best of both Core Audio and Pro Tools|HD workflows. Take Red 8Pre on the road for location recording over Thunderbolt then connect the same interface to Pro Tools|HDX or Pro Tools|HD Native back at the studio for mixdown. The combination of low-latency conversion and driver technology allows real-time foldback mixes to be created in the DAW while you continue to use your native plug-ins. Unlike many interfaces, both mini-DigiLink and Thunderbolt 2 connectivity comes as standard, so there’s no need to buy an additional option card.

RedNet A8R expands Focusrite’s growing range of 1U Dante interfaces with network and power supply redundancy, providing eight channels of analogue input and output.  RedNet A8R expands Focusrite’s growing range of 1U Dante interfaces with network and power supply redundancy, providing eight channels of analogue input and output. RedNet A8R offers high quality 192kHz/24-bit A-D and D-A digital conversion with up to 119dB dynamic range, plus two channels of AES/EBU digital I/O, to and from the Dante network. RedNet A8R provides 24-bit conversion at 44.1, 48, 88.2, 96, 176.4 and 192kHz sample rates (remotely-selectable) and includes pull-up/down capability. Electronically-balanced analogue audio I/O is provided on DB25 connectors wired to AES59 specifications. Internal signals are balanced throughout. Inputs and outputs are remotely configurable for 0dBFS= +18dBu or +24dBu signal levels. In addition, two channels of AES/EBU I/O are provided on XLR connectors, with sample rate conversion on the input. The clock source for the unit may be internal, or external via Word Clock or DARS (via the XLR input). RedNet A8R also outputs Word Clock. RedNet A8R features power and network redundancy, with two separate universal (100–240V) PSUs, which include IEC connectors with retaining clips, plus dual network interfaces on locking etherCON connectors. These ports can be configured remotely to Redundant or Switched (daisy-chain) mode. Key Features

• Eight channels of high-quality line-level analogue I/O
• 24-bit precision Focusrite conversion up to 192kHz
• 119dB dynamic range, flat from 20Hz – 20kHz, +/-0.15dB
• Internally balanced throughout
• Dante-based remote-controlled audio-over-IP connectivity
• Dual power supplies and network connections with full power and network redundancy, including latching connectors for maximum reliability
• Word Clock I/O and DARS for increased flexibility, plus an additional two channels of AES/EBU I/O
• Analogue I/O to AES59 standard on DB25 connectors
• Comprehensive front-panel indicators
• Software-based routing and control – no hardware patching required

RedNet PCIeR combines extremely low latency with Ethernet redundancy, offering the best possible system performance coupled with exceptional reliability. RedNet PCIeR combines extremely low latency with Ethernet redundancy, offering the best possible system performance coupled with exceptional reliability. The card requires a standard PCIe slot in a Windows or Mac computer and delivers up to 128 channels I/O with under 3ms latency*. Dual RJ45 Gigabit Ethernet connectors switch automatically according to network availability and link the audio computer to the rest of the network. Key Features and Performance

• Dual Ethernet ports for full redundancy
• 128 channels in and 128 channels out at 96kHz and below
• 64 channels in and 64 channels out at 176.4kHz and 192kHz
• Compatible with any Dante network
• Up to 192 kHz sample rate
• Under 3ms analogue-to-analogue round-trip latency through DAW with Focusrite RedNet A-D/D-A*
• ASIO and Core Audio drivers
• Thunderbolt PCIe chassis compatible

*Dependent on ASIO/Core Audio buffer size

Where to Buy: Focusrite RedNet PCIeR card

Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring 'parallel path summing' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite. Focusrite's 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for our lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre. The Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via Focusrite Control software. They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA range. When ‘Air’ is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.

RedNet A16R expands Focusrite’s range of 1U Dante interfaces with network and power supply redundancy, providing 16 channels of analogue input and output with high quality A-D and D-A digital conversion at up to 119dB dynamic range, plus two channels of AES/EBU digital I/O, to and from the Dante network. RedNet A16R expands Focusrite’s range of 1U Dante interfaces with network and power supply redundancy, providing 16 channels of analogue input and output with high quality A-D and D-A digital conversion at up to 119dB dynamic range, plus two channels of AES/EBU digital I/O, to and from the Dante network. RedNet A16R provides conversion at standard rates – 44.1, 48, 88.2, 96, 176.4 and 192kHz at 24-bit resolution – with pull-up/down capability. Electronically-balanced analogue audio I/O is provided on DB25 connectors wired to AES59 specifications, and internal signals are balanced throughout. Inputs and outputs may be configured for either +18dBu or +24dBu = 0dBFS signal levels. Two additional channels of AES/EBU I/O with sample rate conversion are provided on XLR connectors. Sample rates and operating levels are selected remotely from software on the host computer. The clock source for the unit may be internal, or external via Word Clock or DARS (the latter via the XLR input). RedNet A16R also outputs Word Clock. RedNet A16R features power and network redundancy, with two separate universal (100–240V) PSUs including IEC connectors with retaining clips, plus dual network interfaces on locking etherCON connectors, which can be set remotely to Redundant or Switched (daisy-chain) mode.

• 16 channels of high-quality line-level analogue I/O
• 24-bit precision Focusrite conversion up to 192kHz
• 119dB dynamic range, flat from 20Hz – 20kHz, +/-0.15dB
• Internally balanced throughout
• Dante-based remote-controlled audio-over-IP connectivity
• Dual power supplies and network connections with full power and network redundancy including locking connectors for maximum reliability
• Word Clock I/O and DARS for increased flexibility plus an additional two channels of AES/EBU I/O
• Analogue I/O to AES59 standard on DB25 connectors
• Comprehensive front-panel indicators
• Software-based routing and control – no hardware patching required

The RedNet AM2 is a compact stereo monitoring unit combining a high-gain headphone amplifier with line outputs for flexible monitoring of signals from a Dante network. The RedNet AM2 is a compact stereo monitoring unit combining a high-gain headphone amplifier with line outputs for flexible monitoring of signals from a Dante network. RedNet AM2 features a ¼" front-panel TRS headphone socket plus a pair of rear-mounted balanced line outputs with male XLR connectors for loudspeaker monitoring and other applications. Designed to drive high or low impedance headphones at high levels, the headphone output delivers significant audio output power. The compact unit, mounted in an enclosure based around a sturdy road-worthy aluminium extrusion, is fitted with non-slip feet, and can either sit securely on a flat surface or be mounted on top of a mic stand using the standard threaded bush incorporated in the base. RedNet AM2 includes the latest two-channel Dante receiver and provides high-quality digital to analogue conversion for accurate monitoring on loudspeakers or headphones. Two large volume control knobs are provided for Headphone and Line output levels, the latter featuring a mute button with associated LED. Other indicators show the presence of power, network and signal level. Dual locking etherCON connectors are included to connect the network and to daisy-chain to additional network devices. The unit is powered via Power over Ethernet (PoE) or via the rear-panel barrel connector and included DC power supply. Key Features

• Cost-effective headphone/loudspeaker stereo monitoring solution for Dante offers lower system deployment costs
• Superb digital to analogue conversion provides transparent and accurate audio quality
• Powerful headphone amp delivers plenty of level even with high-Z headphones for maximum high-quality audibility
• Independent headphone/line output level controls for maximum control
• Line output mute switch instantly kills the signal to external speakers or power amps
• Integrated Gigabit Ethernet switch allows connection of a second device for simpler cabling
• Built-in mic stand mount plus non-slip feet – mount RedNet AM2 to a mic stand or place securely on a surface

RedNet HD32R is a 1U, 19in rack-mount Dante interface that allows Pro Tools|HD users direct access to the full benefits of the Dante digital audio networking system, including its uniquely flexible network topology and premium quality audio interfaces. RedNet HD32R is a 1U, 19in rack-mount Dante interface that allows Pro Tools|HD users direct access to the full benefits of the Dante digital audio networking system, including its uniquely flexible network topology and premium quality audio interfaces. The Pro Tools system is connected to the HD32R via standard Mini DigiLink ports.

• Allows Dante Ethernet-based audio networking products to interoperate fully with Pro Tools|HD & Pro Tools|HDX .
• Ethernet and power supply redundancy with auto switchover in case of failure and locking connectors.
• Provides the vital link to create an extensive high-quality audio network based on standard Cat 5e or Cat 6 wiring, bringing the latest advances in digital audio networking to Pro Tools|HD. 
• Cost-effectively increase audio I/O quality and flexibility with RedNet interfaces.
• Permits multiple workstations to access the same interface hardware and I/O.
• No changes to Pro Tools workflow required – simple, logical assignment of RedNet I/O to Pro Tools|HD inputs and outputs.
• Up to 32 I/O with Pro Tools|HD over single DigiLink connection per RedNet HD32R.
• Additional Avid/Digidesign interfaces may be connected to expansion ports.
• Upgrade to RedNet interfaces while remaining fully compatible with TDM- or AAX-DSP-based plugins and saved sessions.

RedNet D64R is a 64 channel interface bridging between MADI (AES10) and Dante.  RedNet D64R is a 64 channel interface bridging between MADI (AES10) and Dante. With sample rate conversion on all input and output channels, it's simple to add MADI to connect MADI-enabled equipment with a Dante network. Both optical and coaxial connections are provided for MADI, alongside word clock connections, which allow the Dante network to synchronise with other digital audio equipment. Key features

• Connects a MADI system and a Dante network seamlessly together.
• Connect Dante to digital mixing consoles, interfaces and cards that use MADI; or extend a MADI system with RedNet’s versatile, superb-quality audio interfaces and connectivity – or any other Dante compatible devices. 
• Built-in redundancy with dual locking power and etherCON network connectors. 
• Supports both coax and optical interfaces – connect simply to any MADI equipment.
• Slave either the Dante system or MADI streams to an external clock.
• Supports up to 64 channels of digital audio I/O at standard sample rates (44.1/48kHz) from a MADI system, 32 channels at 96kHz and 16 at 192kHz. 
• Sample rate conversion (SRC) on each input and output, allowing MADI and Dante systems to operate simultaneously at different sample rates. 
• Simple 1U rack-mount module with the classic red aluminium faceplate. 
• RedNet Control and Dante software allow remote routing and control from the audio computer system via a software control panel – no hardware patching required.

RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of AES/EBU connectivity to and from the Dante audio network. RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of AES/EBU connectivity to and from the Dante audio network. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and any Dante network, RedNet D16R has SRC (Sample Rate Conversion) on each input pair allowing plug-and-play operation with any AES3 source. Word Clock I/O and DARS (Digital Audio Reference Signal) connections allow synchronisation with a wide range of external sources and hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid-state recorders/players. Key features

• 16 Channel bi-directional RedNet AES3 Interface for Dante Networks.
• Power supply and Ethernet redundancy with auto switchover in case of failure, and locking etherCON network connectors.
• Sample rate conversion allows external equipment to run at any sample rate.
• Compact 1U chassis allows maximum functionality in minimum rack space.
• Two 8-channel AES59 combined I/O DB25 connections, plus a pair of XLR3 connectors duplicating channels 1 & 2.
• Rear panel XLR input connector either be used as a DARS input or as a traditional AES3 audio input.
• S/PDIF input and outputs provided on RCA connectors; ideal for connecting CD players or solid-state recorders.
• Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network.
• RedNet Control and Dante control software allow routing and control from your audio computer system via a software control panel – no hardware patching required.

The Focusrite RedNet 2+5 Package is designed for ProTools users, by offering a special value on the popular combination of RedNet 2 and RedNet 5. The RedNet 2 adds 16 remote-controlled analogue channels in and out to your RedNet network while the RedNet 5 connects your RedNet system to Pro Tools HD®. Up to six units can be connected to one Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. 

RedNet Native 16x16 Analog I/O System is the easiest way to add world class conversion to your DAW, whether you use Cubase, Nuendo, Logic, Pro Tools software, or other DAW for Mac or PC. Comprising RedNet 2, RedNet PCIe, Sonnet Echo Express SE I Thunderbolt chassis and a preconfigured Ethernet switch, this package includes everything you need to get started. Just add computer and DAW software. With dynamic range of 119dB and incredibly low distortion, the RedNet converters will deliver pristine results every time whether tracking or mixing. RedNet PCIe provides true analog-round-trip latency of just 2.0ms at 96kHz allowing cue-mixes to be set up in the DAW software rather than a separate cue mix application. What's Included

• RedNet 2 – 16 Channel AD/DA Converter
• RedNet PCIe Card – 128 Channel I/O
• Sonnet Echo Express SE I
• Cisco SG200-08 8-port Gigabit Smart Switch – Pre-Configured (limited time offer)

Software available upon registration:

• Focusrite Red 2 & Red 3 Plug in Suite
• Dante Virtual Soundcard

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RedNet Native 8x8 Analog I/O System is the easiest way to add world-class conversion to your DAW, whether you use Cubase, Nuendo, Logic, Pro Tools software, or other DAW for Mac or PC. Comprising RedNet 1, RedNet PCIe, Sonnet Echo Express SE I Thunderbolt chassis and a preconfigured Ethernet switch, this package includes everything you need to get started. Just add computer and DAW software. With dynamic range of 119dB and incredibly low distortion, the RedNet converters will deliver pristine results every time whether tracking or mixing. RedNet PCIe provides true analog-round-trip latency of just 2.0ms at 96kHz allowing cue-mixes to be set up in the DAW software rather than a separate cue mix application. Included

• RedNet 1 – Eight Channel AD/DA Converter
• RedNet PCIe Card – 128 Channel I/O
• Sonnet Echo Express SE I
• Cisco SG200-08 8-port Gigabit Smart Switch – Pre-Configured (limited time offer)

Software available upon registration:

• Focusrite Red 2 & Red 3 Plug in Suite
• Dante Virtual Soundcard

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RedNet MP8R is an 8-channel remote-controlled microphone preamplifier and A/D for the Dante audio-over-IP network, designed specifically for the live sound/recording and broadcast environments, and other workflows where reliability is paramount, with Ethernet and power supply redundancy. The MP8R features eight high-quality remote-controlled mic preamps developed specifically for the RedNet range, and backed by thirty years of mic preamplifier development. Each preamp has a dual input impedance of 10k or 2.4k ohms, allowing flexibility when running multiple mic pres in parallel. The device includes eight auxiliary outputs with automatic DSP-based gain tracking for digital “splits”. Following the mic pres are eight channels of Focusrite’s legendary high-precision A/D converters, operating at up to 192kHz/24-bit with minimum latency and offering class-leading dynamic range and overall performance. The MP8R features a rugged, roadworthy exterior and high internal build quality. In addition, the unit offers a compact 1U rack-mount form factor.

RedNet 6 provides the link between your RedNet Ethernet-based audio system and any MADI / AES10 setup. RedNet 6 supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional: use RedNet’s high quality interface products with your MADI system – or MADI components with your RedNet system. RedNet 6 features an asynchronous sample rate converter (ASRC) on each input and output so you can interface between MADI and RedNet irrespective of the sample rate at which either system is operating.