Dante-enabled Product Catalog

Series 8000 user intercom panels have been designed to provide broadcast quality audio and to be used with the digital technology of Conexia and CrossNET matrixes. Audio is captured and processed at 48kHz, with 24 bits/sample, providing full audio bandwidth with negligible noise and distortion levels. Series 8000 user intercom panels have been designed to provide broadcast quality audio and to be used with the digital technology of Conexia and CrossNET matrixes. Audio is captured and processed at 48kHz, with 24 bits/sample, providing full audio bandwidth with negligible noise and distortion levels. Ease of installation has also been taken into account, featuring a redundant IP port that handles high-quality DANTE™ -format audio and also compatible with AES 67 standard. Audio is digitally processed to cancel acoustic echo and automatically compensate for voice level and particular speech habits of each operator. Acoustics has been seriously engineered to reach the highest possible intelligibility and sound clarity.

The Clockaudio Dante Transporter is an advanced professional Dante communication product which combines audio and control transport using network based Dante protocol. By taking advantage of the advanced Dante technology and based on the high performance and pre-configurable hardware platform, this product transfers audio and control signals via widely used Ethernet and is able to guarantee perfect sound quality. The CDT 100 has a variety of uses including but not limited to boardrooms, conference rooms, video conference rooms and any place else where multiple table microphones and control devices are connected back to the AV equipment cabinet. Features

• Easy to install with under table mounting
• Audio and control signals transported over Dante
• 4 audio inputs, multiple units may be daisy chained (maximum of 6 units on a single CAT-5)
• Provides Phantom Power for each mic input
• 4 control inputs compatible with all Clockaudio devices including:
  • direct connection to CH32 LItetouch switch & LED, TS001, Retracta CRM202S-RF, CS-S Series, SM80S, S80S
  • direct connection to ARM-C controller
• Open API for interfacing with Control Systems
• Compatible with any Dante capable audio DSP

Featuring groundbreaking implementations such as Bitproof Support and the revolutionary Dante Interface, the N7000C is the most advanced technology in the field of professional audio hardware, while fully supporting the well-established high quality industry standards and providing the archive community with additional tools. The N7000c provides a single high-quality interface that accepts up to four concurrent connections to analog replayer devices and delivers outstanding dynamic range, classic preamp modelling, Bitproof™ support and many other advanced features for the audio archive professional. The exceptionally wide feature set and convenient form factor set the N7000c apart as a versatile and cost-effective solution for high quality audio transfers. The N7000c is the first interface of its kind to offer the security of Bitproof™ control, a feature in conjunction with NOA Record which eliminates interstitial errors by creating checksums in the DSP of the N7000c and comparing them against the written soundfile, and it can connect simultaneously with up to four replay devices of different types, such as record decks, reel-to-reel tape decks,  Archéophone, and other analog players. Connections to player devices can be via RS232, 9pin and CAT5 through the integrated DANTE interface, which allows users to connect the laptop to the network to get eight uncompressed 192kHz LINEAR streams without needing PCI cards. With its outstanding 122dB dynamic range, the N7000c handles typical archival transfers without requiring gain readjustment, and leaves more than enough foot- and headroom. Dynamic adjustments can be left to simple server side normalisations which can be done without raising the noise floor in the analogue domain, making transfer workflows much more efficient.

The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats.  The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats. Each ES4T (transmitter) can be configured for Dante® by simply changing the network module in the unit. The exceptional performance, ease of use, and extreme flexibility make the ES4 series products excellent I/O devices for any digital audio network. The typical Whirlwind ES4 system consists of two components: the ES4R receiver module, which has sixteen line level outputs and eight line level inputs. The matching ES4T transmitter module has sixteen balanced mic/line inputs and eight line level outputs. All inputs have variable gain controls and LED level monitoring.

The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats.  The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats. Each ES4R (receiver) can be configured for Dante® by simply changing the network module in the unit. The exceptional performance, ease of use, and extreme flexibility make the ES4 series products excellent I/O devices for any digital audio network. The typical Whirlwind ES4 system consists of two components: the ES4T transmitter module, which has sixteen balanced mic/line inputs and eight line level outputs. The matching ES4R receiver module has sixteen line level outputs and eight line level inputs. All inputs have variable gain controls and LED level monitoring.

The DA428 is a fully digital 4-channel class D amplifier with 700W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more. The DA428 is a fully digital 4-channel class D amplifier with 700W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more. The amplifier has 4 analogue inputs as well as 2 digital ports accepting AES/EBU and SPDIF formats of 16 to 24 bit and 32 to 192 kHz sampling frequency. Furthermore, the signals applied to the link outputs can be selected from the matrix router (either analogue or digital). The optional Dante module enables the integration of the amplifier into a Dante audio network. The module can handle up to 8 separate audio streams which can be also used externally via AES/EBU outputs.

The DA230 is a fully digital 2-channel class D amplifier with 1500W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more. The DA230 is a fully digital 2-channel class D amplifier with 1500W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more. The amplifier has 2 analogue inputs as well as one digital port accepting AES/EBU and SPDIF formats of 16 to 24 bit and 32 to 192 kHz sampling frequency. Furthermore, the signal applied to the link output can be selected from the matrix router (either analogue or digital). The optional Dante module enables the integration of the amplifier into a Dante audio network. The module can handle up to 8 separate audio streams which can be also used externally via AES/EBU outputs.

The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation. The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation. The SD-Mini is a 4U rack and accepts the MOD-SD Dante I/O card . Running purely digital the Mini can run up to 32 ins and outs or if it’s all analogue you need then a maximum of 32 ins or outs is possible or any combination in banks of eight (8 in and 24 out for example). The Mini has MADI connectivity as standard with optical as an option. With the ability to multi sample rate to external devices via MADI and also the ability for Gain TrackingTM.

The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation. The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation. The SD-Nano is a 2U rack and can incorporate Dante with the MOD-SD-Dante I/O card. Running purely digital the Nano can run up to 16 ins and outs or if it’s all analogue you need then a maximum of 16 ins or outs is possible or any combination in banks of eight (8 in and 8 out for example). The Nano Rack is Optical only.

The M-DL-ADAPT interface fits in any dLive I/O port on MixRack or Surace and adds compatibility with most iLive/GLD audio networking cards, including M-Dante, M-waves, M-ES-V2, M-ACE and M-MADI. It provides a 64x64 channel interface running at 48kHz, thus maintaining compatibility with Allen & Heath iLive and GLD mixing systems as well as most third party consoles running off Dante or MADI. Sample conversion rate is seamlessly performed in the interface module.

The HPA-DAC2 is a Dante™ network audio card for use with high power HPA series amplifiers The HPA-DAC2 is a Dante™ network audio card for use with high power HPA series amplifiers.Compatible with:

• HPA2602 high power HPA series amplifier
• HPA4202 high power HPA series amplifier

The Model 5205 Mic/Line to Dante Interface is a general-purpose audio device that supports applications utilizing the Dante® audio-over-Ethernet media networking technology. The Model 5205 Mic/Line to Dante Interface is a general-purpose audio device that supports applications utilizing the Dante® audio-over-Ethernet media networking technology. Two analog microphone or line-level audio signals can be connected to the Model 5205. They are amplified as required and then converted to digital audio channels on an associated Dante connection. With the inherent interoperability of Dante, the Model 5205 can be used with other Studio Technologies Dante-enabled products or a multitude of devices from many other manufacturers. Microphone or line-level balanced analog audio signals are connected using two 3-pin XLR connectors. The gain of the associated preamplifier circuitry can be selected for 0, 20, 30, 40, 50, or 60 dB. P48 phantom power is provided to support condenser microphones. LEDs display the status of the gain and phantom power functions. Multi-step LED meters provide confirmation of the level of the two Dante transmitter (output) audio channels. The gain of the preamplifiers and on/off status of the P48 phantom power sources can be selected locally using the pushbutton switches. They can also be monitored and selected remotely using the STcontroller application. The audio quality of the Model 5205's two audio channels is excellent, with low distortion, low noise, and high headroom. Careful circuit design and rugged components ensure long, reliable operation. A wide range of applications can be supported, including TV, radio, and streaming broadcast events, corporate and government AV installations, and post-production facilities. The Model 5205 requires an Ethernet connection to supply both the data interface as well as Power-over-Ethernet (PoE) power. This requires an Ethernet connection from a PoE-enabled Ethernet switch. Alternately, the Model 5205 can be powered by an external midspan PoE power injector. Key Features

• Dante audio-over-Ethernet technology
• Two analog mic/line inputs to Dante digital audio outputs
• Selectable preamplifier gain and P48 phantom power
• Audio channel level metering
• Excellent audio quality
• Power-over-Ethernet (PoE) powered
• Standard connectors; compact, lightweight design
• Configured using STcontroller application

This product has reached "end-of-line" and is discontinued High-performance audio input/output unit that utilizes the Dante Audio-over-Ethernet media networking technology. Applications include broadcast "booth kits;" corporate, government, and stadium media rooms; and front-end interface for press feed systems. Four mic/line inputs on front panel with adjustable gain, P48 phantom power, high-pass filtering, and level metering. Four balanced line-level analog outputs on back panel. Flexible headphone monitor section allows single or dual-channel source selection, level meters, and 1/4-inch jacks on the front and back panels. Audio quality is excellent throughout. All audio inputs and outputs feature rugged circuitry for reliable use in field-broadcast environments. Connects to Ethernet network using etherCON protected RJ45 jack. Lightweight aluminum enclosure mounts in one space (1U) of a 19-inch rack and is powered by 100-240 V, 50/60 Hz. Key Features

• Dante audio-over-Ethernet technology
• Four mic/line inputs to Dante outputs
• Four Dante inputs to balanced line-level outputs
• Audio monitoring with meters and headphone output
• Excellent audio quality
• 100-240 V, 50/60 Hz mains powered
• Standard connectors, lightweight, 1U rack mounting

GRAPHITE TWO consoles are extremely versatile as they can be configured either as stand-alone or as networking consoles.  GRAPHITE TWO consoles are extremely versatile as they can be configured either as stand-alone or as networking consoles. The fully modular design allows configuring mixing consoles from 8 to 32 faders - up to 640 input and 640 output channels. Many features can be programmed individually by the customer such as monitor feeds, GPIs and GPOs, sources and busses and logic commands. The control surfaces are connected by either IPX/SPX or TPC/IP protocol to the G2 audio engines and routers and can share all sources and outputs within the audio network. Using the IPX/SPX protocol interface, GRAPHITE TWO consoles are an ideal option to upgrade existing VADIS* system installations as they are fiully VADIS* compatible. A unique feature is the option to install a break-in / break-out unit within the console frame. The interface unit is fitted with 8 audio input channels which can be configured either as stereo or mono inputs and outputs. The interface unit uses a Dante protocol-based Ethernet connection to the main frame which can be located in the main control room (MCR). GRAPHITE consoles offer a range of features that can be configured via the GRAPHITE configuration tool. Users can define presets for audio settings, function keys for GPIO and other control features, external sources for control room and studio monitoring, and snapshot keys to store the entire console set-ups.

The G2 audio engine hosts a DSP farm powerful enough for 32 equalizers, 32 dynamics, up to 256 mixing channels and a 64 x 64 mix minus matrix.  The G2 audio engine hosts a DSP farm powerful enough for 32 equalizers, 32 dynamics, up to 256 mixing channels and a 64 x 64 mix minus matrix. 21 plug-in positions can be equipped with analogue and digital interface cards, fiber optic transceivers and MADI cards. Audio-over-IP interface cards for DANTE-protocol (trademark registered for Audinate Pty Ltd) and Ethernet AVB will be available shortly.

In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.

In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.

In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.

In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.

The cost effective xIn 4 increases a system’s analog input channel capacity resulting in a reduction in overall price per channel.  The cost effective xIn 4 increases a system’s analog input channel capacity resulting in a reduction in overall price per channel. Designed exclusively for use with Dante-enabled Symetrix DSP units, each of the four analog inputs’ parameters (5 gain levels, phantom power), along with bus assignments, are configured using Symetrix Composer open architecture software. xIn 4 set up is logical and fast with no requirement to use third party software; there are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure. A half-rack form factor conserves rack space, or, if preferred, the xIn 4 may be surface mounted. Features

• Audio input (A/D) expander for systems that capitalizes on the surplus DSP of a Dante-enabled Symetrix DSP unit to bring overall system
• costs down.
• 4 mic/line inputs, including +48 VDC phantom power, with the industry leading performance specifications of Edge and Radius.
• Configured with Symetrix Composer. No third party software, archaic DIP switches, or complicated front panel menus.
• Network audio expansion using Dante protocol over standard IT networks. Ultra low latency.
• Rack mount and surface mount kits sold separately.

The cost effective xIO 4x4 increases a system’s analog input and output channel capacity resulting in a reduction in overall price per channel. The cost effective xIO 4x4 increases a system’s analog input and output channel capacity resulting in a reduction in overall price per channel. Designed exclusively for use with Dante-enabled Symetrix DSP units, each of the four analog inputs’ parameters (5 gain levels, phantom power) and four analog outputs’ parameters (mute), along with bus assignments, are configured using Symetrix Composer open architecture software. xIO 4x4 set up is logical and fast with no requirement to use third party software; there are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure. A half-rack form factor conserves rack space, or, if preferred, the xIO 4x4 may be surface mounted. Features

• Audio input (A/D), output (D/A) expander for systems that capitalizes on the surplus DSP of a Dante-enabled Symetrix DSP unit to bring
• overall system costs down.
• 4 mic/line inputs, including +48 VDC phantom power, and 4 line outputs with the industry leading performance specifications of Edge and Radius.
• Configured with Symetrix Composer. No third party software, archaic DIP switches, or complicated front panel menus.
• Network audio expansion using Dante protocol over standard IT networks. Ultra low latency.
• Rack mount and surface mount kits sold separately.

The cost effective xOut 4 increases a system’s analog output channel capacity resulting in a reduction in overall price per channel. The cost effective xOut 4 increases a system’s analog output channel capacity resulting in a reduction in overall price per channel. Designed exclusively for use with Dante-enabled Symetrix DSP units, each of the four analog outputs’ parameters (mute), along with bus assignments, are configured using Symetrix Composer open architecture software. xOut 4 set up is logical and fast with no requirement to use third party software; there are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure. A half-rack form factor conserves rack space, or, if preferred, the xOut 4 may be surface mounted. Features

• Audio output (D/A) expander for systems that capitalizes on the surplus DSP of a Dante-enabled Symetrix DSP unit to bring overall system
• costs down.
• 4 line outputs with the industry leading performance specifications of Edge and Radius.
• Configured with Symetrix Composer. No third party software, archaic DIP switches, or complicated front panel menus.
• Network audio expansion using Dante protocol over standard IT networks. Ultra low latency.
• Rack mount and surface mount kits sold separately.

The RSio64-D is an audio interface that can convert between Dante and Mini-YGDAI formats for up to 64 inputs and 64 outputs.  The RSio64-D is an audio interface that can convert between Dante and Mini-YGDAI formats for up to 64 inputs and 64 outputs. It provides versatile routing capability as well. Four Mini-YGDAI card slots allow cards for a wide variety of input/output formats as well as processing functions to be connected to a Dante network for live sound, broadcast, recording, post production, and other applications. The RSio64-D also supports remote setup from CL and QL series consoles. Features

• Accepts a wide range of Mini-YGDAI input/output and processing cards
• Seven general routing presets, including routing between Mini-YGDAI cards
• Supports matrix patching from R Remote V3 or a CL/QL series console
• Sample rate converters for all four Mini-YGDAI slots
• EXT DC INPUT for redundant power supplies
• Supports Dante redundancy (primary/secondary)

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility

• Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
• Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
• Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording

High Resolution

• Outstanding 24-bit, 96kHz sound quality
• High-precision 72-bit linear summing circuitry
• High-end discrete preamps onboard and available in remote snake options

Surface Design

• 12" touch screen with “touch and turn” operation
• 20 freely scrollable, isolatable, or assignable faders
• Numerous knobs and buttons, both contextual and assignable, to support rapid response
• Dedicated, freely assignable user section

The QFlex 32LS column loudspeakers are designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message.  The QFlex 32LS column loudspeakers are designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message. These new QFlex life safety models are specifically intended to optimise voice reinforcement, and as a result make them more affordable, and therefore applicable, to a wider range of projects.  The QFlex 32LS contains a combination of 4-inch and 3-inch low frequency drivers, distributed over the equivalent length of the QFlex 48, and an eight-way tweeter array of 1-inch drivers. Each driver is individually powered by one of 32 discrete channels of integrated 100 Watt (RMS) Class D amplification and DSP.  The QFlex 32LS offers a horizontal dispersion pattern of 120 degrees and a vertical range of between 5 and 100 degrees, along with a beam steering range of ±70 degrees. Low frequency control is effective down to 200 Hz even with the fewer number and increased spread of drivers that are required for the power saving essential in the life safety environment

The new QFlex 16LS column loudspeaker is designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message. The new QFlex 16LS column loudspeaker is designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message. These new QFlex life safety models are specifically intended to optimise voice reinforcement, and as a result make them more affordable, and therefore applicable, to a wider range of projects.  The QFlex 16LS makes use of a fewer number of wider bandwidth 4-inch low frequency drivers than the equivalently sized QFlex 40 model to achieve an emphasis on the speech band only, over an effective distance of up to 70 metres. Each of the 16 drivers is controlled by its own discrete channel of 100 Watt (RMS) Class D amplification and cutting edge DSP, the reduced driver count and wider spacing enabling a 50% reduction in power consumption. The QFlex 16LS provides a beam steering range of ±40 degrees with effective low frequency control down to 230 Hz. Dispersion is nominally 120 degrees horizontal and a vertical range of between 5 degrees and 100 degrees, either symmetrical or asymmetrical.

The VNET2-Dante Bridge is a standalone device available from Tannoy, designed to facilitate integration of VNET2 products such as QFlex with Dante digital audio networks. It is powered via PoE, or alternatively by an optional extra 12 V power supply.  The VNET2-Dante Bridge is a standalone device available from Tannoy, designed to facilitate integration of VNET2 products such as QFlex with Dante digital audio networks. It is powered via PoE, or alternatively by an optional extra 12 V power supply.  Dante is an audio networking technology developed by Audinate. It allows many channels of uncompressed digital audio, and control data to be conveyed down a standard Ethernet network. The VNET2 Dante Bridge allows VNET2 devices to be seamlessly integrated into Dante systems with the minimum of fuss. Analog outputs also allow the Dante Bridge to be used with products that do not have VNET2 Interfaces, such as 1st generation VNET speakers and SC1 controllers. The three primary uses for the Dante Bridge are:

• Dante audio to AES3 conversion with VNET control (for use with VNET2 equipped products – currently only Tannoy QFlex)
• Conversion of Dante audio to analogue audio with VNET™ control (for use with VNET equipped products)
• Conversion of Dante audio to analogue audio (for Dante break-out to any product with analogue inputs)