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  • DiGiCo

DiGiCo – Quantum 225

Under The Hood

Quantum 225 brings a 17-inch, 1000 nit, high brightness multitouch screen with both a meter bridge and soft quick select buttons for quick and intuitive operation. 41 individual TFT LCDs displaying channel information and metering, bank information, macros and more guide you immediately to the controls you need. Plus, 25 100mm touch sensitive faders in two banks of 12 plus a dedicated user-assignable master fader with high resolution metering.

But there’s more… The defining feature of the Quantum 225 is the ability to customise the left worksurface with the Mounting Bracket. Mount a laptop for creative control, or a KLANG:kontroller for immersive control. You could even mount an extra screen to show your KLANG:app, plugin computer, console overview screen, or it could even display the channel screen for your left bank of faders, transforming your Quantum 225 into a dual screen console at an unbelievable price point!

With a maximum of 72 input channels with 36 busses and a 12 x 12 matrix, all with full channel processing, Quantum 225 brings Quantum to a wider user base. Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.

I/O

Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.

Local I/O: Quantum 225’s local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)

MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.

Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.

    Mixers
  • Dante Ch: 64x64
  • 24-bit
Midas_-_M32R_800pxl|Midas_-_M32R_800pxl
  • Midas

Midas – M32R

Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses The ground-breaking M32R console combines legendary MIDAS sound quality with advanced digital technology, future-proof 96 kHz capable open architecture design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32R features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.
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  • Dante Ch: 32x32
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roland_M-5000_front-right|roland_M-5000_front-right
  • Roland

Roland – M-5000

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility
  • Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
  • Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
  • Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
  • Outstanding 24-bit, 96kHz sound quality
  • High-precision 72-bit linear summing circuitry
  • High-end discrete preamps onboard and available in remote snake options
Surface Design
  • 12" touch screen with “touch and turn” operation
  • 28 freely scrollable, isolatable, or assignable faders
  • Numerous knobs and buttons, both contextual and assignable, to support rapid response
  • Dedicated, freely assignable user section
    Mixers
  • Dante Ch: 64x64
  • 24-bit