Dante-enabled Product Catalog

Dante card for BC-2000D router or ARENA digital mixing console. Dante card for BC-2000D router or ARENA digital mixing console.

The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The CKd Power Amplifiers combine the legendary overbuilt power supply design made famous by the Crest Audio Pro 200™ with NexSys® networking functionality and an ultra-lightweight class D topology. The design centers around an ultra-high efficiency amplifier output circuit that reduces weight while increasing output power, reliability and thermal efficiency. The CKd Series offers four multi-channel models to meet the needs of demanding audio installations. The CKd 1208 provides 1,250 Watts per channel in eight and four channels.

32 in, 32 out Dante interface card for EV Netmax 32 in, 32 out Dante interface card for EV Netmax Features:

• Connect NetMax to a Dante digital audio network
• Transmit up to 32 ins and 32 outs at 48 or 96 kHz sample rate and 16-, 20-, or 24-bit word-length
• Low latency (typically below 1 ms)
• Two Gigabit Ethernet interfaces for system redundancy
• Status LEDs for each interface
• Dante Zen device-discovery
• Compatible with Dante Virtual Soundcard

The EXP1x adds eight RAD ports to a HAL1x via the Expansion Bus. The EXP1x requires a HAL1x to operate. The EXP1x adds eight RAD ports to a HAL1x via the Expansion Bus. The EXP1x requires a HAL1x to operate. DR remotes are also supported on any RAD port, so the EXP1x also adds additional DR remotes. The graphic below shows most of the range of RADs and DRs that connect with shielded CAT 5e cable (or better). 512 inputs and 512 outputs are possible if 32 EXP1x Expanders are cascaded to a HAL1x.

The Rane EXP7x Expander for the HAL1x provides eight channels of full-featured, drag and drop Acoustic Echo Cancellation (AEC). Each channel of AEC can be added to any HAL1x system input and route to any Halogen DSP block, including the gain-sharing automixer, manual mixer, regular Room Combine block, or Conference Room Combine block. The Rane EXP7x Expander for the HAL1x provides eight channels of full-featured, drag and drop Acoustic Echo Cancellation (AEC). Each channel of AEC can be added to any HAL1x system input and route to any Halogen DSP block, including the gain-sharing automixer, manual mixer, regular Room Combine block, or Conference Room Combine block. Chain up to 32 EXP7x units to a HAL1x for 256 assignable AEC channels. Because EXP7x AEC channels are not associated with a particular hardware input, preset recall can re-assign an AEC resource across inputs / rooms as required. Drag and drop AEC supports the typical one-AEC-per-microphone configuration. With optimum acoustics, mic and loudspeaker placement, or with rarely used mics (such as audience mics) it allows mixing more than one mic into a single AEC channel, significantly reducing cost.

The EXP5x is a 12 Mic/Line/Line-Plus input & DSP expander for the HAL1x. It also supplies four DR ports, useful for adding source selection and/or volume control remote controls. The EXP5x is a 12 Mic/Line/Line-Plus input & DSP expander for the HAL1x. It also supplies four DR ports, useful for adding source selection and/or volume control remote controls. Each of the 12 inputs independently supports either dynamic mic, 48V phantom mic, +4 dBu line-level, or Rane’s Line-Plus input. Line-Plus accepts -10 dBV unbalanced Left/Right Monoed together on the “+” and “–” ports, respectively. For stereo unbalanced sources, Line-Plus allows connecting the stereo RCA left tip conductor to the “+” terminal, the RCA right tip to the “–” terminal, and both RCA shields to the EXP5x Euroblock ground. Select Line-Plus in Halogen and you get a properly monoed audio channel.

The EXP3x is an 8-channel analog output & DSP expander for the HAL1x (required for operation). The EXP3x is an 8-channel analog output & DSP expander for the HAL1x (required for operation). Two RAD ports make it a 4-input, 12-output audio device — depending on which two RADs are connected. Thus, 32 daisy-chained EXP3x Expanders provide 256 discrete zone outputs maximum, including output compression, parametric EQ, two levels of paging and background music. Also, eight logic outputs and six DR remote ports are included. Therefore, 32 daisy-chained EXP3x Expanders would provide 64 RAD ports, 192 DR ports and 256 logic outputs. The dedicated DSP for each of the eight analog outputs offers two signal processing choices independently selectable per output. When you need background music, paging and emergency paging on an output, select the Zone Output processing set. This provides a Zone Processor block, and an Emergency Zone in addition to a Compressor and a 5-band parametric EQ with high- and low-cut filters. When Line Output is selected, the compressor and parametric EQ are available without the zone processing block and emergency paging blocks.

The product range includes oratis matrix frames of various sizes. Up to 15 oratis cards per 4-U matrix frame is achievable. Thus, oratis systems are the first choice whenever every inch counts – for example, in an OB truck. The product range includes oratis matrix frames of various sizes. Up to 15 oratis cards per 4-U matrix frame is achievable. Thus, oratis systems are the first choice whenever every inch counts – for example, in an OB truck. Each matrix frame holds up twelve oratis IF LAN cards, each connecting one commentator terminal. The IF LAN cards can be combined with audio interface and intercom cards and can be supplemented with GPI interfaces used for controlling external devices. oratis matrix frames can include a line-ident memory used for loop-playing up to 24 idents. This enables the various stations live studio lines to be identified uniquely. As soon as the commentator goes on-air, the line ident is automatically muted.

The product range includes oratis matrix frames of various sizes. Up to 15 oratis cards per 4-U matrix frame is achievable. Thus, oratis systems are the first choice whenever every inch counts – for example, in an OB truck. The product range includes oratis matrix frames of various sizes. Up to 15 oratis cards per 4-U matrix frame is achievable. Thus, oratis systems are the first choice whenever every inch counts – for example, in an OB truck. Each matrix frame holds up twelve oratis IF LAN cards, each connecting one commentator terminal. The IF LAN cards can be combined with audio interface and intercom cards and can be supplemented with GPI interfaces used for controlling external devices. oratis matrix frames can include a line-ident memory used for loop-playing up to 24 idents. This enables the various stations live studio lines to be identified uniquely. As soon as the commentator goes on-air, the line ident is automatically muted.

The Extron DMP 128 Digital Matrix Processor is a 12x8 audio mixer featuring Extron ProDSP™, automixing, AEC, and Dante™ audio networking, It has FlexInputs to process Dante channels in place of local mic/line inputs, and POTS analog phone interfacing. The Extron DMP 128 Digital Matrix Processor is a 12x8 audio mixer featuring Extron ProDSP™, automixing, AEC, and Dante™ audio networking, It has FlexInputs to process Dante channels in place of local mic/line inputs, and POTS analog phone interfacing. The DMP 128 C P AT offers a configuration approach to DSP that simplifies mixing, routing, conferencing, and room optimization. Quick and intuitive configuration using the DSP Configurator™ Software allows the DMP 128 C P AT to be installed in very little time, with easy-to-learn adjustments that can be heard in real‑time. A digital audio expansion port allows two DMP 128 units to be linked together to expand input and output signal management and routing capabilities.

The Extron AXP 64 C AT is an audio expansion processor with six mic/line inputs and four line outputs for remote connectivity to a Dante™-enabled audio system. The Extron AXP 64 C AT is an audio expansion processor with six mic/line inputs and four line outputs for remote connectivity to a Dante™-enabled audio system. It is used to place six mic/line sources onto a Dante audio network, and route any four Dante channels from the network to an amplifier or other destinations.  Dedicated DSP is available for each input and output, including gain, filtering, dynamics, and feedback suppression.

Now firmly established on riders and in performance venues around the world, the Soundcraft Vi6™ has been acclaimed as one of the most ergonomic, user-friendly and best-sounding large format digital console around. Now firmly established on riders and in performance venues around the world, the Soundcraft Vi6™ has been acclaimed as one of the most ergonomic, user-friendly and best-sounding large format digital console around. Audio quality is assured thanks to the integration of a proven DSP engine and algorithms from sister company STUDER, who's digital broadcast consoles like Vista™ and On-Air 3000™ are highly respected in national, state and independent broadcast studios and OB trucks throughout the world. Ergonomically, the Vi6 offers a wonderfully inviting user experience, thanks to the patented Vistonics™ II 'knobs-on-glass' channel strip interface. As another innovation from STUDER, Vistonics™ provides an incredibly tactile 'where you look is where you control' operating philosophy which combines the speed of access and visibility of controls of an analogue desk with the power of icon-based graphics and fully recallable settings that can only come from a digital console. The provision of 32 input faders plus a 12-fader master section makes changing layers much less frequent, enhancing the speed of operation, and world-class effects and processing from Lexicon and BSS completes the picture. The Vi6 offers connectivity to almost every type of digital audio format out there, via integration of Studer's D21m modular IO system, and comes complete with a modular remote Stagebox with a choice of either optical or copper connection to the main console.

The Soundcraft Vi2 is equipped with one channel section of 8 input faders, and the master section which holds 12 faders. The Vi2 can handle as many inputs as a Vi4 or Vi6 (96 channels) using the standard stagebox and local rack hardware, with access to 8 inputs at a time on the channel bay. Soundcraft now offers a Vi Series control surface for applications where space is very tight. The new Soundcraft Vi2 inherits all the basic functionality of its larger brothers the Vi4 and Vi6, but measures just 850mm in width, around half the size of a Vi6. The Soundcraft Vi2 is equipped with one channel section of 8 input faders, and the master section which holds 12 faders. The Vi2 can handle as many inputs as a Vi4 or Vi6 (96 channels) using the standard stagebox and local rack hardware, with access to 8 inputs at a time on the channel bay. By simply touching the input meters on the Vistonics™ screen of the master section, control of those inputs is brought onto the channel faders, along with all the channel functionality such as EQ, auxes, groups etc. In addition to the meter selection, three fully customisable layouts of the 8 input faders are available via the user-defined fader page feature. The Soundcraft Vi2 will therefore appeal to anyone who wants to use a Vi console but has more limited space than usual in which to operate. For example, it could be easily brought in at stage side for monitors alongside an existing console at festivals, or in corporate events where input access is less demanding than a multi-piece live band. The Vi2 is also suitable for use as a space-efficient spare console, and as an easily transportable training or programming unit. The Vi2's Show files are fully compatible with Vi4 and Vi6 consoles, and also with the Virtual Vi Offline Editing software. All the usual processing is accessible via the Local Rack, and even the 30-band graphic EQ's are available, by using a paging system, accessed via the 8 output section faders. The Soundcraft Vi2 provides a cost effective and useful accessory for existing Vi4 and Vi6 owners, who can use a Vi2 surface with their existing racks, which helps maximise rental inventory usage so that Vi console systems can be used on both large and small scale productions.

The Dante network card for fixed-I/O ControlSpace engineered sound processors provides 16 input and 16 output channels of low-latency digital audio using the Dante audio networking solution from Audinate®. The Dante network card for fixed-I/O ControlSpace engineered sound processors provides 16 input and 16 output channels of low-latency digital audio using the Dante audio networking solution from Audinate®. The Dante network card is installed into the digital expansion slot of the processor and includes primary and secondary Gigabit Ethernet ports that can be configured for switched (default), redundant, isolated or filtered for legacy product network connections. Up to 10 devices can be daisy-chained using the switched port configuration.

The Dante network card for PowerMatch configurable professional power amplifiers provides 8 input channels of low-latency digital audio using the Dante audio networking solution from Audinate®. Eight output channels are available for diagnostic monitoring from remote locations. The Dante network card for PowerMatch configurable professional power amplifiers provides 8 input channels of low-latency digital audio using the Dante audio networking solution from Audinate®. Eight output channels are available for diagnostic monitoring from remote locations. The Dante network card is installed into the digital expansion slot of the amplifier and includes a primary and secondary Gigabit Ethernet port. The secondary port can be configured for switched (default), redundant, or filtered for legacy product network connections. Up to 10 devices can be daisy-chained using the switched port configuration.

The tm stagetec systems DIO is the army knife for audio, with an impressive range of tools and converters. 2 port Ethernet switch (1x 1Gb Copper and 1x SFP cage), Dante™ audio, AES Input and Output, Mic Input, Line Input, Line Output, Headphone Output with external volume control and 2 x GPIO. The DIO is powered by PoE (Power over Ethernet) or runs via an external PSU. Redundancy is provided between both power sources!

• 1000 point FIR filters on outputs. (perfect for PA integration with existing 100/70V systems)
• Customised DSP options
• Native Delec communication panel integration

This small 2 channel IO box based on the new Dante Ultimo solution is a cost effective but high quality solution for getting analog signals into or out from a Dante audio network without much infrastructure. It’s small and can be placed under the desk, onto a wall.

The PPA series provides a high-quality DSP-powered amplifier solution for active loudspeakers. It features Pascal high-power modules, analog, digital and Dante inputs and is available in different configurations for various kinds of speakers.

The PPA series provides a high-quality DSP-powered amplifier solution for active loudspeakers. It features Pascal high-power modules, analog, digital and Dante inputs and is available in different configurations for various kinds of speakers.

The PPA series provides a high-quality DSP-powered amplifier solution for active loudspeakers. It features Pascal high-power modules, analog, digital and Dante inputs and is available in different configurations for various kinds of speakers.

The F-DCM™ is a networked audio and control input/output node that supports both Dante™ and CobraNet® audio transport protocols for efficient and convenient extension of audio and control inputs and outputs in networked systems. The F-DCM automatically determines which audio transport protocol is in use and negotiates its connection to the network accordingly via the same network connection and RJ45 jack. Rotary controls on the F-DCM front panel allow easy setting of the device address.

The DiGiCoSD Rack is the newly-designed rack for the various versions of the SD5, SD7, SD8,  SD9, SD10 and SD11 consoles. It delivers up to 192kHz high resolution analogue I/O converters and multiple digital formats, but you can select different sample rate options for specific outputs. In other words, when used in conjunction with any SD console, the SD Rack will serve you as a multi-sample rate signal splitter that even allows you to use our ultra-smooth microphone preamps to replace the standard mic preamps of an analogue or other digital console.

The DigiCo SD-Dante-8 Module offers 8 input and 8 output channels when added to DigiGo SD racks, including the SD-Rack, SD-Mini Rack, and SD-Nano Rack. These racks support DiGiGo's SD consoles including the  various versions of the SD5, SD7, SD8,  SD9, SD10 and SD11 consoles.

The Studer Vista X, together with the Studer Infinity Core, offers an unsurpassed intuitive user interface, providing control of 800 or more audio DSP channels and more than 5,000 inputs and outputs.  The Studer Vista X, together with the Studer Infinity Core, offers an unsurpassed intuitive user interface, providing control of 800 or more audio DSP channels and more than 5,000 inputs and outputs.  And the use of CPU-based processors suggests exciting possibilities for scaling up to even larger channel counts, and for running third party algorithms.  The new Vista X with Quad Star technology uses four processors to achieve aviation-standard levels of redundancy in the control surface while CPU-based DSP makes it viable to provide two completely independent DSP cores running in parallel with ‘instant’ change over.

The new Studer Vista 1 is a transportable digital mixing console for broadcast, live and production use. For the first time with a Vista, all you need is contained within the console, the control surface, I/O system, DSP and power supplies are all in one box. This makes it the ideal choice when space is restricted, such as in OB and ENG vans, small studios, or for applications where the console needs to be moved with ease.  Thanks to the patented Vistonics™ user interface with 40 on-screen rotary knobs, its look and feel is identical to that of its larger and more sophisticated sisters. Anyone who is already used to the intuitive Vista surface will immediately be familiar with the Vista 1. Anyone new to Vista will be amazed at how simple it is to learn.

The Livemix personal monitor system is extremely easy for volunteers to use but offers the depth of features that professionals demand. With features like 24 channels with effects, LCD touchscreen, custom channel naming, dedicated ME knob and built-in ambient mics and intercom, Livemix is a fantastic value. With the LM-DANTE-EXP option card, the Livemix system connects seamlessly to a Dante network. The touchscreen of the Livemix personal mixer is all you need for simple subscribing and importing of channel labels.

The Digital Audio Labs Livemix LM-Dante-EXP allows the Livemix Personal Mixer to integrate seamlessly with a Dante audio network as part of the Livemix Personal Monitoring System.