Dante-enabled Product Catalog

RedNet PCIeR combines extremely low latency with Ethernet redundancy, offering the best possible system performance coupled with exceptional reliability. RedNet PCIeR combines extremely low latency with Ethernet redundancy, offering the best possible system performance coupled with exceptional reliability. The card requires a standard PCIe slot in a Windows or Mac computer and delivers up to 128 channels I/O with under 3ms latency*. Dual RJ45 Gigabit Ethernet connectors switch automatically according to network availability and link the audio computer to the rest of the network. Key Features and Performance

• Dual Ethernet ports for full redundancy
• 128 channels in and 128 channels out at 96kHz and below
• 64 channels in and 64 channels out at 176.4kHz and 192kHz
• Compatible with any Dante network
• Up to 192 kHz sample rate
• Under 3ms analogue-to-analogue round-trip latency through DAW with Focusrite RedNet A-D/D-A*
• ASIO and Core Audio drivers
• Thunderbolt PCIe chassis compatible

*Dependent on ASIO/Core Audio buffer size

Where to Buy: Focusrite RedNet PCIeR card

RedNet A8R expands Focusrite’s growing range of 1U Dante interfaces with network and power supply redundancy, providing eight channels of analogue input and output.  RedNet A8R expands Focusrite’s growing range of 1U Dante interfaces with network and power supply redundancy, providing eight channels of analogue input and output. RedNet A8R offers high quality 192kHz/24-bit A-D and D-A digital conversion with up to 119dB dynamic range, plus two channels of AES/EBU digital I/O, to and from the Dante network. RedNet A8R provides 24-bit conversion at 44.1, 48, 88.2, 96, 176.4 and 192kHz sample rates (remotely-selectable) and includes pull-up/down capability. Electronically-balanced analogue audio I/O is provided on DB25 connectors wired to AES59 specifications. Internal signals are balanced throughout. Inputs and outputs are remotely configurable for 0dBFS= +18dBu or +24dBu signal levels. In addition, two channels of AES/EBU I/O are provided on XLR connectors, with sample rate conversion on the input. The clock source for the unit may be internal, or external via Word Clock or DARS (via the XLR input). RedNet A8R also outputs Word Clock. RedNet A8R features power and network redundancy, with two separate universal (100–240V) PSUs, which include IEC connectors with retaining clips, plus dual network interfaces on locking etherCON connectors. These ports can be configured remotely to Redundant or Switched (daisy-chain) mode. Key Features

• Eight channels of high-quality line-level analogue I/O
• 24-bit precision Focusrite conversion up to 192kHz
• 119dB dynamic range, flat from 20Hz – 20kHz, +/-0.15dB
• Internally balanced throughout
• Dante-based remote-controlled audio-over-IP connectivity
• Dual power supplies and network connections with full power and network redundancy, including latching connectors for maximum reliability
• Word Clock I/O and DARS for increased flexibility, plus an additional two channels of AES/EBU I/O
• Analogue I/O to AES59 standard on DB25 connectors
• Comprehensive front-panel indicators
• Software-based routing and control – no hardware patching required

The Express ip was designed to provide a quick and easy solution when it is necessary to provide interfacing for two commentators, with simple facilities, into a Dante network audio network. The Express ip was designed to provide a quick and easy solution when it is necessary to provide interfacing for two commentators, with simple facilities, into a Dante network audio network. This high quality commentary unit is ideal for those looking for cost effective solutions without paying for unwanted features; the Express Box is worthy of investigation. Inputs Two front panel mic inputs with selectable 48v phantom power. Outputs/Talkback Each mic input has its own individual output. The second mic output can be switched on the rear panel to be a mix of both mic inputs.  The two talkback circuits have individual outputs and are common for both commentators. Monitoring There are four inputs for external sources, and one sidetone pot of their own voice. These are available independently to each commentator on individual pots, so each can adjust the inputs for their own preference of mix level. There are two 6.35mm headphone sockets – 1 for each commentator. A 7 segment LED PPM meter displays level.  Network The network connection is AES67/Dante compatible and is available on the rear panel on an RJ45/CAT5 connection.  It offers 4 input channels and 4 output channels. Power There is an internal switch mode AC power supply, or the Express ip can be powered by PoE if powered by a switch that provides power over Ethernet.

Brio is the most powerful and compact digital broadcast audio console in its class. It has a comprehensive broadcast feature set to support a wider breadth of broadcasters, and the same market-leading levels of quality and customer support which Calrec is renowned for. Brio is the most powerful and compact digital broadcast audio console in its class. It has a comprehensive broadcast feature set to support a wider breadth of broadcasters, and the same market-leading levels of quality and customer support which Calrec is renowned for. The smallest in Calrec’s Bluefin2 family, Brio’s control surface is unlike any other console. At only 892mm wide with a 36 dual-layer fader surface, Brio is entirely self-contained with analogue and digital I/O, and GPIO, built into the surface. Additional expansion I/O slots are also fitted to allow for further I/O to be connected. A Hydra2 module can be fitted to connect to and share audio over Calrec’s Hydra2 network. This means Hydra2’s sophisticated management facilities can be utilised for network-wide control, including interfacing with multiple Video and Audio over IP networks such as SMPTE2022, Dante, AES67, Ravenna and Soundgrid. This protects the system against any future formats that may emerge and allows the console to sit on multiple networks simultaneously if desired. With lots of delay resource, dynamics, integrated talkback, and multiple monitor outputs, Brio is broadcast-ready with no compromise or workarounds.

The latest addition to Soundcraft's Vi range of digital live consoles, the new Vi2000 brings unparalleled mixing power to the live touring, install and corporate AV markets in a single-box, cost-effective package. The latest addition to Soundcraft's Vi range of digital live consoles, the new Vi2000 brings unparalleled mixing power to the live touring, install and corporate AV markets in a single-box, cost-effective package. The new console combines the unique Vistonics-based control surface concepts of the highly successful Vi3000, 5000 and 7000 consoles, with Soundcraft® SpiderCore - a powerful integrated DSP and IO engine based on STUDER technology and compact enough to reside inside the control surface itself. Running the latest V6.1 console software, the Vi2000 benefits from the acclaimed BSS DPR901ii Dynamic EQ via an insertable processing pool which also includes Lexicon Multi-effects and the ability to insert any external device. In addition to a full complement of on-board mic and line IO, configurable up to 48 mic line inputs and 16 line outputs using combinations of 16ch XLR modules in 4 rear-mounted slots, the console includes two 64ch expansion slots allowing up to two MADI-based Stageboxes to be connected, or alternatively the slots provide access to the extensive range of D21m IO option cards, addressing all industry standard audio formats. The total I/O count of the console is 246 in 246 out. In common with other Vi000-series consoles, a built-in 64x64ch Dante interface provides direct recording/playback connection via Ethernet to any PC or Mac-based recording software, or allows the Vi2000 to integrate into an existing Dante network. The Dante interface is complimented by an additional optical MADI interface designed for either record feeds or connection of the Soundcraft Realtime Rack Plug-in engine, adding the power of Universal Audio UAD-powered plug-ins to the Vi2000's pristine audio quality. The package is completed by an ultra-compact frame design only 1.15m in width, with 16 input faders and 8 output faders, allowing the console to fit into both space and budget restricted applications. Patented features like Faderglow, VM2 microphone monitoring and Vistonics provide a uniquely user-friendly mixing experience and superb sound quality is assured by a 40-bit floating-point DSP environment, running STUDER, BSS, Lexicon and dbx algorithms.

CDD-LIVE 8 is an ultra-compact, self-powered, two-way system suitable for small-medium scale sound reinforcement, AV presentations and HoW to distributed systems, frontfill/infill and use as a micro stage monitor. It incorporates a two-channel Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks. CDD-LIVE 8 is an ultra-compact, self-powered, two-way system featuring an 8” (200mm) LF/1” (25mm) exit HF Coaxial Differential Dispersion driver which can be easily rotated for horizontal or vertical orientation. Its small size gives no indication of its high output capability and exceptional fidelity suitable for small-medium scale sound reinforcement, AV presentations and HoW to distributed systems, frontfill/infill and use as a micro stage monitor.  With wide coverage close-up, the Coaxial Differential Dispersion technology employed in the CDD- LIVE 8 delivers more consistent audience coverage than systems with fixed X° x Y° coverage patterns, while also achieving ‘point source’ summation of the LF and HF sections — eliminating off-axis variations in frequency response associated with non-coaxial designs.  A self-powered system, the CDD-LIVE 8 incorporates a two-channel Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks.

CDD-LIVE 12 is a high-performance, self-powered system designed for applications that require high output levels and exceptional fidelity from a very compact enclosure. It incorporates a two-channel Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks. CDD-LIVE 12 is a high-performance, self-powered system designed for applications that require high output levels and exceptional fidelity from a very compact enclosure. With a peak output capability of 128dB at 1 metre, it is ideal for a multitude of stand-alone and distributed sound reinforcement requirements — from touring, theatre and portable live sound, to concert hall and HoW installations, AV events and stage monitor use. Featuring a high-specification 12” (300mm) LF/1” (25mm) exit HF Coaxial Differential Dispersion driver, it delivers more consistent audience coverage than a conventional system with a fixed X° x Y° coverage pattern and has wide 110° horizontal coverage close-up. It also achieves ‘point source’ summation of the LF and HF sections — eliminating off-axis variations in frequency response associated with non-coaxial designs.  CDD-LIVE 12 incorporates a two-channel Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks.

CDD-LIVE 15 is a self-powered two-way system designed for live applications and installations that demand the ultimate in sonic performance from a single enclosure. It incorporates a two-channel Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks. CDD-LIVE 15 is a self-powered two-way system designed for live applications and installations that demand the ultimate in sonic performance from a single enclosure. With a maximum SPL of 132dB peak at 1 metre, it is the ideal solution for medium-scale touring, theatre and portable live sound applications, as well as premium installations and stage monitor use. With wide coverage close-up, the Coaxial Differential Dispersion technology employed in the CDD-LIVE 15 delivers more consistent audience coverage than systems with fixed X° x Y° coverage patterns, and its innovative CDD driver achieves ‘point source’ summation of the LF and HF sections — eliminating off-axis variations in frequency response associated with non-coaxial designs.  A self-powered system, the CDD-LIVE 15 incorporates a two-channel Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks.

CSX-LIVE 118 is a compact, high-performance subwoofer that extends the low frequency operating range of a CDD-LIVE full-range system to 35Hz — providing exceptional low frequency impact and increasing headroom. It incorporates a Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks. CSX-LIVE 118 is a compact, high-performance subwoofer that extends the low frequency operating range of a CDD-LIVE full-range system to 35Hz — providing exceptional low frequency impact and increasing headroom. It features a long-excursion 18” (460mm)/4” (100 mm) voice coil driver with a water-resistant cone and triple roll surround in a compact reflex enclosure. The design of the 18” driver maximises output while minimising power compression and distortion, and the four reflex ports have a large frontal area to reduce turbulent air noise at very high levels. With a maximum SPL capability of 135dB peak at 1 metre, the CSX-LIVE 118 is the ideal subwoofer for theatre and portable live sound applications, as well as premium installations that require the maximum output from a compact enclosure. A self-powered system, the CSX-LIVE 118 incorporates a Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks.

CSX-LIVE 218 achieves the ultimate in subwoofer performance for the most demanding professional applications – delivering very high output levels and superb transient performance with minimal distortion. A self-powered system, CSX-LIVE 218 incorporates a Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks. CSX-LIVE 218 achieves the ultimate in subwoofer performance for the most demanding professional applications – delivering very high output levels and superb transient performance with minimal distortion. With an operating range of 35Hz-150Hz ± 3dB, it houses dual 18” long-excursion (460mm)/4” (100mm) voice coil drivers with water-resistant cones and triple roll surrounds. The design of the 18” drivers maximises output while minimising power compression and distortion, and the eight reflex ports have a large frontal area to reduce turbulent air noise at very high levels. With a prodigious maximum SPL capability of 143dB peak at 1 metre, the CSX-LIVE 218 is the ideal subwoofer for touring sound reinforcement, theatre and portable live sound applications, as well as premium installations  A self-powered system, the CSX-LIVE 218 incorporates a Class D amplifier, DSP and Dante™ digital audio networking — simplifying set-up, enhancing control and eliminating amplifier racks.

The PMX 15 D system hosts a coaxial driver with a 15-inch (38 cm) neodymium woofer (LF) and a 2-inch diaphragm compression driver (HF). The PMX 15 D is bi-amplified using two dedicated high resonance digital amplifiers, featuring outstanding efficiency, with each amp delivering 1500 Watts (LF) and 400 Watts (HF) under 8 ohms. The PMX 15 D system hosts a coaxial driver with a 15-inch (38 cm) neodymium woofer (LF) and a 2-inch diaphragm compression driver (HF). The PMX 15 D is bi-amplified using two dedicated high resonance digital amplifiers, featuring outstanding efficiency, with each amp delivering 1500 Watts (LF) and 400 Watts (HF) under 8 ohms.  Each speaker channel is under control by a powerful, 64-bit digital processing unit capable of a 118 dB dynamic range. Each of these on-board DSP units include a module dedicated to managing core system parameters including system EQ, time alignment between sections, limiting, and transducer thermal protection. This level of control makes the PMX D Series fully protected and able to operate at the full extent of its abilities.

The PMX 12 D system hosts a coaxial driver with a 12-inch (30 cm) neodymium woofer (LF) and a 2-inch diaphragm compression driver (HF). The PMX 12 D is bi-amplified using two dedicated high resonance digital amplifiers, featuring outstanding efficiency, with each amp delivering 1500 Watts (LF) and 400 Watts (HF) under 8 ohms. The PMX 12 D system hosts a coaxial driver with a 12-inch (30 cm) neodymium woofer (LF) and a 2-inch diaphragm compression driver (HF). The PMX 12 D is bi-amplified using two dedicated high resonance digital amplifiers, featuring outstanding efficiency, with each amp delivering 1500 Watts (LF) and 400 Watts (HF) under 8 ohms.  Each speaker channel is under control by a powerful, 64-bit digital processing unit capable of a 118 dB dynamic range. Each of these on-board DSP units include a module dedicated to managing core system parameters including system EQ, time alignment between sections, limiting, and transducer thermal protection. This level of control makes the PMX D Series fully protected and able to operate at the full extent of its abilities.

The PMX 8 D system hosts a coaxial driver with a 8-inch (20 cm) neodymium woofer (LF) and a 1-inch diaphragm compression driver (HF). The PMX 8 D is bi-amplified using two dedicated high resonance digital amplifiers, featuring outstanding efficiency, with each amp delivering 400 Watts under 8 ohms. The PMX 8 D system hosts a coaxial driver with a 8-inch (20 cm) neodymium woofer (LF) and a 1-inch diaphragm compression driver (HF). The PMX 8 D is bi-amplified using two dedicated high resonance digital amplifiers, featuring outstanding efficiency, with each amp delivering 400 Watts under 8 ohms.  Each speaker channel is under control by a powerful, 64-bit digital processing unit capable of a 118 dB dynamic range. Each of these on-board DSP units include a module dedicated to managing core system parameters including system EQ, time alignment between sections, limiting, and transducer thermal protection. This level of control makes the PMX D Series fully protected and able to operate at the full extent of its abilities.

Equipped with 100 mm touch-sensitive motorized faders, the StudioLive® CS18AI control surface provides a compact, intuitive mixing solution for PreSonus® StudioLive RM16AI and RM32AI rack-mount digital mixers and Studio One® 3 digital audio workstation. Equipped with 100 mm touch-sensitive motorized faders, the StudioLive® CS18AI control surface provides a compact, intuitive mixing solution for PreSonus® StudioLive RM16AI and RM32AI rack-mount digital mixers and Studio One® 3 digital audio workstation. The CS18AI connects to the network with a CAT5e or CAT6 Ethernet cable, eliminating the need for cumbersome analog or digital snakes and stage boxes, and offers a host of other useful features. It adds up to a powerful mix control system with a fast, intuitive workflow and the latest networking technology. Networked with StudioLive RM-series mixers via PreSonus UCNET technology, the StudioLive CS18AI offers complete hardware control of up to 64-channels and all mixer features. Keep your mixing I/O onstage in a rack, while running the mix from hundreds of feet way, using a lightweight Ethernet cable instead of a cumbersome analog snake and separate stagebox. Set up a wireless network and add an iPad®, a large Windows® 8/10 touchscreen, a Mac® or Windows laptop, or any combination for unprecedented mixing and control.

The leading choice of broadcasters worldwide, Wohler's AMP2-16V could be the only audio monitor you will ever need. The modular design, superb quality, upgradeability and ease of use is why broadcasters consistently choose the AMP2-16V Series monitors for their most demanding applications. Since we invented the in-rack audio monitor, we have not stopped improving it—and the world’s best selling and most powerful monitor now offers an even broader set of critical audio management tools. A complete suite of tools for analyzing and managing audio quality, level and loudness, metadata, and more. Now includes modular options for Dante™ and AES67. Features/Benefits: Monitor, mix, and route embedded AoIP, SDI, AES, analog, and TOSLINk audio sources; 16-channels of simultaneous, multi-format audio monitoring, metering and management; Add additional module cards/features as requirements change; Dual high resolution LCD screens with auto-detecting 3G/HD/SD-SDI video; Display application specific audio, video, or metadata information on either screen; Loudness monitoring with alarms; Fully customizable level meters including scale, color, range, thresholds and more; 32 presets allow complete reconfiguration of the entire unit with one button press.

From 25 years experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108. With eight channels of our transparent, musical mic preamplification, state of the art A/D conversion, multiple digital output formats, and flexible local or remote controlled operation, the m108 is a vital addition to any modern audio production environment. Based on the acclaimed success of our m802 remote controlled mic preamplifier, the m108 distills the best of these achievements into a sleek, elegant 1U chassis design. Our transformerless, transipedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer. A push-button rotary encoder is used for navigating and operation, with a user interface that is simple and intuitive. Dedicated push-buttons are assigned to core functions: 48V phantom power, phase reverse, channel grouping and meter peak clear. A crisp OLED screen displays complete system information, including channel gain settings, metering, peak status, and the system setup menu. Out of the box, the m108 is ready to go as a stand alone mic preamp / ADC. With integrated serial or MIDI control, the m108 can be confi gured in large channel-count remote systems, with control from our existing m802 hardware remote control unit, from Protools™, or our forthcoming m108 control computer utility. And an optional DANTE™ interface is provided for network audio configurations. The m108 control protocol is backward compatible with the m802 so you can add m108’s to an existing m802 system.

The AMK DS62-B loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The AMK DS62-B loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The assembly comes with AMK's CX 602, highly efficient coaxial loudspeaker. This system will solve the issue of having to provide a separate amplifier or I/O interface for speaker installations. One PoE amplified speaker can power a total of (2) speakers, one active and one passive speaker. The passive speaker installed at different zone for different channel of broadcasting. The CX602 loudspeaker driver has excellent dispersion, wide bandwidth and a smooth frequency response which makes this the top choice for today’s overhead commercial applications.  This assembly can be used in wide range of projects for paging and background music applications. The DS62-B is ideal for hotels, education, hospitals, retail stores, performing art centers, restaurants, airports, houses of worship, and board rooms.

The AMK DS62-A loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The AMK DS62-A loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The assembly comes with AMK's CX 602, highly efficient coaxial loudspeaker. This system will solve the issue of having to provide a separate amplifier or I/O interface for speaker installations. One PoE amplified speaker can power a total of (2) speakers, one active and one passive speaker.  The CX602 loudspeaker driver has excellent dispersion, wide bandwidth and a smooth frequency response which makes this the top choice for today’s overhead commercial applications.  This assembly can be used in wide range of projects for paging and background music applications. The DS62-A is ideal for hotels, education, hospitals, retail stores, performing art centers, restaurants, airports, houses of worship, and board rooms.

The AMK DS64-C loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The AMK DS64-C loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The assembly comes with AMK's CX 601, highly efficient coaxial loudspeaker. This system will solve the issue of having to provide a separate amplifier or I/O interface for speaker installations. One PoE amplified speaker can power a total of (4) speakers, including (3) additional passive speakers, with (2) speakers per audio zone.  The CX602 loudspeaker driver has excellent dispersion, wide bandwidth and a smooth frequency response which makes this the top choice for today’s overhead commercial applications.  This assembly can be used in wide range of projects for paging and background music applications. The DS64-C is ideal for hotels, education, hospitals, retail stores, performing art centers, restaurants, airports, houses of worship, and board rooms.

The AMK DS61-A loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The assembly comes with AMK's CX 602, highly efficient coaxial loudspeaker. The AMK DS61-A loudspeaker assembly is powered by a POE+ network amplifier with Dante™ input. No external power supply is required. The speaker includes a Class D amplifier which provides efficient use of power. The assembly comes with AMK's CX 602, highly efficient coaxial loudspeaker. This system will solve the issue of having to provide a separate amplifier or I/O interface for speaker installations. The CX602 loudspeaker driver has excellent dispersion, wide bandwidth and a smooth frequency response which makes this the top choice for today’s overhead commercial applications.  This assembly can be used in wide range of projects for paging and background music applications. The DS61-A is ideal for hotels, education, hospitals, retail stores, performing art centers, restaurants, airports, houses of worship, and board rooms.

HARVEY mx.16 is a flexible audio and media control matrix and a key component for pa systems and conference systems. It is equipped with 16 analog audio inputs and outputs as well as a great number of different control interfaces and the ideal matrix for conference rooms, theatres, museums, home cinemas, educational facilities and multipurpose rooms. HARVEY mx.16 is a flexible audio and media control matrix and a key component for pa systems and conference systems. It is equipped with 16 analog audio inputs and outputs as well as a great number of different control interfaces and the ideal matrix for conference rooms, theatres, museums, home cinemas, educational facilities and multipurpose rooms. The unit has extensive audio processing functions that can be configured tailored precisely to the respective application. These settings can also be saved as a preset and retrieved at the press of a button so that you can change fast between different installation options. Due to the varied control interfaces HARVEY mx.16 can connect to very different devices and act as a central control unit for audio, lighting and media technology. It converts the data between the interfaces and eliminates the need for additional converters. All established media control systems are suitable for controlling HARVEY mx.16 and all of the other devices connected to it. The user interface of HARVEY mx.16 has a simple operating philosophy: The menu structure is clearly arranged, elements are composed in a project by drag & drop and configured immediately in the context menu. Complex projects are configured with only a few mouse-clicks.

With 20 line-level inputs, 16 microphone preamplifiers and playback engine; processing with 31-band GEQ, compressor, gate, delay, polarity; DSP effects; aux buses; subgroups; sensitive LED metering; load/save/copy mixer setting; remote control, USB in and more, the 20.4 LIVE helps you creating a wonderful show. With 20 line-level inputs, 16 microphone preamplifiers and playback engine; processing with 31-band GEQ, compressor, gate, delay, polarity; DSP effects; aux buses; subgroups; sensitive LED metering; load/save/copy mixer setting; remote control, USB in and more, the 20.4 LIVE helps you creating a wonderful show.

• 16 microphone preamplifiers with dedicated trim control
• 20 line-level inputs
• 4 Aux sends and 4 subgroups, or 8 Aux sends
• 2 internal FX
• 1 stereo main out
• All channels Control Room outputs
• 2 headphones output
• USB Stereo recording 
• 100mm precision motor fader
• 7 inch color LCD touch screen for graphical view and setup
• 24-bit/48KHz sampling rate
• Program, save, load & copy functions
• Digital noise gate
• Digital compressor/limiter 
• Digital 4-band full parametric EQ
• PAN
• Phase reverse
• Time delay
• 6 DCA for Digital Control Audio or MUTE
• Lock and unlock function
• Change the password
• Remote Control: Ethernet or USB
• iPad App 20.4i editor for wireless control 
• Expand socket for option module:  Multi-track USB audio recording module or CobraNet module or Dante module etc

The 16 inputs and outputs of the Dark1616 are parallelled in both analogue and AES for maximum flexibility, with the added benefit of huge 127d8 dynamic range analogue to digital converters (DARK1616M). Moving audio from A to B is now more flexible than ever. The Dante system allows audio links over networks to be un-compressed, low latency and reliable. The 16 inputs and outputs of the Dark1616 are parallelled in both analogue and AES for maximum flexibility, with the added benefit of huge 127d8 dynamic range analogue to digital converters (DARK1616M). The Dante Controller software allows simple point to point or point to multipoint routing across a network of DARK1616 units. Glensound adds broadcast grade reliability to the Dante interface with a primary and redundant CATS link, a primary and redundant SFP/fibre link, and a primary and redundant power supply, with loops indicating link & PSU states. 

The AoIP44 is an economical subrack designed to interface balanced analogue audio circuits to and from a Network audio system featuring Dante.  The AoIP44 is an economical subrack designed to interface balanced analogue audio circuits to and from a Network audio system featuring Dante. It provides 4 audio inputs to the network and also 4 audio outputs from the network on balanced 3 pin XLRs. As well as being mains powered with the standard signature backup DC powering option, the AoIP44 can be powered from an external PoE source via its network interface. The AoIP can be used as a simple low cost audio I/O break out unit on a large Dante audio network where it can be integrated extremely easily using the Dante controller and is fully compatible with any manufacturers Dante equipment. It can also be used in very simple audio over IP scenarios where just 4 bi-directional audio circuits are needed to be distributed across a buildings network infrastructure, in which case 2 x AoIP44 units can be used connected together across the network. The AoIP44 is equally suited for high integrity broadcast purposes, intercom, just simple paging facilities or simple distribution of non-critical audio. Being part of our Signature Range the AoIP44 comes as standard with removable rack ears (to allow front or rear mounting in 19" racks), mounting holes to allow under desk mounting (the holes are equally suited for screwing the unit into odd places!) and an optional external DC power supply for applications requiring redundant power supplies. It is housed in an all anodised aluminium chassis.

Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring 'parallel path summing' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite. Focusrite's 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for our lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre. The Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via Focusrite Control software. They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA range. When ‘Air’ is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.

This fixed, rack-mountable transmitter delivers the complete feature package for ADA compliant wireless FM listening systems. This fixed, rack-mountable transmitter delivers the complete feature package for ADA compliant wireless FM listening systems. Programming, channel assignments and settings lock, can be done either from the transmitters and receivers with clear OLED display for menu navigation, or from a user-friendly software interface.

• Operates on the FCC protected 72-76 MHz FM bandwidth
• 57 programmable channels with settings lock.
• Simultaneous operation of up to 6 channels
• Easy integration: balanced and unbalanced inputs, Dante interface
• Operating range: up to 1500ft (depending on the antenna).
• SNR: 80 dB
• Weight: 3.7 lbs.
• Dimension: 8.46” X 8.26” X 1.96”
• Lifetime warranty

Attend Sixteen is a robust a robust all-in-one solution for multichannel video capture, recording and streaming with multiple audio tracks. Attend Sixteen is a robust a robust all-in-one solution for multichannel video capture, recording and streaming with multiple audio tracks. It can be used as a standalone streaming and recording device or used in tandem with the Media Server software and integrate with a CDN for large-scale implementation.

• Audio inputs: 16 channels of digital audio, or 8 channels of analog audio
• Dante-enabled
• 3 DVI-I inputs (2 video, 1 content)
• Onboard recording with 1TB hard drive and USB download
• includes Web Server GUI for control settings

The Attend Sixteen Capture Device seamlessly integrates with any sized media server hardware and existing infrastructure.