Dante-enabled Product Catalog

The RedNet D16R MkII is a 16-channel bi-directional AES3 interface for Dante® networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control. RedNet D16R MkII features power supply and Ethernet redundancy with auto switchover in case of failure.

Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made.

Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronisation to house clock, or syncing external equipment to the Dante network.

The MXWAPT is a 2-channel wireless access point compatible with Microflex Wireless microphone systems. It uses automated frequency coordination to assign clean frequencies to wireless microphones and manages two-way wireless transmission of encrypted audio and control signals. Power to the unit (via PoE) and Dante digital networked audio are both supplied over a single Ethernet cable to simplify installation, and the supplied mounting plate and paintable cover allow discreet placement in boardrooms and conference rooms where low visibility is preferred.

Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways.

Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling.

Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM).

The EM 6000 is compatible with UHF Sennheiser antenna systems.

The MXWAPT is a 4-channel wireless access point compatible with Microflex Wireless microphone systems. It uses automated frequency coordination to assign clean frequencies to wireless microphones and manages two-way wireless transmission of encrypted audio and control signals. Power to the unit (via PoE) and Dante digital networked audio are both supplied over a single Ethernet cable to simplify installation, and the supplied mounting plate and paintable cover allow discreet placement in boardrooms and conference rooms where low visibility is preferred.

The MADI-Bridge is a broadcast specification bridge between the MADI audio format and Dante. It is a bi-directional interface that can deliver 64 channels @ 48kHz (32 channels at 96kHz, 16 channels @ 192kHz). MADI-Bridge ‘Split Mode’ enables 2 x 32 channels @ 96kHz streams to be merged to form a single 64 channel @ 48kHz stream.

MADI-Bridge also features bidirectional sample rate conversion between any asynchronous sample rates, from 44.1kHz to 192kHz. MADI-Bridge features redundant PSU, MADI and IP Network ports and in addition to the inbuilt clock redundancy options in Dante Controller, the MADI-Bridge also includes a pair of redundant sync inputs for use as a self-redundant Dante Grand master clock. 32bit MADI control tunnelling allows a pair of MADI-Bridges to be used to pass audio and user bits (including control data) of a whole MADI stream across a network.

Enable monitoring from up to a 64ch Dante™ Input in iAM Series products.

Installing a Wohler unit with the Dante hardware option into an existing and functioning Dante network is virtually plug and play. The iAM Series rear panel AoIP jack supports 1Gb/s and 100Mb/s Ethernet devices in Dante Audio over IP network configurations. Channel source selections are made by choosing Input Type ‘AoIP’ in the Configuration-Configure Presets page regardless of which AoIP option is installed. The iAM-series unit is set up at the Wohler factory to be used as a slave rather than a master within the Dante network. Other devices or software, such as a Dante Controller, are expected to be responsible for most device configurations and all audio routing.

This optional hardware card card enables monitoring from a 64 channel Dante™ Input. It ships with an activation key and is plug and play. It Includes an AoIP card enabling primary and secondary RJ-45 for hitless/2022-7 support (for Dante, Ravenna and 2110-30 signals). Also included is an optical TOSLINK input and a Gigabit SFP cage allowing multi-mode and single mode network SFP’s for AoIP Signals.

The all new iVAM1-1 represents a simple but well featured and competitively priced video and audio monitor. With fast easy and monitoring of audio and video, this unit comes standard with 3G-SDI and Analog inputs. License other signal formats as and when needed, either initially or after purchase.

iVAM1-1 is designed to be easy to operate, providing fast access to either video or meters. The unit comes standard with Analog and 3G-SDI but has options for additional signals, including ST-2110, ST-2022, Dante, Ravenna, AES3, & MADI64. The touch screen front panel makes the unit easy to use, easy to operate, and easy to configure for your particular purpose. Four rotary knobs supplement the touch controls and provide fast and easy access to volume, balance, signal source and channel selection. A front mounted USB port is provided for software updates to support new and emerging technologies. All iAM Series monitors are built with an onboard web server.

The SWP2 series L2 switch is ideal for Dante 96kHz network systems. It features 10 etherCON ports and two single mode fiber opticalCON ports.

The SWP2 series L2 switch is ideal for Dante 96kHz network systems. It features 10 etherCON ports and two single mode fiber opticalCON ports.

Yamaha Unified Communications RM-CR is the audio signal processor at the heart of the RM series. Standard network audio support for "Dante" all compatible devices can be connected with single network cable. Up to 2 RM-CG and 2 VXL1B-16P can be connected via PoE switch SWR2311P-10G. It can automatically recognize connected devices on the same network for audio routing and is equipped with the Auto Tuning functions that automatically measure and provide the optimum sound settings for the environment as well as Auto Mixer functions that automatically mix the audio of all connected microphones with various input/output connections such as USB, VoIP, analog, and Bluetooth.

The Yamaha RM-CG is a ceiling array microphone equipped with unique audio signal processing technology that enables high-quality communication.

E-Vocal Stage Series are the converters designed to transfer 16 audio channels over a Dante network in both directions. Two etherCON connectors (Dante Primary/Secondary) are available for redundant operation using two separate networks. For high availability operation requirements, dual AC input and dual PoE power sources are available for redundant operation. This robust and portable unit is designed to be placed horizontally or vertically on stage, providing impeccable integration and ability to endure harsh live performance environment. Any other settings, such as sampling frequency, channel routing or latency, can be made by the free “Dante Controller” computer application. ARS-1616S-A10 also featured with Preamp (phantom Power), gain control and mute functions.

It’s here: Video for Dante™/AES67 – Visionary Solutions brings the power of Dante™/AES67 enabled connectivity to video. For Installed AV professionals, the impact of Dante™/AES67 connectivity has been a game-changer, enabling fast, easy, and economical digital networking of multi-channel audio over IP.

Wouldn’t it be great if there was a Dante™/AES67 solution for video? Introducing PacketAV Duet from Visionary Solutions.

PacketAV Duet is nothing short of a paradigm shift for networked AV. True convergence is finally here; a single platform to support Dante™/AES67 and Video over IP. Integrate 4K UHD video over IP into your Dante™ enabled audio network and bypass the constraints of traditional switch matrix systems by harnessing the flexibility and scalability of converged IP networks.

It’s here: Video for Dante™/AES67 – Visionary Solutions brings the power of Dante™/AES67 enabled connectivity to video. For Installed AV professionals, the impact of Dante™/AES67 connectivity has been a game-changer, enabling fast, easy, and economical digital networking of multi-channel audio over IP.

Wouldn’t it be great if there was a Dante™/AES67 solution for video? Introducing PacketAV Duet from Visionary Solutions.

PacketAV Duet is nothing short of a paradigm shift for networked AV. True convergence is finally here; a single platform to support Dante™/AES67 and Video over IP. Integrate 4K UHD video over IP into your Dante™ enabled audio network and bypass the constraints of traditional switch matrix systems by harnessing the flexibility and scalability of converged IP networks.

The PacketAV® Duet Wallplate Encoder has been nothing short of a paradigm shift for networked AV. True convergence; a single platform to support Dante™/AES67 and Video over IP in a convenient wallplate form-factor. Building on their success and wide adoption, the next generation of PacketAV® Duet Wallplate Encoders continue to provide powerful 4K UHD Video and Dante™/AES67 Audio over a single Gigabit Ethernet port, now with built-in bi-directional Bluetooth® wireless audio connectivity and other enhanced features.

It can be easily mounted in a wall, tabletop, lectern, or floor box using a standard 2-gang US or UK back box, and connected to power (standard POE) and Ethernet using only a single category cable.

The PacketAV® Duet Wallplate Encoder has been nothing short of a paradigm shift for networked AV. True convergence; a single platform to support Dante™/AES67 and Video over IP in a convenient wallplate form-factor. Building on their success and wide adoption, the next generation of PacketAV® Duet Wallplate Encoders continue to provide powerful 4K UHD Video and Dante™ /AES67 Audio over a single Gigabit Ethernet port, now in a simplified HDMI only version for streamlined installations.

The Zip4-3G four-zone Dante/AES67 paging interface addresses the unique communications needs of large sporting venues, transit hubs like airport terminals and train stations, as well as convention centers and corporate facilities. Paging audio and bi-directional control and status data can be routed over a Dante or AES67 network to the Q-SYS Ecosystem, third-party network AV system or other Paging Management System controller to distribute paging audio to up to four different zones. Finally, it allows for a gooseneck paging microphone.

The Attero Tech by QSC DTH1620 is multi-channel, low-power (16-channel x 20 watts) Dante/AES67 network amplifier, designed for themed entertainment usage and other specialized audio applications, and optimized for integration into the Q-SYS Ecosystem.

The Attero Tech by QSC Axon D2i is a single-gang, Dante/AES67 network audio I/O wallplate for network AV systems, including the Q-SYS Ecosystem. With two balanced mic/line inputs in a cost-effective form-factor, it provides easy integration of analog devices into a wide range of network audio applications. A Q-SYS Extension further simplifies integration, letting integrators quickly add the Axon D2i to Q-SYS installations without the need for any programming.

SNA50-3 is a global limiter. The technology used for the sound limitation does not degrade the signal dynamics at all, as a traditional compressor would do.

The pressure measurement by the acoustic sensor is transmitted to the computer which integrates the modulation peaks with a progressive slope, adjustable in rise and fall time.

• Balanced inputs/outputs compatible unbalanced.

• Limitation in global level.

• Limitation either by acoustic sensor or by electrical analysis of the input signal to SNA50-3, while keeping the acoustic level measurement for the history.

• Visualization of the levels and parameters on a touch screen on the front panel.

• Real-time display of the Leq1s in global level.

• Choice of A and/or C weighting for the acoustic analysis of the global level, the C weighting allows the bass to be taken into account.

• Recording of global levels: LAeq 1min, LAeq 10min, LAeq 15min, LCeq 1min, LCeq 10min, LCeq 15min, LpcC1min max.

• Automatic summer/winter time change-over.

• Embedded web server for history consultation and setting equipment.

• No specific software required.

• The internal memory is sized to store sound level values 24 hours a day, 7 days a week for 6 months.

• USB Host connector allowing the connection of a USB key for history collection.

• Fire contact with audio level attenuation > 40dB.

• Acoustic and electric auto-verification of the measuring sensor.

• VCA technology (Voltage Controlled Amplifier), no audio signal cut-off.

• SNA50-3 can be sealed.

The Attero Tech by QSC Zip4 is a four-zone Dante/AES67 paging interface that addresses the unique communications needs of large sporting venues, transit hubs like airport terminals and train stations, as well as convention centers and corporate facilities. Paging audio and bi-directional control status data can be routed over a Dante or AES67 network to the Q-SYS Ecosystem, third-party network AV system or other Paging Management System controllers to distribute paging audio in up to four zones.

Bella 22 is a 2 buss summing matrix confidence monitor designed for outside broadcast trucks, studios, theatre and professional audio applications. It is perfect for easy and cost effective monitoring of multiple network audio sources, ideal for busy production environments and perfect for monitoring multiple network intercom & programme feeds.

The 2 front panel loudspeakers are driven from a DSP to compensate for their size. The result is surprisingly good, with clear crisp vocals and highly intelligible reproduction of wider band audio sources. They are driven from a class D amplifier and have more than sufficient output level for most environments.

Robust proven construction techniques, simple reliable interface and excellent specification will help make your technician’s life hassle free, whilst the low cost and long asset life will keep the accountant satisfied.

Virgil was the Roman poet who guided Dante through Hell and Purgatory, the Glensound Virgil is a clever little headphone amplifier for providing crystal clear audio into studio & broadcast headphones.

Packaged in a small & robust format and designed to be permanently mounted in studios wherever a headphone circuit is required, the Virgil provides a simple interface between Dante network audio systems and users headphones.

The Virgil encompasses our unique headphone amplifier circuit which automatically provides the correct output level to match the impedance of the attached headphones (to produce the same volume high impedance headphones require a much greater output level than low impedance).

Virgil receives 2 x audio circuits from a Dante network and routes one to the left and the other to the right channel of the headphone amplifier. A front panel volume control allows the user to adjust the output volume.

Three mounting holes are supplied to enable the Virgil to be mounted underneath a studio desk in a suitable location for the users headphones. Needing just 1 single network cable to carry both power & audio to the Virgil makes installation very simple.

As well as being suitable for low & high impedance headphones our unique headphone amplifier circuit can be connected to both stereo headphones & mono earpieces, making the Virgil suitable for driving television presenters ear pieces.

This device uses Audinate's Ultimo Chipset, which can receive 4 incoming audio channels, each at 48kHz. However, this chipset can only receive these 4 audio channels from a maximum of 2 network locations (2 different devices). This is common with any manufacturer that uses this chipset.

The Beatrice W4 is a single user interface for the Beatrice system, designed to mount flush on a wall or into a desk. it is a useful intercom position allowing two way communication to be possible at standing levels whilst mounted into walls, or at desk level if mounted on a Desk.

MinFerno is a new, smaller, and even easier to use version of our exceptionally popular Inferno network audio commentary box.

MinFerno is designed for a single commentator/ announcer to use, and like its big brother the Inferno, it provides the very best possible commentary microphone amplifier and compressor limiter circuit for amazing on air sound.

The MinFerno is easy to use for commentators who would rather be talking about the game than figuring out how the equipment works. It is built to our exacting, rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.

MinFerno is a new, smaller, and even easier to use version of our exceptionally popular Inferno network audio commentary box.

MinFerno is designed for a single commentator/ announcer to use, and like its big brother the Inferno, it provides the very best possible commentary microphone amplifier and compressor limiter circuit for amazing on air sound.

The MinFerno is easy to use for commentators who would rather be talking about the game than figuring out how the equipment works. It is built to our exacting, rugged & robust standard to make it a reliable piece of broadcast equipment for the busy engineer.