Dante-enabled Product Catalog
The fully featured dual mono or stereo D*AP4 VAP EDITION contains a suite of performance enhancing and creative audio processes dedicated to extracting the maximum potential quality from voice audio with dependable consistency. Flexible I/O options include AES, analog, 3G SDI, MADI, Dante™ and high quality microphone pre-amps.
The fully featured dual mono or stereo D*AP4 VAP EDITION contains a suite of performance enhancing and creative audio processes dedicated to extracting the maximum potential quality from voice audio with dependable consistency. Flexible I/O options include AES, analog, 3G SDI, MADI, Dante™ and high quality microphone pre-amps.
The D*AP4 VAP EDITION is designed to ensure that vocal quality and accuracy is always maintained at its best from program to program and day to day.
A comprehensive feature set includes processing blocks such as: Mid/side matrix, phase-rotator, de-esser, compressor, expander, parametric EQ, Spectral Signature™ dynamic EQ, an automatic voice leveler, limiter, voice over and optional Level Magic™ loudness management.
The D*AP4 VAP EDITION features not only a two channel voice signal path, but also a separate stereo program path for either standalone voice processing, or to provide automatic or manual integration of voice and program signals.
RedNet MP8R is an 8-channel remote-controlled microphone preamplifier and A/D for the Dante audio-over-IP network, designed specifically for the live sound/recording and broadcast environments, and other workflows where reliability is paramount, with Ethernet and power supply redundancy. The MP8R features eight high-quality remote-controlled mic preamps developed specifically for the RedNet range, and backed by thirty years of mic preamplifier development. Each preamp has a dual input impedance of 10k or 2.4k ohms, allowing flexibility when running multiple mic pres in parallel. The device includes eight auxiliary outputs with automatic DSP-based gain tracking for digital “splits”. Following the mic pres are eight channels of Focusrite’s legendary high-precision A/D converters, operating at up to 192kHz/24-bit with minimum latency and offering class-leading dynamic range and overall performance. The MP8R features a rugged, roadworthy exterior and high internal build quality. In addition, the unit offers a compact 1U rack-mount form factor.
The DMS800, reference digital wireless microphone system is designed to provide accurate signal transmission and reliability in theaters, conferences, live productions and tour sound applications. It is the direct successor of DMS700 V2 and offers everything that made its predecessor an outstanding performer while adding features to deliver more versatility than ever before.
The DMS800 provides two digital audio outputs – for DANTE and AES EBU. The design and mechanics of the DHT800 handheld transmitter have been improved and microphone heads are now exchangeable, so the customer is more flexible. It can be chosen between the AKG D5 WL1, D7 WL1 and C5 WL1. Additionally the mute switch of the transmitters can be set to work as power switch.
An optional network remote control allows frequency coordination and monitoring of multichannel systems by PC software Audio Architect, Apple iPhone/iPad/iPod® or Soundcraft Vi consoles.
Eight remote controllable channels of the acclaimed Millennia HV-3 mic preamp circuits. It’s the way to add uncolored preamps to your Dante network.
Unrestricted Capacity, Uncompromised Clarity
- Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
- Plug ‘n play Pro Tools interface via MIDI
- AElogic Windows software offers total control
- Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
- Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed
- Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
- Effortless, vividly realistic musical performance
- Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
- Gain controls (1 dB per step) on all channels are-matched to .08 dB
- Ultra-clean toroid power supply
- Mogami Neglex OFC audio wiring, silver Teflon power wiring
- Aluminum 16 gauge rack chassis
Eight channels of the acclaimed Millennia HV-3 mic preamp circuits. It’s the way to add uncolored preamps to your Dante network.
Authentic Transparency for Unrestricted Creativity
- Unsurpassed ambience retrieval
- Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
- Uncolored timbral accuracy at all dynamic levels
- Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
- Effortless, vividly realistic, musical performance
- Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease
- Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB
- Ultra-clean toroid power supply
- Gold audio connectors and switches
- Mogami Neglex OFC audio wiring
- Silver Teflon power wiring
- Welded 16 gauge steel rack chassis
The Millennia HV-3D is an 4-channel version of the very successful and popular HV-3C stereo preamp.
The Millennia HV-3D is a 4-channel version of the very successful and popular HV-3C stereo preamp. The HV-3D combines multiple channels to minimize redundant mechanical and electrical parts. This is a tool you can build a career around: it will remain valuable and useful no matter how far your sonic explorations take you. Acquiring an HV-3D is a step off the upgrade treadmill, a step that will ultimately save you much more than your initial investment.
Authentic Transparency for Unrestricted Creativity
- Unsurpassed ambience retrieval
- Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
- Uncolored timbral accuracy at all dynamic levels
- Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
- Effortless, vividly realistic, musical performance
- Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease
- Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB
- Ultra-clean toroid power supply
- Gold audio connectors and switches
- Mogami Neglex OFC audio wiring
- Silver Teflon power wiring
- Welded 16 gauge steel rack chassis
RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s, RedNet 4 provides an effective range of analogue inputs for your system. The unit includes Focusrite’s world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel. The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.
- I/O Interfaces
- Microphone Preamps
The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats.
The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats. Each ES4T (transmitter) and ES4R (receiver) can be configured for Cobranet®, or Dante® formats by simply changing the network module in the unit. The exceptional performance, ease of use, and extreme flexibility make the ES4 series products excellent I/O devices for any digital audio network. The typical Whirlwind ES4 system consists of two components: the ES4T transmitter module, which has sixteen balanced mic/line inputs and eight line level outputs. The matching ES4R receiver module has sixteen line level outputs and eight line level inputs. All inputs have variable gain controls and LED level monitoring.