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Glensound – DARK8MAI

Microphone Preamps

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  • Throw-down Box
  • 8x HDR microphone inputs with 4x splitters for each microphone
  • Individual mute, phase reverse, trim, and 4-band EQ for each of the four splits
  • Support of redundant Dante networks or daisy chainable
  • 4-band EQ for each output
  • 8x built-in mixing engines (16 inputs, stereo output)
  • Built-in audio matrix for flexible routing of all signals
  • Control via web interface
  • Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz
  • Dynamic range > 152dB
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  • Dante Ch: 2x2
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Glensound – Symphony

Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. The shape and feature set of the Symphony came from the customer's many years of experience from within the orchestral music industry. The simple controls for the musicians, the microphone amplifier setup hidden away from the musicians, the ability to mount the Symphony on a microphone stand and a clean blank audience facing side of the box were all key required features. Being a high caliber audio environment naturally the microphone amplifiers and monitoring circuits had to be the best available, which was made possible because of our many years of experience in broadcast audio. Features
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