Dante-enabled Product Catalog

Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML16AI rack-mount Active Integration™ digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 8 mic inputs, 8 combo mic/line inputs, and 16 digital inputs via FireWire, AVB, or Dante, for a total of 32 input channels, expandable up to 64. StudioLive RML16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML32AI 32-channel, 25-bus, rack-mount Active Integration™ digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

The new generation of BRÄHLER‘s DIGIMIC 32 conference system will incorporate a Dante enabled audio interface for both DIGIMIC system interconnection and interoperability with 3rd party digital audio systems.

Easy and cost-effective audio interfacing

Provides a choice of up to 32 high- quality audio channels used for distribution of interpretation and floor channels.

Complete, high performance digital DIGIMIC media networking toolkit

True plug and play, with label-based routing

Widespread adoption, highest DCen and 3rd party device interoperability

Supports existing Ethernet switches or AVB switch

High Performance

Sample accurate timing

High quality, low jitter audio clocks

Ultra-low latency

The Quicklink TX Quad will allow you to easily manage 4 simultaneous incoming Skype/Microsoft Teams calls to be processed as 4 SDI or NDI™ outputs in one single unit. A high availability option is available on this unit for full redundancy and resilience.

Product Highlights

Manage 4 incoming Skype/Teams calls to 4 SDI outputs

4 professional SD/HD SDI input & outputs

Supports both I/O for NDI™

High Availability Option including Dual Power Supply & Raided drives

Skype TX controller software with control console

Ultra low delay: For instantaneous 2 way video/audio contributions

Video and audio free from adverts

Aspect ratio correction method: Scale your SDI input picture to your requested resolution

Customisable tally or information graphic overlay back to return caller

Talkback: Switch between 3 different audio sources

Screen sharing capability

Auto-Answer function

Embedded SDI audio (16 Channel in hardware)

AES balanced audio (additonal hardware required)

Remote Management Ethernet Port for bare metal restore

HD Recording Function

Free complimentary technical information via the Customer Portal

The ADX-2400M MADI Network Interface accepts a MADI stream as its local inputs, and outputs a MADI stream as its local outputs, making integration with the truck's or studio's audio system fast and simple.

The 24 local inputs and outputs use 24 of the 64 available MADI channels, and may be configured to use channels 1-24 or 33-56. All other MADI channels pass through the unit. This allows two ADX-2400Ms to be used in tandem on a single MADI stream.

Both optical and coax MADI inputs and outputs are available. The optical I/O uses a standard SFP module, so it may be configured for multi-mode or single-mode fiber, with wavelength and power parameters of the customer's choice.

These units may serve as the 'truck end' of ADX networked announce systems, or with other 2400s for transmission or distribution, or to provide a network interface for other vendors' networked products.

The ADX-2400N Analog Network Interface unit is the analog version of the ADX-2400 with balanced, +4dBm analog local inputs and outputs. The ADX-2400N provides very high quality transmission of 24 analog inputs to network transmit channels, and 24 network receive channels to analog outputs.

The A-D and D-A conversion is done by premium quality 24-bit converters, resulting in very transparent, clean audio.

These units may serve as the 'truck end' of ADX networked announce systems, or with other 2400s for transmission or distribution, or to provide the network interface for other vendor's networked products.

AX32 already support 64 channels of Dante IP Audio via an optional module, but in an effort to meet demand for an even higher channel count, our an optional expansion card adds another 128 channels to your digital audio-routing matrix.

Further, with eight slots available for expansion cards, you could ultimately have up to 1,088 Dante/AES67 channels, including the 64 channels that comes as standard, at 48 kHz.

The Dante expansion card also offers sample rate conversion on all channels as well as dual redundancy network ports in order to maximize reliability, reducing the risk of losing valuable production time.

Independent Sample Rate Conversion

The Dante expansion card features per-card sample rate conversion, which by using more cards allows several independent audio networks that run on individual clocks and sample rates to be connected to and unified in a single AX32 unit.

This naturally unleashes a wealth of possibilities for distributing audio across sources and destinations on highly complex setups that e.g. involve sending a feed to an OB truck, while recording at a different sample rate and sending yet another feed to a FOH console or an in-ear monitoring system.

Simply adding more Dante channels may sound trivial, but once you start to think about the actual problems that this amount of channels in combination with independent sample rate conversion is capable of solving, it’s a quite significant improvement of the overall system.

For instance, the new Dante card will immediately be able to solve real-world challenges in regard to high channel counts when working with Dolby Atmos Mastering Suite, as well as in recording studios where Dante based monitoring systems are used, but there is a need to record at a different sample rate or in Live applications where there Dante networks have to be kept physically separated when operating on different clocks.

The internal sample rate converters on the new Dante cards have been developed in-house and we have never compromised on the quality of our AD/DA converters – or internal sample rate conversion within the digital domain. ‘Digital’ is simply part of our brand name and we take that very seriously!

Applications

- Live & Events

- Film Production (Dolby Atmos Mastering Suite)

- Broadcast

- Music Production

Highlights

- 128 channels @ 48 kHz / 64 channels @ 96 kHz / 32 channels @ 192 kHz

- Independent Sample Rate Conversion

- Dual Redundancy Ethernet Ports

- AES67 Support

- Up to 8 cards in a Single AX32 Mainframe

Details

The Dante card can operate either as a single 128x128 channel interface with a switch for the two Ethernet connectors or redundantly, where the two Ethernet connecters are connected to different networks each carrying 128x128 channels. If more cards are installed, each card can be connected to a different network or more cards can be connected to the same network via an external Ethernet switch or by bridging the network between the cards when operating in non-redundant mode.

The Dante card can operate in Dante mode or AES67 mode with support for discovery via SAP. In Dante mode, Dante Domain Manager (DDM) is supported for enhanced network management functionality. Configuration of the card is managed via DADman.

The MXCWAPT Access Point Transceiver manages audio routing, frequency coordination, and system control for up to 125 wireless conference units. The MXCWAPT automatically selects the clearest channel in the 2.4 GHz and 5 GHz frequency bands and switches channels to avoid potential interference. The access point provides both Dante™ and analog audio inputs and outputs, and uses a single Ethernet connection for power, audio, and control.

The RedNet D16R MkII is a 16-channel bi-directional AES3 interface for Dante® networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control. RedNet D16R MkII features power supply and Ethernet redundancy with auto switchover in case of failure.

Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made.

Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronisation to house clock, or syncing external equipment to the Dante network.

The MXWAPT is a 2-channel wireless access point compatible with Microflex Wireless microphone systems. It uses automated frequency coordination to assign clean frequencies to wireless microphones and manages two-way wireless transmission of encrypted audio and control signals. Power to the unit (via PoE) and Dante digital networked audio are both supplied over a single Ethernet cable to simplify installation, and the supplied mounting plate and paintable cover allow discreet placement in boardrooms and conference rooms where low visibility is preferred.

Higher channel density with maximum signal reliability at the same time: Digital 6000 is intermodulation-free and assures through its equidistant frequency grid excellent spectral efficiency and the simplest frequency configuration– even in the toughest frequency environments where other systems already fail. Error correction and audio error masking recognize and fix problems long before they even become audible. When it comes to setup and the user interface, the EM 6000 stands out for clarity, relevance and short pathways.

Digital 6000 can be seamlessly integrated into existing digital or analog infrastructures. The EM 6000 receiver has a digital AES-3 output with word clock inputs and outputs, high-quality transformer-balanced analog XLR and 6.3 mm jack outputs as well as a 6.3 mm headphone output. The Dante™ version with an Audinate Brooklyn ll card additionally offers two Amphenol RJ-45 connectors for integrating the receiver into a Dante™ network, for redundant networks or daisy chain cabling.

Whether we’re talking about reducing information down to the really meaningful key values or smart menus on a high-contrast OLED display, every operating element is a result of practical experience and designed for practical use. All the vital parameters are summarized in one view. Important functions can be reached directly via home screens without long navigation paths. The auto-setup enables scanning and frequency distribution to all connected devices directly via the receiver; naturally Digital 6000 can also be monitored and configured via the Wireless System Manager (WSM).

The EM 6000 is compatible with UHF Sennheiser antenna systems.

The MXWAPT is a 4-channel wireless access point compatible with Microflex Wireless microphone systems. It uses automated frequency coordination to assign clean frequencies to wireless microphones and manages two-way wireless transmission of encrypted audio and control signals. Power to the unit (via PoE) and Dante digital networked audio are both supplied over a single Ethernet cable to simplify installation, and the supplied mounting plate and paintable cover allow discreet placement in boardrooms and conference rooms where low visibility is preferred.

The MADI-Bridge is a broadcast specification bridge between the MADI audio format and Dante. It is a bi-directional interface that can deliver 64 channels @ 48kHz (32 channels at 96kHz, 16 channels @ 192kHz). MADI-Bridge ‘Split Mode’ enables 2 x 32 channels @ 96kHz streams to be merged to form a single 64 channel @ 48kHz stream.

MADI-Bridge also features bidirectional sample rate conversion between any asynchronous sample rates, from 44.1kHz to 192kHz. MADI-Bridge features redundant PSU, MADI and IP Network ports and in addition to the inbuilt clock redundancy options in Dante Controller, the MADI-Bridge also includes a pair of redundant sync inputs for use as a self-redundant Dante Grand master clock. 32bit MADI control tunnelling allows a pair of MADI-Bridges to be used to pass audio and user bits (including control data) of a whole MADI stream across a network.

Enable monitoring from up to a 64ch Dante™ Input in iAM Series products.

Installing a Wohler unit with the Dante hardware option into an existing and functioning Dante network is virtually plug and play. The iAM Series rear panel AoIP jack supports 1Gb/s and 100Mb/s Ethernet devices in Dante Audio over IP network configurations. Channel source selections are made by choosing Input Type ‘AoIP’ in the Configuration-Configure Presets page regardless of which AoIP option is installed. The iAM-series unit is set up at the Wohler factory to be used as a slave rather than a master within the Dante network. Other devices or software, such as a Dante Controller, are expected to be responsible for most device configurations and all audio routing.

This optional hardware card card enables monitoring from a 64 channel Dante™ Input. It ships with an activation key and is plug and play. It Includes an AoIP card enabling primary and secondary RJ-45 for hitless/2022-7 support (for Dante, Ravenna and 2110-30 signals). Also included is an optical TOSLINK input and a Gigabit SFP cage allowing multi-mode and single mode network SFP’s for AoIP Signals.

The all new iVAM1-1 represents a simple but well featured and competitively priced video and audio monitor. With fast easy and monitoring of audio and video, this unit comes standard with 3G-SDI and Analog inputs. License other signal formats as and when needed, either initially or after purchase.

iVAM1-1 is designed to be easy to operate, providing fast access to either video or meters. The unit comes standard with Analog and 3G-SDI but has options for additional signals, including ST-2110, ST-2022, Dante, Ravenna, AES3, & MADI64. The touch screen front panel makes the unit easy to use, easy to operate, and easy to configure for your particular purpose. Four rotary knobs supplement the touch controls and provide fast and easy access to volume, balance, signal source and channel selection. A front mounted USB port is provided for software updates to support new and emerging technologies. All iAM Series monitors are built with an onboard web server.

The SWP2 series L2 switch is ideal for Dante 96kHz network systems. It features 10 etherCON ports and two single mode fiber opticalCON ports.

The SWP2 series L2 switch is ideal for Dante 96kHz network systems. It features 10 etherCON ports and two single mode fiber opticalCON ports.

Yamaha Unified Communications RM-CR is the audio signal processor at the heart of the RM series. Standard network audio support for "Dante" all compatible devices can be connected with single network cable. Up to 2 RM-CG and 2 VXL1B-16P can be connected via PoE switch SWR2311P-10G. It can automatically recognize connected devices on the same network for audio routing and is equipped with the Auto Tuning functions that automatically measure and provide the optimum sound settings for the environment as well as Auto Mixer functions that automatically mix the audio of all connected microphones with various input/output connections such as USB, VoIP, analog, and Bluetooth.

The Yamaha RM-CG is a ceiling array microphone equipped with unique audio signal processing technology that enables high-quality communication.

E-Vocal Stage Series are the converters designed to transfer 16 audio channels over a Dante network in both directions. Two etherCON connectors (Dante Primary/Secondary) are available for redundant operation using two separate networks. For high availability operation requirements, dual AC input and dual PoE power sources are available for redundant operation. This robust and portable unit is designed to be placed horizontally or vertically on stage, providing impeccable integration and ability to endure harsh live performance environment. Any other settings, such as sampling frequency, channel routing or latency, can be made by the free “Dante Controller” computer application. ARS-1616S-A10 also featured with Preamp (phantom Power), gain control and mute functions.

It’s here: Video for Dante™/AES67 – Visionary Solutions brings the power of Dante™/AES67 enabled connectivity to video. For Installed AV professionals, the impact of Dante™/AES67 connectivity has been a game-changer, enabling fast, easy, and economical digital networking of multi-channel audio over IP.

Wouldn’t it be great if there was a Dante™/AES67 solution for video? Introducing PacketAV Duet from Visionary Solutions.

PacketAV Duet is nothing short of a paradigm shift for networked AV. True convergence is finally here; a single platform to support Dante™/AES67 and Video over IP. Integrate 4K UHD video over IP into your Dante™ enabled audio network and bypass the constraints of traditional switch matrix systems by harnessing the flexibility and scalability of converged IP networks.

It’s here: Video for Dante™/AES67 – Visionary Solutions brings the power of Dante™/AES67 enabled connectivity to video. For Installed AV professionals, the impact of Dante™/AES67 connectivity has been a game-changer, enabling fast, easy, and economical digital networking of multi-channel audio over IP.

Wouldn’t it be great if there was a Dante™/AES67 solution for video? Introducing PacketAV Duet from Visionary Solutions.

PacketAV Duet is nothing short of a paradigm shift for networked AV. True convergence is finally here; a single platform to support Dante™/AES67 and Video over IP. Integrate 4K UHD video over IP into your Dante™ enabled audio network and bypass the constraints of traditional switch matrix systems by harnessing the flexibility and scalability of converged IP networks.

The PacketAV® Duet Wallplate Encoder has been nothing short of a paradigm shift for networked AV. True convergence; a single platform to support Dante™/AES67 and Video over IP in a convenient wallplate form-factor. Building on their success and wide adoption, the next generation of PacketAV® Duet Wallplate Encoders continue to provide powerful 4K UHD Video and Dante™/AES67 Audio over a single Gigabit Ethernet port, now with built-in bi-directional Bluetooth® wireless audio connectivity and other enhanced features.

It can be easily mounted in a wall, tabletop, lectern, or floor box using a standard 2-gang US or UK back box, and connected to power (standard POE) and Ethernet using only a single category cable.

The PacketAV® Duet Wallplate Encoder has been nothing short of a paradigm shift for networked AV. True convergence; a single platform to support Dante™/AES67 and Video over IP in a convenient wallplate form-factor. Building on their success and wide adoption, the next generation of PacketAV® Duet Wallplate Encoders continue to provide powerful 4K UHD Video and Dante™ /AES67 Audio over a single Gigabit Ethernet port, now in a simplified HDMI only version for streamlined installations.

The Zip4-3G four-zone Dante/AES67 paging interface addresses the unique communications needs of large sporting venues, transit hubs like airport terminals and train stations, as well as convention centers and corporate facilities. Paging audio and bi-directional control and status data can be routed over a Dante or AES67 network to the Q-SYS Ecosystem, third-party network AV system or other Paging Management System controller to distribute paging audio to up to four different zones. Finally, it allows for a gooseneck paging microphone.

The Attero Tech by QSC DTH1620 is multi-channel, low-power (16-channel x 20 watts) Dante/AES67 network amplifier, designed for themed entertainment usage and other specialized audio applications, and optimized for integration into the Q-SYS Ecosystem.