Dante-enabled Product Catalog

Dante audio interface, mixer, and MIDI control in one compact device, the Switch Back PLUS condenses functions into a single, unique tool. Connect via Cat6 cable to a PoE+ network switch, plug in your headphones/speakers, route channels, and start making music. Mixer: Control volume, panning, and stereo width of 64 Dante audio channels, with channel names on crisp OLED displays. Local inputs mix in at zero-latency. The mix is fed through a master volume control and output to a balanced stereo pair and two headphone jacks. Interface: Local inputs include XLR microphone input with switchable phantom power, high-impedance instrument input with adjustable gain, and two balanced line-level inputs. Route these and the main stereo mix to other devices on the Dante network. Unmuting four default-muted Dante channels provides intercom. MIDI control: MIDI shares the same network connection as Dante to send/receive CCs. Knobs can control software and external hardware.

Expand your Dante networked audio rig with I/O and monitor control. Add personal monitor control with headphone amplifier and line I/O to your Dante® audio network Easily connect synths, amp emulators, external analog gear, and playback devices with Apollo e2m's built-in stereo line inputs Use Power over Ethernet (PoE) and built in mic-stand mount to place Apollo e2m anywhere you need monitoring — on stage or in the studio Pair with Apollo e1x remote-controllable Unison™ preamps and Apollo x16D for a complete I/O solution  

AX Center It's the audio interface that dreams are made of, as it unites the distinguished audio quality of pristine Digital Audio Denmark AD & DA conversion with the renowned transparency and musicality of the DAD mic preamps. It's all about capturing the source truthfully and get it into your DAW exactly as it is. But that's only the beginning of this journey through the various applications covered by AX Center. On the analog side, two XLR / 1/4" Jack combo connectors on the front for connecting microphones and instruments, you can add two 8 ch. mic/line A/D cards for 16 mic inputs and you have the perfect interface for a small studio or location recording. Or add one 8 ch. D/A card for an additional 8 analog outputs and you have the perfect interface for mixing in 7.1.4 ATMOS format. With one 8 ch. line A/D card and one 8 ch. D/A card, you have the perfect mastering converter. And all along you have two headphone connections where all sources in the system can be easily monitored. Included on the rear panel are a host of connectivity, covering Thunderbolt, Dante AoIP, MADI, ADAT, S/PDIF and Word Clock. In total - and fully expanded - you can max out AX Center with a staggering 984 input and output channels.

The Model 362A Listen-Only Beltpack is a self-contained 2-channel user device that supports headphone monitoring of two audio channels associated with the Dante® audio-over-Ethernet media networking technology. Each Model 362A is intended to be used by one user, providing them with the form factor, reliability, and features needed to be effective in a variety of applications.

With maximum flexibility in mind, KLANG has created the KLANG:konductor, its most powerful and versatile immersive in-ear mixing processor to date, delivering connectivity that is ready for today and tomorrow. Designed with monitor engineers and fixed installations in mind, the high end mixing system delivers 16 immersive mixes and processes 128 input signals at up to 96kHz at an astonishing internal latency of less than 0.25ms.

KLANG:konductor is equipped with three DMI slots, which provide unrivaled IO freedom and guarantee flawless integration into any existing setups. Paired with the included single channel routing capabilities, it also allows the user to freely route between the immersive mix engine and convert between different DMI formats, e.g. Optocore, Dante or MADI, with each DMI card offering up to 64 input and output channels at both 48kHz and 96kHz.

KLANG:vokal is designed specifically to match the feature set of KLANG:kontroller but can also work as a stand alone immersive processor. Based on KLANG’s powerful, new generation, ultra-low latency FPGA core, KLANG:vokal offers 12 mixes of 24 mono or stereo inputs at 48kHz and 96kHz, including the revolutionary Root-Intensity EQs. The musicians can pick up to 24 mono or stereo channels out of 64 Dante and MADI inputs. Mixes are sent via Dante to KLANG:kontroller or can also be sent back via MADI or Dante to a mixing console.

Maximum Flexibility and user friendliness make KLANG:vokal and KLANG:kontroller the perfect match for any House of Worship or Theater application.

Being compatible with all KLANG Immersive In-Ear Mixing Processors, KLANG:kontroller is the first hardware controller with full control right at your fingertips. It delivers fast tactile user control of channels, groups and immersive mixing via an intuitive interface. The times of outdated name tags and dialling through all channels are over with 8 displays providing clear channel names and color coding.

Relative DCA group mixing and full single channel control via eight push rotary encoders provides important, fast access. The studio grade headphone amplifier delivers crystal clear audio for in-ear monitors and high impedance headphones, with both 3.5mm (1/8”) as well as 6.3mm (1/4”) stereo TRS connectors.

To perfect the immersive experience, binaural True Ambient microphones are built into the unit. These can be blended into the immersive in-ear mix, along with a local stereo aux input for, for example, a click track or playback from a phone. The mix can be sent back to the Dante network or, alternatively, the ambient microphones or aux input can be shared with other musicians.

RedNet R1 enables users to interact with their audio system like never before. It provides the flexibility to control a range of different monitor output setups, ranging from mono through to 7.1.4 surround, including Dolby Atmos® and other immersive audio workflows. Alternatively, completely custom setups of up to 12 outputs can be configured for bespoke speaker configurations. RedNet R1 can be used to control groups of outputs from a Red interface’s multitude of sources and destinations, including from Pro Tools | HD and other DAWs, analogue inputs and outputs, ADAT and S/PDIF connections, and from entire Dante audio ecosystems, simultaneously and interchangeably.

RedNet R1 supports a maximum of eight input sources from 32 available audio channels, across analogue, digital, DAW and Dante connections, and mixes and routes signals to up to 12 monitor output channels. Top-panel control includes level, reference level preset selection, cut, dim, mute and a variety of solo modes. There’s an A/B switch for switching between numerous monitoring presets, and up to four fold-down presets allow fast switching for checking downmixes. Custom cue mixes can be sent to talent from any of the 32 available inputs.

RedNet R1 also features a Dante-enabled talkback section, internal mic-pre and a high-powered headphones output, so you can interact with your Dante system like never before. Up to four talkback destination groups are available when used with a Red interface. (When used with other Dante devices, a single talkback group is available.) RedNet R1 has an internal microphone, or users can connect their own microphone via the rear-panel XLR. The high-fidelity headphone output is powerful enough to deliver high-SPL audio to high-impedance headphones.

RedNet R1 features two LCD displays for highly accurate level metering of the outputs, sources and headphone outputs, and for giving visual cues for navigating around menus. The unit is configured using RedNet Control 2, the software manager designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations. Other features of the RedNet R1 include a quarter-inch jack socket, which accepts a footswitch for talkback management, LFE muting and more. It can be powered via Ethernet to reduce cabling complexity (using the PoE standard), or by a DC power supply.

The AM-3825 audio monitor separates the audio signal (embedded audio) superimposed on each SDI signal of 12G, 6G, 3G, HD, and SD from the video signal, and monitors the audio using the built-in speaker or headphones.

It features AES, MADI, Dante (ST 2110-30 compatible), analog and abundant audio input / output interfaces.

Features

● Supports a wide variety of video formats
● Equipped with abundant audio input / output interfaces
● Loudness measurement function
● Simultaneous monitoring of up to 32 channels of audio is possible
● L / R speaker is standard equipment
● LCD display with excellent visibility
● Preset Functions
● User button function
● Downmix function
● Control function by GPIO remote controller
● Alarm output function to external devices
● Space-saving housing
● Compatible with AC power supply

The PRT666D is a multifunctional microphone desk with Dante connectivity. It has been studied to answer many uses in mobile or permanent installation. It includes:

• A microphone preamp with very low noise, adjustment of the sensitivity and 12 or 48 Volts phantom power.
• An ON / OFF switch for setting ON AIR with a loop confirmation on GPO opto Mos.
• An external switching for ON / AIR by GPI.
• Two switches Talkback 1 and 2 with a confirmation loop on GPO opto coupler.

The communication is provided by an RJ45 network cable, conveying both the audio information and the power supply (PoE).
The PRT666D has a DANTE Primary port and a DANTE Secondary port (Backup).

Applications:
• Commentator desk
• Remote reporter desk in an outdoor event.
• Antenna simultaneous translation console.

Fredenstein U1631D; 16-Channel Level Meter with DANTE Input; Analogue 16-Channel LED Meter Bridge; high Resolution with 31 LEDs per Channel; 60 dB Display Range per Channel; Connection via DANTE Bus; Power consumption max. 25 Watts; 2x Ethernet Connector; build-in Power Supply; Housing: 19" 3 U

SSL's Nucleus² is a professional DAW & Studio Controller. SSL's Nucleus² is a professional DAW & Studio Controller. Nucleus² is a unique proposition for the professional project studio with a perfect blend of advanced DAW control, transparent SuperAnalogueTM monitoring with talkback, SSL console grade mic pres, pro quality Dante audio interface and bundled SSL Native plug-ins. There is no other product available which offers the professional producer all of these elements, with benchmark audio performance and elegant ergonomics. Not only is it unique but Nucleus2 is also outstanding value; these elements bought separately would cost more and deliver a less elegant solution.

The Virgil OB is a robust portable PoE powered headphone amplifier with the addition of a pair of balanced analogue outputs all built into a hardwearing lightweight aluminium case. Long Product Description (150 words or less): Virgil OB receives 2 x audio circuits from a Dante network and routes one to the left and the other to the right channel of the headphone amplifier. A front panel volume control allows the user to adjust the output volume of the headphones. The 2 incoming audio circuits are also presented on a pair of balanced analogue audio XLRs on the rear of the unit. A switch on the side of the unit sets these 2 outputs to be post or pre fade of the front panel level control. The Virgil OB is housed in a robust but lightweight aluminium casing that has been proven to withstand the rigours of life on the road. It also features a hardwearing beltclip allowing the unit to be quickly and securely attached to both people and infrastructure. As well as being suitable for low & high impedance headphones our unique headphone amplifier circuit can be connected to both stereo headphones & mono earpieces, making the Virgil OB suitable for driving television presenters ear pieces.

KLANG:quelle 19" is a Dante enabled 8 channel XLR line level breakout box with additional 4 stereo reference headphone outputs. It integrates 2 devices in 1.  KLANG:quelle 19" is a Dante enabled 8 channel XLR line level breakout box with additional 4 stereo reference headphone outputs. It integrates 2 devices in 1. Through the choice of premium converters suitable for low-resistance in-ear headphones, a crystal clear sound, without distortion, is enabled. KLANG:quelle 19" take only 1 RU space and comes with an internal power supply. It provides Power over Ethernet (PoE) and hence offers power redundancy. This is exactly the right solution for your high standards, being in a demanding studio environment, at band rehearsals or in the daily stage routine. Everywhere at these places, an extremely reliable, latency free and momentum faithful analog output and headphone sound is essential. This is where KLANG:quelle 19" comes into play. All these features come in a convenient and compact case. Get to know more about the advantages of KLANG:quelle 19" and we are certain that you'll never want to work again without one.

RedNet X2P is a compact, robust 2x2 Dante™ interface with Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P is a compact, robust 2x2 Dante™ audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P quickly adds I/O to your Focusrite Red interface or any Dante™ audio-over-IP system, and power, audio and remote control are supplied using a single Ethernet cable – simply use a power-over-Ethernet switch or PoE injector. A local input mixer allows 'more me' monitoring control, while a control lockout ensures settings remain unchanged when used remotely. The two digitally-controlled Red Evolution mic pres provide large amounts of ultra-clean gain along with stereo linking, individual phantom power, a high-pass filter and phase reverse. Plus they include Air mode, emulating the sound of Focusrite’s classic transformer-based mic preamps. RedNet X2P provides high-performance audio conversion with over 118dB dynamic range. These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency.

The ENCHORUS ENC 1101 Dante™-based audio network module offers eight AES3 outputs with individual delay (at a maximum of 2.7 seconds) and four AES3 inputs, with a four-band equalizer on each input and output. The ENC 1101 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 8x AES3 outputs with delay (max. 2.7 sec.)
• 4x AES3 inputs
• Support of redundant Dante networks or daisy chainable
• Four-band EQ for each input and output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built-in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz
• Sample rate converter on AES3 inputs from 8kHz to 192kHz
• 19” rack-mounting kit available

The ENCHORUS ENC 1202 Dante™-based audio network module offers eight line outputs with individual delay (at a maximum of 2.7sec.) and four line inputs, with a four-band equalizer on each input and output. The ENC 1202 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 8x line outputs with delay (max. 2.7sec.)
• 4x line inputs
• Support of redundant Dante networks or daisy chainable
• 4-band EQ for each input and output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built-in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz

The ENCHORUS ENC 1201 Dante™-based audio network module offers eight high dynamic range (HDR) microphone inputs and four line outputs. Each microphone input has four splitters with individual trim, mute, phase reverse, and a 4-band equalizer. The dynamic range of each microphone amplifier is more than 152dB. A four-band equalizer is also provided for each output, and the ENC 1201 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 8x HDR microphone inputs with 4x splitters for each microphone
• Individual mute, phase reverse, trim, and 4-band EQ for each of the four splits
• Support of redundant Dante networks or daisy chainable
• 4-band EQ for each output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built-in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz
• Dynamic range > 152dB

With this system, there is no learning curve. Whether or not you’ve ever used a personal monitor mixer, the simple layout of this powerful system makes getting the right mix a quick and effortless experience. Based in Gigabit Ethernet, this framework paves the way for an impressive range of future possibilities. With this system, there is no learning curve. Whether or not you’ve ever used a personal monitor mixer, the simple layout of this powerful system makes getting the right mix a quick and effortless experience. Based in Gigabit Ethernet, this framework paves the way for an impressive range of future possibilities. The modular Hub consists of four card slots, which can be populated with any configuration of input and/or output cards to fit your exact needs. Each Hub has the ability to supply signal and power to as many as 32 Mixers (8 per Network Card), each over a single standard CAT5e/6 cable. And with the built-in HBus In/Out ports, multiple Hubs can be daisy-chained together, allowing for truly unlimited system expansion. The standard Hub (included in the “4-pack”) comes pre-loaded with one Network Card and two 8-channel Analog Input Cards which can accept input signals from an audio mixer via auxiliary, matrix, monitor, and/or direct outputs. The Hear Back PRO system consists of two main components: the Hub and the Mixer. The Hear Back PRO boasts many key advantages, including:

• Side-mounted card slot on Mixer for future expansion
• Large master knob controls overall main mix, AUX, and intercom levels independently
• Volume and panning control of all
• 16 channels
• Direct and immediate visual feedback of all 16 channels
• Up to 8 pairs of stereo-linked channels
• Support for sampling rates up to 192 kHz
• Selectable XLR or 1/8” Mixer AUX input
• Built-in intercom broadcasts the AUX source (mic, MP3 player, click, etc.)
• Intercom auto adjusts its own level so even the quietest message never goes unheard
• Modular I/O Hub card system lets you customize the system to match your configuration, and can adapt to your needs
• Supports secondary power supply to provide redundancy and power to up to
• 32 Mixers
• USB port on Hub makes updating firmware for future features and upgrades a simple drag-and-drop operation
• Status indicating logos on Hub and Mixers make it easy to detect and diagnose problems, should they arise
• Write session info and channel settings on storable Mixer overlays for an unlimited number of presets
  • Instantly store and recall presets from memory with the push of a button
  • Most recent configuration is saved, even after power-down 

With this system, there is no learning curve. Whether or not you’ve ever used a personal monitor mixer, the simple layout of this powerful system makes getting the right mix a quick and effortless experience. Based in Gigabit Ethernet, this framework paves the way for an impressive range of future possibilities. With this system, there is no learning curve. Whether or not you’ve ever used a personal monitor mixer, the simple layout of this powerful system makes getting the right mix a quick and effortless experience. Based in Gigabit Ethernet, this framework paves the way for an impressive range of future possibilities. The Hear Back PRO system consists of two main components: the Hub and the Mixer. The Mixer is not a standalone product. The Hear Back PRO boasts many key advantages, including:

• Side-mounted card slot on Mixer for future expansion
• Large master knob controls overall main mix, AUX, and intercom levels independently
• Volume and panning control of all
• 16 channels
• Direct and immediate visual feedback of all 16 channels
• Up to 8 pairs of stereo-linked channels
• Support for sampling rates up to 192 kHz
• Selectable XLR or 1/8” Mixer AUX input
• Built-in intercom broadcasts the AUX source (mic, MP3 player, click, etc.)
• Intercom auto adjusts its own level so even the quietest message never goes unheard
• Modular I/O Hub card system lets you customize the system to match your configuration, and can adapt to your needs
• Supports secondary power supply to provide redundancy and power to up to
• 32 Mixers
• USB port on Hub makes updating firmware for future features and upgrades a simple drag-and-drop operation
• Status indicating logos on Hub and Mixers make it easy to detect and diagnose problems, should they arise
• Write session info and channel settings on storable Mixer overlays for an unlimited number of presets
  • Instantly store and recall presets from memory with the push of a button
  • Most recent configuration is saved, even after power-down 

An audio monitoring solution aimed at providing end users with a simple solution for selection and monitoring of up to 64 Dante audio channels. OUTPUTS - User selectable reception of one of up to 64 Dante audio channels. INPUTS & OUTPUTS - Internal monitoring speaker and built-in microphone. CONTROL - Volume, channel, source select and mute buttons. DISPLAY - Easy to read OLED display for presentation of channel names, volume settings and configuration. PoE POWER - PoE powered to work with any compliant 802.3af PoE network switch or mid-span injector, external +24VDC supply. DAISY CHAIN - Dante Daisy Chaining allows multiple unDNEMO, as well as other Attero Tech daisy chain enabled devices, to be connected over a single home-run to the Ethernet switch.

GRAPHITE TWO consoles are extremely versatile as they can be configured either as stand-alone or as networking consoles.  GRAPHITE TWO consoles are extremely versatile as they can be configured either as stand-alone or as networking consoles. The fully modular design allows configuring mixing consoles from 8 to 32 faders - up to 640 input and 640 output channels. Many features can be programmed individually by the customer such as monitor feeds, GPIs and GPOs, sources and busses and logic commands. The control surfaces are connected by either IPX/SPX or TPC/IP protocol to the G2 audio engines and routers and can share all sources and outputs within the audio network. Using the IPX/SPX protocol interface, GRAPHITE TWO consoles are an ideal option to upgrade existing VADIS* system installations as they are fiully VADIS* compatible. A unique feature is the option to install a break-in / break-out unit within the console frame. The interface unit is fitted with 8 audio input channels which can be configured either as stereo or mono inputs and outputs. The interface unit uses a Dante protocol-based Ethernet connection to the main frame which can be located in the main control room (MCR). GRAPHITE consoles offer a range of features that can be configured via the GRAPHITE configuration tool. Users can define presets for audio settings, function keys for GPIO and other control features, external sources for control room and studio monitoring, and snapshot keys to store the entire console set-ups.

The Mix320-D Personal Mixing System has been designed specifically for use with Dante™ enabled consoles and networks. It includes everything you need to create a personal mixing system for six performers. The Mix320-D Personal Mixing System has been designed specifically for use with Dante™ enabled consoles and networks. It includes everything you need to create a personal mixing system for six performers. The Mix320-D Personal Mixing System makes it easy to add Aviom monitoring to a Dante-enabled mixing console or audio network. No analog input module or console card is required; inputs get patched directly from your Dante network. The Mix320-D system includes a D400-Dante A-Net Distributor that allows up to 32 channels to be patched from the Dante network to the personal mixing system inputs. The D400-Dante is also used to supply A-Net digital data and DC power to the mixers. The Mix320-D system includes six A320 Personal Mixer for the performers, plus six MT-1a Mic Stand Mounts for attaching the A320 mixers to mic stands, as well as all the Cat-5e cables you'll need to connect the products.

The D400-Dante A-Net Distributor provide the link between the personal mixing system's inputs and the Personal Mixers, providing power and a copy of the digital audio stream to your Aviom Personal Mixers, utilizing standard Cat-5e cables. The D400-Dante A-Net Distributor provide the link between the personal mixing system's inputs and the Personal Mixers, providing power and a copy of the digital audio stream to your Aviom Personal Mixers, utilizing standard Cat-5e cables. The D400-Dante has a Dante input, and allows up to 32 channels to be routed from a Dante-enabled console or digital audio network to the Personal Mixers.

Studer has introduced a new modular version of the successful OnAir 2500 Broadcast console for installation in custom studio furniture. Studer has introduced a new modular version of the successful OnAir 2500 Broadcast console for installation in custom studio furniture. The new model, named the OnAir 2500 Modulo, has separate modules for fader bays and master section, along with a rack-mountable mainframe which houses the power supply and host processing. These modules can be recessed into a desktop for a clean installation with all cables integrated within the furniture and the mainframe hidden appropriately. For such a compact package, the Studer OnAir 2500 offers unrivalled flexibility and operational ease.

Studer’s new OnAir 2500 digital all-in-one console utilises the well-established software technology derived from the highly acclaimed OnAir 3000 console to deliver a new standard in ease-of-use for Radio Broadcast.  Studer’s new OnAir 2500 digital all-in-one console utilises the well-established software technology derived from the highly acclaimed OnAir 3000 console to deliver a new standard in ease-of-use for Radio Broadcast.  The Studer OnAir 2500 is a totally self-contained system and builds upon the operational concepts of its successful predecessor, the OnAir 2000. With the OnAir 2500, the control surface, I/O breakout, DSP Core and power supply are all integrated within a single compact chassis.  For such a compact package, the Studer OnAir 2500 offers unrivalled flexibility and operational ease.

The Studer OnAir 3000 further extends Studer’s range of digital broadcast consoles with a completely new design aimed at the medium to upper segment of the radio market including private and public network broadcast stations. The Studer OnAir 3000 further extends Studer’s range of digital broadcast consoles with a completely new design aimed at the medium to upper segment of the radio market including private and public network broadcast stations. The operating concept of the OnAir 3000 will be totally familiar to Studer users, as the wide range of compact and elegant control surface modules incorporates the same patented “Touch-n-Action” philosophy as the highly successful Studer OnAir 2000, using colour GUI screens. The OnAir 3000 design is based on a completely modular desk and a separate DSP engine. The fader module includes six fader strips, and up to eight fader modules may be fitted, giving a maximum console size of 48 faders. Layout options range from a highly comprehensive engineer-operated continuity console to a single fader panel for DJ and newsroom use or even a PC-operated system with no physical desk controls. The console has three main stereo mix buses plus an audition facility, four stereo AUX buses, 16 mix-minus sends, configurable as AUXes and three independent studio monitoring circuits and offers full dynamics, EQ and input/output routing in each channel.