Klang – KLANG:quelle 19″


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Focusrite – RedNet R1 Desktop Controller

RedNet R1 enables users to interact with their audio system like never before. It provides the flexibility to control a range of different monitor output setups, ranging from mono through to 7.1.4 surround, including Dolby Atmos® and other immersive audio workflows. Alternatively, completely custom setups of up to 12 outputs can be configured for bespoke speaker configurations. RedNet R1 can be used to control groups of outputs from a Red interface’s multitude of sources and destinations, including from Pro Tools | HD and other DAWs, analogue inputs and outputs, ADAT and S/PDIF connections, and from entire Dante audio ecosystems, simultaneously and interchangeably.

RedNet R1 supports a maximum of eight input sources from 32 available audio channels, across analogue, digital, DAW and Dante connections, and mixes and routes signals to up to 12 monitor output channels. Top-panel control includes level, reference level preset selection, cut, dim, mute and a variety of solo modes. There’s an A/B switch for switching between numerous monitoring presets, and up to four fold-down presets allow fast switching for checking downmixes. Custom cue mixes can be sent to talent from any of the 32 available inputs.

RedNet R1 also features a Dante-enabled talkback section, internal mic-pre and a high-powered headphones output, so you can interact with your Dante system like never before. Up to four talkback destination groups are available when used with a Red interface. (When used with other Dante devices, a single talkback group is available.) RedNet R1 has an internal microphone, or users can connect their own microphone via the rear-panel XLR. The high-fidelity headphone output is powerful enough to deliver high-SPL audio to high-impedance headphones.

RedNet R1 features two LCD displays for highly accurate level metering of the outputs, sources and headphone outputs, and for giving visual cues for navigating around menus. The unit is configured using RedNet Control 2, the software manager designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations. Other features of the RedNet R1 include a quarter-inch jack socket, which accepts a footswitch for talkback management, LFE muting and more. It can be powered via Ethernet to reduce cabling complexity (using the PoE standard), or by a DC power supply.

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The Livemix personal monitor system is extremely easy for volunteers to use but offers the depth of features that professionals demand. With features like 24 channels with effects, LCD touchscreen, custom channel naming, dedicated ME knob and built-in ambient mics and intercom, Livemix is a fantastic value. With the LM-DANTE-EXP option card, the Livemix system connects seamlessly to a Dante network. The touchscreen of the Livemix personal mixer is all you need for simple subscribing and importing of channel labels.
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Studer – OnAir 3000 Modulo

The Studer OnAir 3000 further extends Studer’s range of digital broadcast consoles with a completely new design aimed at the medium to upper segment of the radio market including private and public network broadcast stations. The Studer OnAir 3000 further extends Studer’s range of digital broadcast consoles with a completely new design aimed at the medium to upper segment of the radio market including private and public network broadcast stations. The operating concept of the OnAir 3000 will be totally familiar to Studer users, as the wide range of compact and elegant control surface modules incorporates the same patented “Touch-n-Action” philosophy as the highly successful Studer OnAir 2000, using colour GUI screens. The OnAir 3000 design is based on a completely modular desk and a separate DSP engine. The fader module includes six fader strips, and up to eight fader modules may be fitted, giving a maximum console size of 48 faders. Layout options range from a highly comprehensive engineer-operated continuity console to a single fader panel for DJ and newsroom use or even a PC-operated system with no physical desk controls. The console has three main stereo mix buses plus an audition facility, four stereo AUX buses, 16 mix-minus sends, configurable as AUXes and three independent studio monitoring circuits and offers full dynamics, EQ and input/output routing in each channel.
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