Dante-enabled Product Catalog

The NT110 is a portable digital audio mixer with inherited reliability and features of the NT880, TAMURA’s Flagship model. The NT110 is a portable digital audio mixer with inherited reliability & features of the NT880, TAMURA’s Flagship model.

• Analog 16 Input/Output (MONO), AES 2 Input/Output (STEREO), & AUX 2 (STEREO) as standard
• Audio formats such as AES, MADI, SDI, DANTE can be linked with NT016 via 2 expansion slots (optional)
• External Remote Control for Input/Output can be achieved via GPIO cards installed in the expansion slots for various applications
• Compact design mountable in a EIA 19 inch width rack
• Sampling Frequency;48K/96KHz, selectable for High-quality audio program production
• Availability of Power redundancy which is a prime requirement for live broadcasting events for the highest reliability
• Audio digital signal processing redundancy despite of the size of portable mixer. (option)

Apollo provides unsurpassed processing power and a control surface with displays, touch screens and light-emitting knobs which detail function and status. Apollo provides unsurpassed processing power and a control surface with displays, touch screens and light-emitting knobs which detail function and status. Apollo utilises Bluefin2, the next generation of Bluefin HDSP, which provides unrivalled resources of up to 1020 channel processing paths, 128 program busses, 96 IFB/Track outputs and 48 auxes. With single and dual fader options, Apollo can squeeze in more faders into a single footprint that any other console, and its integrated router provides total network flexibility. Apollo’s I/O functions are performed by the Hydra2 network, which uses high capacity 8192² cross-point routers and a variety of I/O units.

The twin sister of Apollo in Greek mythology, Artemis is based on the award-winning Apollo platform. Available in three sizes and utilising the same Bluefin2 and Hydra2 technologies, Artemis has an enormous routing and processing capacity.  The twin sister of Apollo in Greek mythology, Artemis is based on the award-winning Apollo platform. Available in three sizes and utilising the same Bluefin2 and Hydra2 technologies, Artemis has an enormous routing and processing capacity. Bluefin2 gives Artemis Light  240 channel processing paths, with up to 128 program busses, 64 IFB/Track outputs and 32 auxiliaries. Artemis Light packs all this into a 4U enclosure. Artemis’ integrated router means all I/O functions can be performed by Hydra2, using the same high capacity cross-point router technology and a variety of I/O units.               

The twin sister of Apollo in Greek mythology, Artemis is based on the award-winning Apollo platform. Available in three sizes and utilising the same Bluefin2 and Hydra2 technologies, Artemis has an enormous routing and processing capacity.  The twin sister of Apollo in Greek mythology, Artemis is based on the award-winning Apollo platform. Available in three sizes and utilising the same Bluefin2 and Hydra2 technologies, Artemis has an enormous routing and processing capacity. Bluefin2 gives Artemis Beam 340 channel processing paths, with up to 128 program busses, 64 IFB/Track outputs and 32 auxiliaries. Artemis’ integrated router means all I/O functions can be performed by Hydra2, using the same high capacity cross-point router technology and a variety of I/O units.               

The twin sister of Apollo in Greek mythology, Artemis is based on the award-winning Apollo platform. Available in three sizes and utilising the same Bluefin2 and Hydra2 technologies, Artemis has an enormous routing and processing capacity.  The twin sister of Apollo in Greek mythology, Artemis is based on the award-winning Apollo platform. Available in three sizes and utilising the same Bluefin2 and Hydra2 technologies, Artemis has an enormous routing and processing capacity. Bluefin2 gives Artemis Shine 680 channel processing paths, with up to 128 program busses, 64 IFB/Track outputs and 32 auxiliaries. Artemis’ integrated router means all I/O functions can be performed by Hydra2, using the same high capacity cross-point router technology and a variety of I/O units.               

Calrec’s elegant Summa console is designed for broadcast professionals who need to produce creative and engrossing broadcast audio easily, but may not require as many resources as Calrec’s Apollo and Artemis consoles. Calrec’s elegant Summa console is designed for broadcast professionals who need to produce creative and engrossing broadcast audio easily, but may not require as many resources as Calrec’s Apollo and Artemis consoles. Control is via a 17-inch multitouch screen inspired by familiar tablet technology, with a straightforward interface that uses established finger gestures to navigate the system. Summa’s considered control simplifies even complex workflow tasks, such as creating mix-minus feeds. Bluefin2 technology gives the Summa 128 a pool of 128 channel processing paths, eight groups, four mains, 16 auxes, and 32 tracks. Its Hydra2 router core provides Summa with the same integral router technology as the Apollo and Artemis consoles.

The WR-DX100 is a separate configuration separating signal processing unit and operation unit. Rack mount mixer suitable for small space and input expansion of DX 400.   The WR-DX100 is a separate configuration separating signal processing unit and operation unit. Rack mount mixer suitable for small space and input expansion of DX400.

• Analog input 12 ch (mono microphone / line input x 8, stereo line input x 2), analog output 8 ch. 
• Standard installed PC remote control software that facilitates multi-channel condition monitoring and memory management for each project. 
• It can also support remote control by iPad, simple adjustment on / in the stage is possible. Also equipped with one expansion slot. 
• option card (WR-PC001) of Dante by mounting TM possible voice input / output via the audio network (16 input 16 output).

The WR-DX400 delivers high-quality sound to multipurpose space with expressive power of 32 bit and comfortable operation. The WR-DX400 delivers high-quality sound to multipurpose space with expressive power of 32 bit and comfortable operation.

• In addition to analog input 32 ch, AIR microphone (L / R), announcement microphone, talkback are combined and equipped with a total of 36 ch. 
• Equipped with 16 channels of analog output, it can output not only matrix output but also mixing bus. 
• 100 mm motor drive fader is adopted, with a total of 33 loaded. The fader part consists of 2 layers. 
• 96 pattern memory, 8 mute groups plus 16 library memory for equalizer and dynamics respectively. 
• Remote control software for PC that facilitates monitoring of multiple channels and data management for each project is standard attached. 
• It can also support remote control by iPad, simple adjustment on / in the stage is possible. 
• Three expansion slots are installed, and one 8-ch analog input card is included as standard in one. 
• option card (WR-PC001) Dante in mounting TM voice input / output via the audio network (16 input 16 output per 1SLOT) is possible. 

Calrec’s elegant Summa console is designed for broadcast professionals who need to produce creative and engrossing broadcast audio easily, but may not require as many resources as Calrec’s Apollo and Artemis consoles. Calrec’s elegant Summa console is designed for broadcast professionals who need to produce creative and engrossing broadcast audio easily, but may not require as many resources as Calrec’s Apollo and Artemis consoles. Control is via a 17-inch multitouch screen inspired by familiar tablet technology, with a straightforward interface that uses established finger gestures to navigate the system. Summa’s considered control simplifies even complex workflow tasks, such as creating mix-minus feeds. Bluefin2 technology gives the Summa 180 a pool of 180 channel processing paths, eight groups, four mains, 16 auxes, and 32 tracks. Its Hydra2 router core provides Summa with the same integral router technology as the Apollo and Artemis consoles.

The DMIX30 is a Dante enabled mixer which includes six discreet five into one mixers. All audio inputs and outputs are assignable via the Dante network and have adjustable gain from off to +12dB. Additional gain of +20dB may be switched to each input allowing a maximum of +44dB gain. All mixers include a switchable limiter with threshold adjustment. The DMIX30 is a Dante enabled mixer which includes six discreet five into one mixers. All audio inputs and outputs are assignable via the Dante network and have adjustable gain from off to +12dB. Additional gain of +20dB may be switched to each input allowing a maximum of +44dB gain. All mixers include a switchable limiter with threshold adjustment. All six mixers have TFT bargraph metering which may be selected to either dBFS or PPM metering scales with appropriate ballistics.  The six mixer outputs are available over the Dante network but also as balanced analogue XLR outputs on the rear of the unit.  The secondary Dante network connector can be selected to operate either in redundant mode or as a switch output to daisy chain to more Dante equipped devices.  A special feature of this unit is that any or all of the mixers may be remote controlled. The unit can accept up to six separate remotes each of which is assignable to any of or any combination of the mixers. Perfect for controlling remote sources such as radio talkback feeds.  The data from the remotes is encoded in a modified 'time code' signal so may be carried over any standard audio transport, including audio fibre channels. The remotes are available separately so may be added if and when required. The unit operates on 110-240VAC 50/60Hz with auto switching. Dimensions: 2RU 150mm deep.

The digital mixer DMIX-20 from IMG STAGELINE impresses with an intuitive operating concept of the well thought-out user surface. Due to the compact design, it is also ideally suited for applications on smaller to medium-sized stages and for your home studio. The device quickly impresses musicians, DJs and live sound mixers. Combined with an external router, the DMIX-20 also allows for a convenient operation via iPad using a network connection. The free app can be downloaded from the app store.  The digital mixer DMIX-20 from IMG STAGELINE impresses with an intuitive operating concept of the well thought-out user surface. Due to the compact design, it is also ideally suited for applications on smaller to medium-sized stages and for your home studio. The device quickly impresses musicians, DJs and live sound mixers. Combined with an external router, the DMIX-20 also allows for a convenient operation via iPad using a network connection. The free app can be downloaded from the app store.  The console features 16 mono input channels and 2 stereo input channels as well as +48 V phantom power. The 8 outputs can either be used as 4 aux paths and 4 subgroup paths or as 8 aux outputs. It features 2 integrated DSPs with 12 types of effects, noise gate, compressor/limiter, delay and a 100 mm motor-driven fader.  The colour LCD touch screen facilitates the operation with your settings which can easily be stored due to modern digital technology. Thus, you are able to store the channel's sound adjustments via parametric equalizer, graphical equalizer or use the options of the effect unit. Furthermore, the digital mixer enables you to store 24 overall settings. The full duplex port allows for simultaneous recording and reproduction from a PC or onto a PC. It is also equipped with two headphone outputs. 19-channel digital audio mixer,   with touch screen, 2 DSP effect units and USB interface.

• 16 mono input channels with assignable controls
• 8 channel inserts
• 2 stereo input channels
• 1 USB audio channel
• Full duplex USB port (allows for simultaneous recording and reproduction) for reproduction of digital audio data from a PC and for recording mixings onto a PC
• 2 integrated DSPs as well as equalizer, noise gate, compressor/limiter and delay
• 4 aux send outputs and 4 subgroup outputs or 8 aux outputs
• 6 DCA groups
• Control room function
• 100 mm motor-driven fader
• Sampling rate: 24 bits/48 kHz
• Settings can be stored
• Remote control possible via iPad (connected to external router)
• RJ45 network connection for remote control
• +48 V phantom power
• 2 adjustable headphone outputs
• 17.8 cm colour LCD touch screen (7") for display and settings
• Mounting facility for extension modules available at option
• 482 mm (19") rack installation, 8 RS, with supplied mounting brackets

Brio is the most powerful and compact digital broadcast audio console in its class. It has a comprehensive broadcast feature set to support a wider breadth of broadcasters, and the same market-leading levels of quality and customer support which Calrec is renowned for. Brio is the most powerful and compact digital broadcast audio console in its class. It has a comprehensive broadcast feature set to support a wider breadth of broadcasters, and the same market-leading levels of quality and customer support which Calrec is renowned for. The smallest in Calrec’s Bluefin2 family, Brio’s control surface is unlike any other console. At only 892mm wide with a 36 dual-layer fader surface, Brio is entirely self-contained with analogue and digital I/O, and GPIO, built into the surface. Additional expansion I/O slots are also fitted to allow for further I/O to be connected. A Hydra2 module can be fitted to connect to and share audio over Calrec’s Hydra2 network. This means Hydra2’s sophisticated management facilities can be utilised for network-wide control, including interfacing with multiple Video and Audio over IP networks such as SMPTE2022, Dante, AES67, Ravenna and Soundgrid. This protects the system against any future formats that may emerge and allows the console to sit on multiple networks simultaneously if desired. With lots of delay resource, dynamics, integrated talkback, and multiple monitor outputs, Brio is broadcast-ready with no compromise or workarounds.

The latest addition to Soundcraft's Vi range of digital live consoles, the new Vi2000 brings unparalleled mixing power to the live touring, install and corporate AV markets in a single-box, cost-effective package. The latest addition to Soundcraft's Vi range of digital live consoles, the new Vi2000 brings unparalleled mixing power to the live touring, install and corporate AV markets in a single-box, cost-effective package. The new console combines the unique Vistonics-based control surface concepts of the highly successful Vi3000, 5000 and 7000 consoles, with Soundcraft® SpiderCore - a powerful integrated DSP and IO engine based on STUDER technology and compact enough to reside inside the control surface itself. Running the latest V6.1 console software, the Vi2000 benefits from the acclaimed BSS DPR901ii Dynamic EQ via an insertable processing pool which also includes Lexicon Multi-effects and the ability to insert any external device. In addition to a full complement of on-board mic and line IO, configurable up to 48 mic line inputs and 16 line outputs using combinations of 16ch XLR modules in 4 rear-mounted slots, the console includes two 64ch expansion slots allowing up to two MADI-based Stageboxes to be connected, or alternatively the slots provide access to the extensive range of D21m IO option cards, addressing all industry standard audio formats. The total I/O count of the console is 246 in 246 out. In common with other Vi000-series consoles, a built-in 64x64ch Dante interface provides direct recording/playback connection via Ethernet to any PC or Mac-based recording software, or allows the Vi2000 to integrate into an existing Dante network. The Dante interface is complimented by an additional optical MADI interface designed for either record feeds or connection of the Soundcraft Realtime Rack Plug-in engine, adding the power of Universal Audio UAD-powered plug-ins to the Vi2000's pristine audio quality. The package is completed by an ultra-compact frame design only 1.15m in width, with 16 input faders and 8 output faders, allowing the console to fit into both space and budget restricted applications. Patented features like Faderglow, VM2 microphone monitoring and Vistonics provide a uniquely user-friendly mixing experience and superb sound quality is assured by a 40-bit floating-point DSP environment, running STUDER, BSS, Lexicon and dbx algorithms.

Equipped with 100 mm touch-sensitive motorized faders, the StudioLive® CS18AI control surface provides a compact, intuitive mixing solution for PreSonus® StudioLive RM16AI and RM32AI rack-mount digital mixers and Studio One® 3 digital audio workstation. Equipped with 100 mm touch-sensitive motorized faders, the StudioLive® CS18AI control surface provides a compact, intuitive mixing solution for PreSonus® StudioLive RM16AI and RM32AI rack-mount digital mixers and Studio One® 3 digital audio workstation. The CS18AI connects to the network with a CAT5e or CAT6 Ethernet cable, eliminating the need for cumbersome analog or digital snakes and stage boxes, and offers a host of other useful features. It adds up to a powerful mix control system with a fast, intuitive workflow and the latest networking technology. Networked with StudioLive RM-series mixers via PreSonus UCNET technology, the StudioLive CS18AI offers complete hardware control of up to 64-channels and all mixer features. Keep your mixing I/O onstage in a rack, while running the mix from hundreds of feet way, using a lightweight Ethernet cable instead of a cumbersome analog snake and separate stagebox. Set up a wireless network and add an iPad®, a large Windows® 8/10 touchscreen, a Mac® or Windows laptop, or any combination for unprecedented mixing and control.

With 20 line-level inputs, 16 microphone preamplifiers and playback engine; processing with 31-band GEQ, compressor, gate, delay, polarity; DSP effects; aux buses; subgroups; sensitive LED metering; load/save/copy mixer setting; remote control, USB in and more, the 20.4 LIVE helps you creating a wonderful show. With 20 line-level inputs, 16 microphone preamplifiers and playback engine; processing with 31-band GEQ, compressor, gate, delay, polarity; DSP effects; aux buses; subgroups; sensitive LED metering; load/save/copy mixer setting; remote control, USB in and more, the 20.4 LIVE helps you creating a wonderful show.

• 16 microphone preamplifiers with dedicated trim control
• 20 line-level inputs
• 4 Aux sends and 4 subgroups, or 8 Aux sends
• 2 internal FX
• 1 stereo main out
• All channels Control Room outputs
• 2 headphones output
• USB Stereo recording 
• 100mm precision motor fader
• 7 inch color LCD touch screen for graphical view and setup
• 24-bit/48KHz sampling rate
• Program, save, load & copy functions
• Digital noise gate
• Digital compressor/limiter 
• Digital 4-band full parametric EQ
• PAN
• Phase reverse
• Time delay
• 6 DCA for Digital Control Audio or MUTE
• Lock and unlock function
• Change the password
• Remote Control: Ethernet or USB
• iPad App 20.4i editor for wireless control 
• Expand socket for option module:  Multi-track USB audio recording module or CobraNet module or Dante module etc

This product has reached end-of-life and is discontinued AXIS delivers a workflow that is built around speed. Built around the innovative workflow of Master Fader, DC16 control surface provides instant access to everything. Every control and every channel is instantly accessible with just the push of a button. Adjust your selected channel's key controls or dive in to the deepest parameter. Navigate like never before with view groups and a mix selector that provide faster navigation compared to traditional "banking" approaches. AXIS is focused on incredible visual feedback at all levels. Large, high-resolution channel screens let you see it all at a glance, improving workflow unlike any other console in this category. DC16 uses full-color, backlit TFT screens with variable brightness control to deliver more critical channel information, more functional differentiation and large, extremely legible fonts sizes and icons. Add in the immense screen, touch-sensitive screen space of up to three iPads and it's clear that only AXIS can provide this level of visual feedback to improve your workflow.

Large scale live production console. L500 helps highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. The L500 offers ample power and combines superb audio quality with a comprehensive collection of processing tools, within a superb user interface. Large Scale Production Powerhouse Since its introduction in 2013 the SSL Live L500 console has met widespread praise from many of the world’s leading live engineers. L500 was designed to help highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. Like all SSL consoles the secret to the success of the L500 is SSL’s dedication to great sound. There is a sublime transparency, definition and detail to the L500 that is immediately recognisable as the SSL signature. The deceptively simple ergonomic excellence of the control surface enables operators to perform at their very best. A combination of multi-touch screen control with assignable hardware controls, the use of colour coding, the open architecture let engineers configure the console to suit their own way of working. Like all great creative audio technology, SSL Live consoles are instruments for engineers...

Engineered and made in Germany, the DMM14 U digital automatic microphone mixer is ideal for large meetings and conferences.  Engineered and made in Germany, the DMM14 U digital automatic microphone mixer is ideal for large meetings and conferences. Its DSP function ensures precise mixing of up to 140 channels by cascading up to 10 DMM14 U mixers. Two additional stereo audio outputs and one stereo USB offer additional routing options. Due to high signal-to-noise ratio, the DMM14 U also keeps noise from multiple open microphones to a minimum. Numerous DSP functions such as filters, compressor/limiter, ducking and routing make the DMM14 U a great fit in a variety of spoken word applications. The DMM14 U (UL, ULD) is made in Germany. Additionally, the UL version offers a LAN interface via Ethernet to enable the control over large distances using, for instance, an AMX control system.  In the ULD version, incorporating a highly sophisticated DANTE chip, all ins are available as direct outs, making it an outstanding tool for broadcast applications, while all outs are also available on the DANTE stream. In total the DMM14 ULD provides 22 free assignable DANTE outs. Additionally, 4 DANTE streams can be used as inputs.

The DMM8 U digital automatic microphone mixer is ideal for large meetings and conferences.  The DMM8 U digital automatic microphone mixer is ideal for large meetings and conferences. Its DSP function ensures precise mixing of up to 80 channels by cascading up to 10 DMM8 U mixers. Two additional stereo audio outputs and one stereo USB offer additional routing options. Due to high signal-to-noise ratio, the DMM8 U also keeps noise from multiple open microphones to a minimum. Numerous DSP functions such as filters, compressor/limiter, ducking and routing make the DMM8 U a great fit in a variety of spoken word applications. The DMM8 U (UL, ULD) is made in Germany. Additionally, the UL version offers a LAN interface via Ethernet to enable the control over large distances using, for instance, an AMX control system.  In the ULD version, incorporating a highly sophisticated DANTE chip, all ins are available as direct outs, making it an outstanding tool for broadcast applications, while all outs are also available on the DANTE stream. In total the DMM8 ULD provides 14 free assignable DANTE outs. Additionally, 4 DANTE streams can be used as inputs.

Next Generation Technology for Large-Scale Broadcast Production System T is the first of a new generation of dedicated broadcast audio production systems from Solid State Logic. For more than 30 years SSL has been at the forefront of innovative broadcast console design, and has incorporated decades of research and customer feedback into the development of System T.

• System T is a fully networked production environment. New ways to combine multiple Control Interfaces, Processor Cores and I/O devices can be specified to create previously impossible system configurations.
• Dante AoIP-based Routing & I/O.
• SSL’s Tempest Engine uses patented Optimal Core Processing for real time CPU based mixing and audio processing.
• SSL’s pristine SuperAnalogue^TM foundations combine with 64-bit floating point processing and mixing to ensure unlimited audio headroom. • System T’s console control surface incorporates the latest multi-gesture touch screen technology and is highly configurable to suit individual preferences.

The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment. The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment; like its bigger brothers, the SD11 is also powered by Stealth Digital Processing and floating point Super FPGA technology, and transporting it couldn't be easier – just pop it on the back seat of the car. This easy-to-use mixer delivers extremely high performance at a staggeringly competitive price point.    The SD11 is manufactured with a steel chassis and a polycarbonate-overlaid aluminium worksurface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow. 

SD Ten features three banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. The SD Ten includes many of our flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.  SD Ten features three banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the worksurface sits the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console's super-intuitive control interface. The sheer intelligence of the SD Ten means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. This lightweight, small-footprint console was designed with multiple applications in mind therefore is equally suited to life on the road or as part of any fixed installation, be it a theatre, conference centre, house of worship or school. The SD9 provides outstanding performance at a very competitive price point. The SD9 features 24 touch-sensitive motorised faders and benefits from quick access function buttons for faster response times. At the heart of the console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. In addition, the SD9 benefits from dedicated multi-function control knobs and electronic labelling.

The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. The SD8 offers a truly superlative performance at a competitive price, something which will appeal to engineers across the board. There are two versions of the SD8: a 37-channel version, which boasts three banks of 12 motorised faders and one master fader; and the SD8-24, which has all the same power and functionality but in a smaller frame comprising 24 main channel faders and a master fader. At the heart of each console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 36 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning. In addition, the SD8 benefits from dedicated multi-function control knobs and electronic labelling.

A combination of technologies have been seamlessly integrated into the SD7's worksurface to meet the everyday needs of any touring engineer. A combination of technologies have been seamlessly integrated into the SD7's worksurface to meet the everyday needs of any touring engineer. We've managed to pack them into three user-friendly interactive 15-inch high-resolution touch screens, each of which accommodates a bank of 12 faders,  to provide the user with the perfect platform – everything is just 'where it should be'. To make navigation even easier, we've added high-definition interactive meter bridges and multicoloured knobs and switches; and for further functionality and flexibility, 16 assignable faders (one bank of 12, one bank of four) sit neatly below the master screen in the centre of the console, taking the SD7's fader tally to a sizeable 52. To increase the fader count further for multi-engineer applications and shows, an EX-007 Fader Expansion unit is available. Two EX-007s can be connected via a simple Cat5e connector for remote control or simply to increase your fader count to 100.

Like the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications. Like the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications. In addition, there are two interactive dynamic metering displays (IDMs) as used in its big brother, the SD7. The centrally located master screen has been incorporated into the worksurface meterbridge design to provide a lower profile meter bridge and allow for complete user feedback; this means the engineer never needs to move far from mix position: there is clear visibility of everyone on stage, and all control is less than an arm's length away. To make life even easier, engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or or dedicated switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.  When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.