Dante-enabled Product Catalog
The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology.
The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. This lightweight, small-footprint console was designed with multiple applications in mind therefore is equally suited to life on the road or as part of any fixed installation, be it a theatre, conference centre, house of worship or school. The SD9 provides outstanding performance at a very competitive price point.
The SD9 features 24 touch-sensitive motorised faders and benefits from quick access function buttons for faster response times. At the heart of the console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display.
In addition, the SD9 benefits from dedicated multi-function control knobs and electronic labelling.
SD Ten features three banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter.
The SD Ten includes many of our flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.
SD Ten features three banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the worksurface sits the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console's super-intuitive control interface.
The sheer intelligence of the SD Ten means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.
The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment.
The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment; like its bigger brothers, the SD11 is also powered by Stealth Digital Processing and floating point Super FPGA technology, and transporting it couldn't be easier – just pop it on the back seat of the car. This easy-to-use mixer delivers extremely high performance at a staggeringly competitive price point.
The SD11 is manufactured with a steel chassis and a polycarbonate-overlaid aluminium worksurface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.
Suitable for commercial installation, broadcast, live sound, public address and production applications, the BM-A1-64DANTE is an Audio-over-IP (AoIP) audio monitoring unit (AMU) that permits confidence monitoring of any channel present on a Dante(TM) network.
Suitable for commercial installation, broadcast, live sound, public address and production applications, the BM-A1-64DANTE is an Audio-over-IP (AoIP) audio monitoring unit (AMU) that permits confidence monitoring of any channel present on a Dante(TM) network.
Dante, created by Audinate, is a leading Audio-over-IP networking solution, offering virtually perfect synchronization, ultra-low deterministic latency and plug-and-play configuration management.
The BM-A1-64DANTE is designed to provide a simple and effective way of monitoring audio present in Dante networks. Up to 512 channels may be present on a Dante network and the BM-A1-64DANTE can be configured to monitor up to 64 of these (by use of the Dante Controller software application).
With up to 64 channels routed to the front panel, it is possible to view each channel's signal strength and also audibly monitor each channel individually. Up to 16 channels may also be combined to create a unique stereo monitor mix, if simulteneous monitoring of multiple channels is required. Two presets allow for different mix combinations to be stored and recalled. The audio present on the speakers is also available via balanced analogue (2 x XLR) and AES/EBU (1 x XLR) outputs. This is useful if connecting the unit to external monitors, or if also using the BM-A1-64DANTE as a simple two channel breakout unit to feed other equipment.
Housed in a rugged, compact 1U rack chassis, the BM-A1-64DANTE features a redundant power supply as standard and offers full audio redundancy over a Gigabit Ethernet network.
With up to 16 channels, the Dante™ I/O option board is meant to extend the interface capabilities of any Jünger Audio D*AP device. The modular approach of these devices allows combining different interface standards.
Note: This product is not sold separately. It is an option card for Dante compatibility with Junger's product suite.
With up to 16 channels, the Dante™ I/O option board is meant to extend the interface capabilities of any Jünger Audio D*AP device. The modular approach of these devices allows combining different interface standards.
Thus, it is possible to add advanced audio processing to your Dante™ network and bridge to other interface standards like AES/EBU, 3G SDI, MADI and analog.
The Dante™ option board user interface is capable of displaying all signal names and labels within the D*AP device to make the routing as easy as possible. Further, the network configuration can easily be set up.
D*AP devices equipped with this option board may work as sync slaves or can operate as a clock master (preferred master) for a Dante™ network. When configured as a sync master, it is possible to sync a Dante™ network to a SDI video signal.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
The S3000 is a small-footprint yet powerful control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 20 faders over 6 layers, a 12«« capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
The S5000 is a medium-sized control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 28 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
The S7000 is the largest control Surface in the dLive family, with a whopping 216 assignable fader strips. It features 36 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
The ADAM is a full-size modular matrix intercom.
The ADAM is a full-size modular matrix intercom.
- 8 GPIO's Standard per Frame
- Compatible with ALL Current & Legacy RTS Digital Matrix Intercom Keypanels & Accessories
- Dual-Purpose Ports Support BOTH Keypanel and Four-Wire Audio
- Fully Redundant Power Supplies & Controllers Standard
- Individual Cross-Point Level Controls
- Integrated Support for RTS Intelligent Trunking
- Multi-Level IFB, ISO, Party Lines, Groups, and GPI's all STANDARD
- Non-Volatile Configuration & Crosspoint Memory
- RealTime Online Configuration & Monitoring
- RTS UPL (User-Programmable Language) for Custom System Configurations via Pull-down Menus
- Supports 16 to 880 users per system based on 7 RU frame(s)
- Supports Custom Cards for Widely Used Industry Interface
- Widest Variety of Interface Cards in the Industry
- Widest Variety of Wiring Options in the Industry
The ADAM-M is a mid-size modular matrix intercom.
The ADAM-M is a mid-size modular matrix intercom.
- 8 GPIO's Standard per Frame
- Compatible with most all Current & Legacy RTS Digital Matrix Intercom Keypanels & Accessories
- Dual-Purpose Ports Support BOTH Keypanel and Four-Wire Audio
- Supports Fully Redundant Power Supplies & Controllers
- Individual Cross-Point Level Controls
- Integrated Support for RTS Intelligent Trunking
- Multi-Level IFB, ISO, Party Lines, Groups, and GPI's all STANDARD
- Non-Volatile Configuration & Crosspoint Memory
- RealTime Online Configuration & Monitoring
- RTS UPL (User-Programmable Language) for Custom System Configurations via Pull-down Menus
- Supports 16 to 880 users per system based on 3 RU frame(s)
- Supports Custom Cards for Widely Used Industry Interface
- Widest Variety of Interface Cards in the Industry
- Widest Variety of Wiring Options in the Industry
D 80:4L combines 8000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring.
D 80:4L combines 8000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring.
The D 80:4L is based on the same foundation of robust, high-power amplifier technologies as our renowned PLM Series – an amplifier platform with a proven record of reliability and sonic performance on the world’s most grueling concert tours and in high-profile, large-scale installations.
With the D 80:4L, those same core technologies have been updated and refocused to provide the ultimate solution for the most demanding digitally networked installed sound applications – in stadia, arenas, theme parks, performing arts centers, racecourses and other large commercial sound installations.
In addition to legendary Lab.gruppen reliability and sonic excellence, the D Series incorporates newly refined outputs stage technologies along with installation-targeted hardware and software features that optimize amplifier system design and configuration. Together, these new technologies allow systems integrators to minimize both initial equipment costs and end users’ long-term energy consumption.
D 200:4L combines 20000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring.
D 200:4L combines 20000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring.
The D 200:4L is based on the same foundation of robust, high-power amplifier technologies as our renowned PLM Series – an amplifier platform with a proven record of reliability and sonic performance on the world’s most grueling concert tours and in high-profile, large-scale installations.
With the D 200:4L, those same core technologies have been updated and refocused to provide the ultimate solution for the most demanding digitally networked installed sound applications – in stadia, arenas, theme parks, performing arts centers, racecourses and other large commercial sound installations.
In addition to legendary Lab.gruppen reliability and sonic excellence, the D Series incorporates newly refined outputs stage technologies along with installation-targeted hardware and software features that optimize amplifier system design and configuration. Together, these new technologies allow systems integrators to minimize both initial equipment costs and end users’ long-term energy consumption.
D 120:4L combines 12000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring.
D 120:4L combines 12000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring.
The D 120:4L is based on the same foundation of robust, high-power amplifier technologies as our renowned PLM Series – an amplifier platform with a proven record of reliability and sonic performance on the world’s most grueling concert tours and in high-profile, large-scale installations.
With the D 120:4L, those same core technologies have been updated and refocused to provide the ultimate solution for the most demanding digitally networked installed sound applications – in stadia, arenas, theme parks, performing arts centers, racecourses and other large commercial sound installations.
In addition to legendary Lab.gruppen reliability and sonic excellence, the D Series incorporates newly refined outputs stage technologies along with installation-targeted hardware and software features that optimize amplifier system design and configuration. Together, these new technologies allow systems integrators to minimize both initial equipment costs and end users’ long-term energy consumption.
The K&F D80:4, K&F D120:4 and K&F D200:4 are mainly suitable for the installation field. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue.
Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.
The K&F D80:4, K&F D120:4 and K&F D200:4 are mainly suitable for the installation field. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue.
Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.
The K&F D80:4, K&F D120:4 and K&F D200:4 are mainly suitable for the installation field. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue.
Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.
The K&F PLM 12k44 and K&F PLM20k44 are specifically designed for live performances and touring. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue.
Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.
The K&F PLM 12k44 and K&F PLM20k44 are specifically designed for live performances and touring. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue.
Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.
The CDC MC Dante V2 is a 1U Dante to MegaCOMMS audio network bridge enabling Dante units to be incorporated within a MegaCOMMS audio network. The unit now features A and B Dante ethernet ports with redundancy. It can operate at either 96 kHz or 48 kHz and can handle up to 64 inputs and outputs.
The CDC MC Dante V2 is a 1U Dante to MegaCOMMS audio network bridge enabling Dante units to be incorporated within a MegaCOMMS audio network. The unit now features A and B Dante ethernet ports with redundancy. It can operate at either 96 kHz or 48 kHz and can handle up to 64 inputs and outputs.
The MC Dante also has on-board sample rate conversion for all 128 channels, as well as its own independent word clock with audio connections via co-axial.
Dual PSUs come as standard to ensure secure performance in critical network applications. As with the CDC MC MADI unit, the co-axial ports glow either red or blue for Rx (receive) or Tx (transmit) – enabling fast and accurate configuring of the MegaCOMMS network especially in low light.