Dante-enabled Product Catalog

With up to 16 channels, the Dante™ I/O option board is meant to extend the interface capabilities of any Jünger Audio D*AP device. The modular approach of these devices allows combining different interface standards. Note: This product is not sold separately. It is an option card for Dante compatibility with Junger's product suite. With up to 16 channels, the Dante™ I/O option board is meant to extend the interface capabilities of any Jünger Audio D*AP device. The modular approach of these devices allows combining different interface standards. Thus, it is possible to add advanced audio processing to your Dante™ network and bridge to other interface standards like AES/EBU, 3G SDI, MADI and analog. The Dante™ option board user interface is capable of displaying all signal names and labels within the D*AP device to make the routing as easy as possible. Further, the network configuration can easily be set up. D*AP devices equipped with this option board may work as sync slaves or can operate as a clock master (preferred master) for a Dante™ network. When configured as a sync master, it is possible to sync a Dante™ network to a SDI video signal.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

The S3000 is a small-footprint yet powerful control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 20 faders over 6 layers, a 12«« capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

The S5000 is a medium-sized control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 28 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

The S7000 is the largest control Surface in the dLive family, with a whopping 216 assignable fader strips. It features 36 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable. Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.

Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable. Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.

When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.  When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.

When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.  When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.

When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.  When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.

The ADAM is a full-size modular matrix intercom. The ADAM is a full-size modular matrix intercom.

• 8 GPIO's Standard per Frame
• Compatible with ALL Current & Legacy RTS Digital Matrix Intercom Keypanels & Accessories
• Dual-Purpose Ports Support BOTH Keypanel and Four-Wire Audio
• Fully Redundant Power Supplies & Controllers Standard
• Individual Cross-Point Level Controls
• Integrated Support for RTS Intelligent Trunking
• Multi-Level IFB, ISO, Party Lines, Groups, and GPI's all STANDARD
• Non-Volatile Configuration & Crosspoint Memory
• RealTime Online Configuration & Monitoring
• RTS UPL (User-Programmable Language) for Custom System Configurations via Pull-down Menus
• Supports 16 to 880 users per system based on 7 RU frame(s)
• Supports Custom Cards for Widely Used Industry Interface
• Widest Variety of Interface Cards in the Industry
• Widest Variety of Wiring Options in the Industry

The ADAM-M is a mid-size modular matrix intercom. The ADAM-M is a mid-size modular matrix intercom.

• 8 GPIO's Standard per Frame
• Compatible with most all Current & Legacy RTS Digital Matrix Intercom Keypanels & Accessories
• Dual-Purpose Ports Support BOTH Keypanel and Four-Wire Audio
• Supports Fully Redundant Power Supplies & Controllers
• Individual Cross-Point Level Controls
• Integrated Support for RTS Intelligent Trunking
• Multi-Level IFB, ISO, Party Lines, Groups, and GPI's all STANDARD
• Non-Volatile Configuration & Crosspoint Memory
• RealTime Online Configuration & Monitoring
• RTS UPL (User-Programmable Language) for Custom System Configurations via Pull-down Menus
• Supports 16 to 880 users per system based on 3 RU frame(s)
• Supports Custom Cards for Widely Used Industry Interface
• Widest Variety of Interface Cards in the Industry
• Widest Variety of Wiring Options in the Industry

D 80:4L combines 8000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring. D 80:4L combines 8000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring. The D 80:4L is based on the same foundation of robust, high-power amplifier technologies as our renowned PLM Series – an amplifier platform with a proven record of reliability and sonic performance on the world’s most grueling concert tours and in high-profile, large-scale installations. With the D 80:4L, those same core technologies have been updated and refocused to provide the ultimate solution for the most demanding digitally networked installed sound applications – in stadia, arenas, theme parks, performing arts centers, racecourses and other large commercial sound installations. In addition to legendary Lab.gruppen reliability and sonic excellence, the D Series incorporates newly refined outputs stage technologies along with installation-targeted hardware and software features that optimize amplifier system design and configuration. Together, these new technologies allow systems integrators to minimize both initial equipment costs and end users’ long-term energy consumption.

D 200:4L combines 20000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring. D 200:4L combines 20000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring. The D 200:4L is based on the same foundation of robust, high-power amplifier technologies as our renowned PLM Series – an amplifier platform with a proven record of reliability and sonic performance on the world’s most grueling concert tours and in high-profile, large-scale installations. With the D 200:4L, those same core technologies have been updated and refocused to provide the ultimate solution for the most demanding digitally networked installed sound applications – in stadia, arenas, theme parks, performing arts centers, racecourses and other large commercial sound installations. In addition to legendary Lab.gruppen reliability and sonic excellence, the D Series incorporates newly refined outputs stage technologies along with installation-targeted hardware and software features that optimize amplifier system design and configuration. Together, these new technologies allow systems integrators to minimize both initial equipment costs and end users’ long-term energy consumption.

D 120:4L combines 12000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring. D 120:4L combines 12000 W of flexible power with latest Lake DSP, Dante digital audio networking and avanced system integrity monitoring. The D 120:4L is based on the same foundation of robust, high-power amplifier technologies as our renowned PLM Series – an amplifier platform with a proven record of reliability and sonic performance on the world’s most grueling concert tours and in high-profile, large-scale installations. With the D 120:4L, those same core technologies have been updated and refocused to provide the ultimate solution for the most demanding digitally networked installed sound applications – in stadia, arenas, theme parks, performing arts centers, racecourses and other large commercial sound installations. In addition to legendary Lab.gruppen reliability and sonic excellence, the D Series incorporates newly refined outputs stage technologies along with installation-targeted hardware and software features that optimize amplifier system design and configuration. Together, these new technologies allow systems integrators to minimize both initial equipment costs and end users’ long-term energy consumption.

The K&F D80:4, K&F D120:4 and K&F D200:4 are mainly suitable for the installation field. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue. Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future. 

The K&F D80:4, K&F D120:4 and K&F D200:4 are mainly suitable for the installation field. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue. Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future. 

The K&F D80:4, K&F D120:4 and K&F D200:4 are mainly suitable for the installation field. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue. Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future. 

The K&F PLM 12k44 and K&F PLM20k44 are specifically designed for live performances and touring. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue. Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.

The K&F PLM 12k44 and K&F PLM20k44 are specifically designed for live performances and touring. These models cover different performance classes and come with a variety of innovations. RPM (rational power management) provides the flexibility to assign different power to each of the four output channels - this removes the need for a bridge operation later on. Other features include PFC (power factor correction), universal power adapters and various inputs - Dante (primary and secondary), AES and analogue. Based on the newly developed Lake core modules and exclusive K&F module pre-sets, the high-performance power amps that are fitted with red front panels will be able to operate all standard K&F systems in future.

The CDC MC Dante V2 is a 1U Dante to MegaCOMMS audio network bridge enabling Dante units to be incorporated within a MegaCOMMS audio network. The unit now features A and B Dante ethernet ports with redundancy. It can operate at either 96 kHz or 48 kHz and can handle up to 64 inputs and outputs. The CDC MC Dante V2 is a 1U Dante to MegaCOMMS audio network bridge enabling Dante units to be incorporated within a MegaCOMMS audio network. The unit now features A and B Dante ethernet ports with redundancy. It can operate at either 96 kHz or 48 kHz and can handle up to 64 inputs and outputs. The MC Dante also has on-board sample rate conversion for all 128 channels, as well as its own independent word clock with audio connections via co-axial. Dual PSUs come as standard to ensure secure performance in critical network applications. As with the CDC MC MADI unit, the co-axial ports glow either red or blue for Rx (receive) or Tx (transmit) – enabling fast and accurate configuring of the MegaCOMMS network especially in low light.

Utilizing Aurora’s IPBaseT™ technology, which combines various IP/AV standards to work together as one, the IPX-TCW3 Series provides one of the most advanced IP Streaming solutions on the market.  Utilizing Aurora’s IPBaseT™ technology, which combines various IP/AV standards to work together as one, the IPX-TCW3 Series provides one of the most advanced IP Streaming solutions on the market. It is the industry’s first 4K2K IP wall plate with zero compression and latency based on BlueRiver NT™ platform. Using a transmitter (encoder) and receiver (decoder), respectively, used to be the standard – until now. The IPX-TCW3 Series can be set up as either one to make installation, inventory, and troubleshooting easier. Another industry first is the option slot to add other IP capabilities, like ExtremeUSB® (USB 2.0 over IP) or Dante® audio, for a more complete, distributed system. Audio, video, data, and control can be sent securely to one or many IPX-TCW3 transceiver units using off-the-shelf 10G Fiber or CAT Ethernet switches. When the IPX-TCW3 is set up to be a transmitter, the 2 HDMI inputs become a source switch and the HDMI output becomes a potential loop out. When set up as a receiver, a user can select the local HDMI inputs or an IP source. Seamless switching of the sources further enhances the presentation. Regardless of how the IPX-TCW3 is set up, the audio can be de-embedded at any location, break away, and/or be sent to or received from a Dante® enabled device. The USB 2.0 option is also flexible, working as a KVM and/or a high-speed data transfer (480Mbps) for memory sticks. Choice is important. That’s why the IPX-TCW3-F has an SFP+ port that can use single or multi-mode fiber and the IPX-TCW3-C can use Category 5e/6/6A – making the IPX-TCW3-F the ultimate AV IP product on the market today.

CrossNet 72 has 32-ports Dante IP interface, 8 Kroma digital intercom ports, 12 balanced, broadcase quality analogue ports, and 20 compressed audio IP ports. CrossNet 72 has 32-ports Dante IP interface, 8 Kroma digital intercom ports, 12 balanced, broadcase quality analogue ports, and 20 compressed audio IP ports. CrossNET is a compact intercom matrix, built into a 1U-height 19” enclosure, featuring basic IP connectivity based on Dante™ technology, that is compatible with the recent AES-67 standard, allowing for the transportation of broadcast quality audio. It incorporates high-quality analog balanced inputs and outputs and supports former Kroma IP panels and interfaces with reduced bandwidth compressed audio. It also supports Kroma panels with digital audio link. The proper matrix features a 4-key intercom user interface on its front panel. 

CrossNet 104 has 64-ports Dante IP interface, 8 Kroma digital intercom ports, 12 balanced, broadcast quality analogue ports, and 20 compressed audio IP ports. CrossNet 104 has 64-ports Dante IP interface, 8 Kroma digital intercom ports, 12 balanced, broadcast quality analogue ports, and 20 compressed audio IP ports. CrossNET is a compact intercom matrix, built into a 1U-height 19” enclosure, featuring basic IP connectivity based on Dante™ technology, that is compatible with the recent AES-67 standard, allowing for the transportation of broadcast quality audio. It incorporates high-quality analog balanced inputs and outputs and supports former Kroma IP panels and interfaces with reduced bandwidth compressed audio. It also supports Kroma panels with digital audio link. The proper matrix features a 4-key intercom user interface on its front panel. 

CrossNet 168 has 128-ports Dante IP interface, 8 Kroma digital intercom ports, 12 balanced, broadcast quality analogue ports, and 20 compressed audio IP ports.  CrossNet 168 has 128-ports Dante IP interface, 8 Kroma digital intercom ports, 12 balanced, broadcast quality analogue ports, and 20 compressed audio IP ports. CrossNET is a compact intercom matrix, built into a 1U-height 19” enclosure, featuring basic IP connectivity based on Dante™ technology, that is compatible with the recent AES-67 standard, allowing for the transportation of broadcast quality audio. It incorporates high-quality analog balanced inputs and outputs and supports former Kroma IP panels and interfaces with reduced bandwidth compressed audio. It also supports Kroma panels with digital audio link. The proper matrix features a 4-key intercom user interface on its front panel.