AES to Dante and MADI conversion whenever you need it: Network I/O AES provides 32 Pairs of AES3 audio I/O connectivity to redundant Dante network connections.
AES to Dante and MADI Conversion Whenever You Need it
Network I/O AES provides 32 Pairs of AES3 audio I/O connectivity to redundant Dante network connections. Sample Rate Convertors allow seamless integration of unlocked AES3 sources. As with all Network I/O products redundant PSUs and Dante connections complete the broadcast specification. Additional coax and dual optical MADI connection, along with internal channel by channel routing provide additional format conversion options.
DCAP-OBiA is the world’s first OBIA processor compliant with DCI/SMPTE Standard and FIPS-140 Level Security.
DCAP-OBiA is the world’s first OBIA processor compliant with DCI/SMPTE Standard and FIPS-140 Level Security. It supports a maximum of 256 channels, and can transmit 256 channels in single line, almost zero latency. It can be compatible with all current OBIA formats, and play any OBIA DCP.
DAC-OBiA is designed for converting digital audio signal to analog audio signal up to 32 channels.
DAC-OBiA is designed for converting digital audio signal to analog audio signal up to 32 channels. It is based on LEONIS DTA3000, and can be used to work with DCAP-OBiA through Audio over Ethernet technology.
AOIPBox is an AOIP standard terminal, it can support AES67/Dante/Ravenna/Cobranet IP audio protocols.
AOIPBox is an AOIP standard terminal that can support AES67/Dante/Ravenna/Cobranet IP audio protocols. AOIPBox is primarily
used as a digital audio matrix system in radio stations. AOIPBox can also be used as the network audio recording front terminal or for audio monitoring terminals.
AOIPBox has four AES3 inputs with SRC and four AES3 outputs with Bypass function for powerdown. In addition, AOIPBox
has an independent Ethernet interface for audio ppm metering, phase, device status, etc. - very important in the high
safety broadcast environment.
AOIPBox with 4 AES3 loopout ports
Features:
The DA-6400 is a cCompact 64-channel digital multitrack recorder/player for Live and Broadcast applictions.
TASCAM’s DA-6400 is an all-new 64-track recorder that records to an internal SSD drive caddy for live and event recording. Professional I/O options like MADI and DANTE make it ideal for live recording, event capture, or as a backup for critical DAW sessions. Available with a single or dual/redundant power supply, the DA-6400 is an unbeatable option for professional remote recording.
Included with the DA-6400 is an AK-CC25 hot-swappable caddy containing a high-performance 240GB TASCAM solid-state drive. The caddy includes a USB 3 jack for stand-alone use – simply hand the drive to the client to offload the BWAV files into their DAW session. The DA-6400 records 64 tracks at 48kHz/24-bit or 32 tracks at 96kHz/24-bit. Included on the rear panel are SMPTE timecode, word clock, RS-422, parallel and Ethernet connections.
I/O options for the DA-6400 include the IF-MA64/EX interface card, with both coaxial and optical MADI connections. This card includes a redundant coaxial connection so that MADI is passed through even if power is lost, making it an ideal backup recorder for DAW sessions. Other I/O options include the lower-cost IF-MA64/BN coaxial MADI card, IF-DA64 Dante card, and IF-AE16 AES/EBU card, with more to come.
No dedicated recorder combines the high performance, flexible operation, and complete reliability of TASCAM’s DA-6400 solid-state 64-track recorder.
This product has reached “end of life”. Please refer to Grace Design's m108 mic preamp.
Possibly the world’s most evolved mic preamplifier, the m802 delivers functionality and performance which simply doesn’t exist in any other mic preamp design.
The core is a high fidelity 8 channel microphone preamplifier designed to be extremely transparent and musical. But that’s just the beginning. The m802 is fully remote controllable. With our full featured stand alone hardware RCU (optional), up to 64 channels (a system of 8 m802’s) can be addressed and controlled seamlessly from up to 1000’ away. All preamplifier functions, including gain, phase, 48V phantom are instantly accessible and adjustable. These settings can then all be stored into preset locations and instantly recalled.
The m802 can also be controlled directly from Digidesign® ProTools|HD® systems, compatible control surfaces and many other MIDI devices. Working with Digidesign®, we have adapted their control spec to directly address the m802 as an integrated part of a ProTools|HD® system. Additionally, the m802 can be controlled by a wide variety of MIDI mappable devices, making it easily integrated into a wide variety of remote recording situations.
Next, consider the optional 8 channel 24bit/192kHz A/D card option. Developed as the perfect complement to the m802 mic preamplifier design, this converter card provides pristine, musical A/D conversion to rival even the finest stand alone units available. Included is our proprietary unique s-Lock™ dual stage PLL for extremely low intrinsic jitter and rock solid digital performance.
The m802 now includes ribbon mic mode, which shifts the preamplifier’s entire gain range up 10dB, while deactivating 48V phantom power, optimizing input impedance and bypassing the decoupling capacitors.
While the m802 works beautifully as a stand alone mic preamplifier, the optional Remote Control Unit (RCU) provides fantastic ergonomics and enhanced system control. This updated RCU now offers dedicated individual channel select switches and a new highly visible blue LED numeric display for channel gain settings. Both the RCU and the m802 now come with a high contrast, neutral backlight LCD.
Whatever your application, we invite you to discover the remarkable sonic performance, functionality and reliability of the new m802. We’re confident that it will help you make the finest recordings of your career.
Like the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications.
Like the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications. In addition, there are two interactive dynamic metering displays (IDMs) as used in its big brother, the SD7.
The centrally located master screen has been incorporated into the worksurface meterbridge design to provide a lower profile meter bridge and allow for complete user feedback; this means the engineer never needs to move far from mix position: there is clear visibility of everyone on stage, and all control is less than an arm's length away.
To make life even easier, engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or or dedicated switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.
A combination of technologies have been seamlessly integrated into the SD7's worksurface to meet the everyday needs of any touring engineer.
A combination of technologies have been seamlessly integrated into the SD7's worksurface to meet the everyday needs of any touring engineer. We've managed to pack them into three user-friendly interactive 15-inch high-resolution touch screens, each of which accommodates a bank of 12 faders, to provide the user with the perfect platform – everything is just 'where it should be'.
To make navigation even easier, we've added high-definition interactive meter bridges and multicoloured knobs and switches; and for further functionality and flexibility, 16 assignable faders (one bank of 12, one bank of four) sit neatly below the master screen in the centre of the console, taking the SD7's fader tally to a sizeable 52.
To increase the fader count further for multi-engineer applications and shows, an EX-007 Fader Expansion unit is available. Two EX-007s can be connected via a simple Cat5e connector for remote control or simply to increase your fader count to 100.
The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7.
The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. The SD8 offers a truly superlative performance at a competitive price, something which will appeal to engineers across the board.
There are two versions of the SD8: a 37-channel version, which boasts three banks of 12 motorised faders and one master fader; and the SD8-24, which has all the same power and functionality but in a smaller frame comprising 24 main channel faders and a master fader.
At the heart of each console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 36 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning.
In addition, the SD8 benefits from dedicated multi-function control knobs and electronic labelling.
The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology.
The SD9 is a super-flexible, complete integrated system powered by Stealth Digital Processing and floating point Super FPGA technology. This lightweight, small-footprint console was designed with multiple applications in mind therefore is equally suited to life on the road or as part of any fixed installation, be it a theatre, conference centre, house of worship or school. The SD9 provides outstanding performance at a very competitive price point.
The SD9 features 24 touch-sensitive motorised faders and benefits from quick access function buttons for faster response times. At the heart of the console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display.
In addition, the SD9 benefits from dedicated multi-function control knobs and electronic labelling.
SD Ten features three banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter.
The SD Ten includes many of our flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.
SD Ten features three banks of 12 motorised faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the worksurface sits the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console's super-intuitive control interface.
The sheer intelligence of the SD Ten means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.
The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment.
The SD11 is the smallest by far of all the DiGiCo consoles, though don't let that deceive you: this 19-inch rack mount or table top mixer is a very powerful solution that can be incorporated into pretty much any mixing environment; like its bigger brothers, the SD11 is also powered by Stealth Digital Processing and floating point Super FPGA technology, and transporting it couldn't be easier – just pop it on the back seat of the car. This easy-to-use mixer delivers extremely high performance at a staggeringly competitive price point.
The SD11 is manufactured with a steel chassis and a polycarbonate-overlaid aluminium worksurface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo's trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.
Suitable for commercial installation, broadcast, live sound, public address and production applications, the BM-A1-64DANTE is an Audio-over-IP (AoIP) audio monitoring unit (AMU) that permits confidence monitoring of any channel present on a Dante(TM) network.
Suitable for commercial installation, broadcast, live sound, public address and production applications, the BM-A1-64DANTE is an Audio-over-IP (AoIP) audio monitoring unit (AMU) that permits confidence monitoring of any channel present on a Dante(TM) network.
Dante, created by Audinate, is a leading Audio-over-IP networking solution, offering virtually perfect synchronization, ultra-low deterministic latency and plug-and-play configuration management.
The BM-A1-64DANTE is designed to provide a simple and effective way of monitoring audio present in Dante networks. Up to 512 channels may be present on a Dante network and the BM-A1-64DANTE can be configured to monitor up to 64 of these (by use of the Dante Controller software application).
With up to 64 channels routed to the front panel, it is possible to view each channel's signal strength and also audibly monitor each channel individually. Up to 16 channels may also be combined to create a unique stereo monitor mix, if simulteneous monitoring of multiple channels is required. Two presets allow for different mix combinations to be stored and recalled. The audio present on the speakers is also available via balanced analogue (2 x XLR) and AES/EBU (1 x XLR) outputs. This is useful if connecting the unit to external monitors, or if also using the BM-A1-64DANTE as a simple two channel breakout unit to feed other equipment.
Housed in a rugged, compact 1U rack chassis, the BM-A1-64DANTE features a redundant power supply as standard and offers full audio redundancy over a Gigabit Ethernet network.
With up to 16 channels, the Dante™ I/O option board is meant to extend the interface capabilities of any Jünger Audio D*AP device. The modular approach of these devices allows combining different interface standards.
Note: This product is not sold separately. It is an option card for Dante compatibility with Junger's product suite.
With up to 16 channels, the Dante™ I/O option board is meant to extend the interface capabilities of any Jünger Audio D*AP device. The modular approach of these devices allows combining different interface standards.
Thus, it is possible to add advanced audio processing to your Dante™ network and bridge to other interface standards like AES/EBU, 3G SDI, MADI and analog.
The Dante™ option board user interface is capable of displaying all signal names and labels within the D*AP device to make the routing as easy as possible. Further, the network configuration can easily be set up.
D*AP devices equipped with this option board may work as sync slaves or can operate as a clock master (preferred master) for a Dante™ network. When configured as a sync master, it is possible to sync a Dante™ network to a SDI video signal.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
The S3000 is a small-footprint yet powerful control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 20 faders over 6 layers, a 12«« capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
The S5000 is a medium-sized control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 28 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
The S7000 is the largest control Surface in the dLive family, with a whopping 216 assignable fader strips. It features 36 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
Third party applications that use Dante Ready™ allow customers to purchase and activate Dante audio channels after installation using the Dante Activator tool in Dante Controller 4.5 or higher. Dante Activator is tied to an active Audinate user account and accepts standard credit card payments.
