The DA428 is a fully digital 4-channel class D amplifier with 700W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more.
The DA428 is a fully digital 4-channel class D amplifier with 700W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more.
The amplifier has 4 analogue inputs as well as 2 digital ports accepting AES/EBU and SPDIF formats of 16 to 24 bit and 32 to 192 kHz sampling frequency. Furthermore, the signals applied to the link outputs can be selected from the matrix router (either analogue or digital).
The optional Dante module enables the integration of the amplifier into a Dante audio network. The module can handle up to 8 separate audio streams which can be also used externally via AES/EBU outputs.
The DA230 is a fully digital 2-channel class D amplifier with 1500W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more.
The DA230 is a fully digital 2-channel class D amplifier with 1500W@4ohm output power per channel. It features a high performance DSP offering extensive features like matrix router, crossovers, parametric EQs, delays, limiters and much more.
The amplifier has 2 analogue inputs as well as one digital port accepting AES/EBU and SPDIF formats of 16 to 24 bit and 32 to 192 kHz sampling frequency. Furthermore, the signal applied to the link output can be selected from the matrix router (either analogue or digital).
The optional Dante module enables the integration of the amplifier into a Dante audio network. The module can handle up to 8 separate audio streams which can be also used externally via AES/EBU outputs.
The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation.
The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation.
The SD-Mini is a 4U rack and accepts the MOD-SD Dante I/O card . Running purely digital the Mini can run up to 32 ins and outs or if it’s all analogue you need then a maximum of 32 ins or outs is possible or any combination in banks of eight (8 in and 24 out for example). The Mini has MADI connectivity as standard with optical as an option. With the ability to multi sample rate to external devices via MADI and also the ability for Gain TrackingTM.
The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation.
The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation.The SD-Nano is a 2U rack and can incorporate Dante with the MOD-SD-Dante I/O card. Running purely digital the Nano can run up to 16 ins and outs or if it’s all analogue you need then a maximum of 16 ins or outs is possible or any combination in banks of eight (8 in and 8 out for example). The Nano Rack is Optical only.
The M-DL-ADAPT interface fits in any dLive I/O port on MixRack or Surace and adds compatibility with most iLive/GLD audio networking cards, including M-Dante, M-waves, M-ES-V2, M-ACE and M-MADI. It provides a 64x64 channel interface running at 48kHz, thus maintaining compatibility with Allen & Heath iLive and GLD mixing systems as well as most third party consoles running off Dante or MADI. Sample conversion rate is seamlessly performed in the interface module.
The HPA-DAC2 is a Dante™ network audio card for use with high power HPA series amplifiers
The HPA-DAC2 is a Dante™ network audio card for use with high power HPA series amplifiers.Compatible with:
The Model 5205 Mic/Line to Dante Interface is a general-purpose audio device that supports applications utilizing the Dante® audio-over-Ethernet media networking technology.
The Model 5205 Mic/Line to Dante Interface is a general-purpose audio device that supports applications utilizing the Dante® audio-over-Ethernet media networking technology. Two analog microphone or line-level audio signals can be connected to the Model 5205. They are amplified as required and then converted to digital audio channels on an associated Dante connection. With the inherent interoperability of Dante, the Model 5205 can be used with other Studio Technologies Dante-enabled products or a multitude of devices from many other manufacturers.
Microphone or line-level balanced analog audio signals are connected using two 3-pin XLR connectors. The gain of the associated preamplifier circuitry can be selected for 0, 20, 30, 40, 50, or 60 dB. P48 phantom power is provided to support condenser microphones. LEDs display the status of the gain and phantom power functions. Multi-step LED meters provide confirmation of the level of the two Dante transmitter (output) audio channels.
The gain of the preamplifiers and on/off status of the P48 phantom power sources can be selected locally using the pushbutton switches. They can also be monitored and selected remotely using the STcontroller application.
The audio quality of the Model 5205's two audio channels is excellent, with low distortion, low noise, and high headroom. Careful circuit design and rugged components ensure long, reliable operation. A wide range of applications can be supported, including TV, radio, and streaming broadcast events, corporate and government AV installations, and post-production facilities.
The Model 5205 requires an Ethernet connection to supply both the data interface as well as Power-over-Ethernet (PoE) power. This requires an Ethernet connection from a PoE-enabled Ethernet switch. Alternately, the Model 5205 can be powered by an external midspan PoE power injector.
Key Features
Dante audio-over-Ethernet technology
Two analog mic/line inputs to Dante digital audio outputs
Selectable preamplifier gain and P48 phantom power
This product has reached "end-of-line" and is discontinued
High-performance audio input/output unit that utilizes the Dante Audio-over-Ethernet media networking technology. Applications include broadcast "booth kits;" corporate, government, and stadium media rooms; and front-end interface for press feed systems. Four mic/line inputs on front panel with adjustable gain, P48 phantom power, high-pass filtering, and level metering. Four balanced line-level analog outputs on back panel. Flexible headphone monitor section allows single or dual-channel source selection, level meters, and 1/4-inch jacks on the front and back panels. Audio quality is excellent throughout. All audio inputs and outputs feature rugged circuitry for reliable use in field-broadcast environments. Connects to Ethernet network using etherCON protected RJ45 jack. Lightweight aluminum enclosure mounts in one space (1U) of a 19-inch rack and is powered by 100-240 V, 50/60 Hz.
Key Features
Dante audio-over-Ethernet technology
Four mic/line inputs to Dante outputs
Four Dante inputs to balanced line-level outputs
Audio monitoring with meters and headphone output
Excellent audio quality
100-240 V, 50/60 Hz mains powered
Standard connectors, lightweight, 1U rack mounting
GRAPHITE TWO consoles are extremely versatile as they can be configured either as stand-alone or as networking consoles.
GRAPHITE TWO consoles are extremely versatile as they can be configured either as stand-alone or as networking consoles. The fully modular design allows configuring mixing consoles from 8 to 32 faders - up to 640 input and 640 output channels. Many features can be programmed individually by the customer such as monitor feeds, GPIs and GPOs, sources and busses and logic commands. The control surfaces are connected by either IPX/SPX or TPC/IP protocol to the G2 audio engines and routers and can share all sources and outputs within the audio network. Using the IPX/SPX protocol interface, GRAPHITE TWO consoles are an ideal option to upgrade existing VADIS* system installations as they are fiully VADIS* compatible.
A unique feature is the option to install a break-in / break-out unit within the console frame. The interface unit is fitted with 8 audio input channels which can be configured either as stereo or mono inputs and outputs. The interface unit uses a Dante protocol-based Ethernet connection to the main frame which can be located in the main control room (MCR).
GRAPHITE consoles offer a range of features that can be configured via the GRAPHITE configuration tool. Users can define presets for audio settings, function keys for GPIO and other control features, external sources for control room and studio monitoring, and snapshot keys to store the entire console set-ups.
The G2 audio engine hosts a DSP farm powerful enough for 32 equalizers, 32 dynamics, up to 256 mixing channels and a 64 x 64 mix minus matrix.
The G2 audio engine hosts a DSP farm powerful enough for 32 equalizers, 32 dynamics, up to 256 mixing channels and a 64 x 64 mix minus matrix. 21 plug-in positions can be equipped with analogue and digital interface cards, fiber optic transceivers and MADI cards. Audio-over-IP interface cards for DANTE-protocol (trademark registered for Audinate Pty Ltd) and Ethernet AVB will be available shortly.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system.
In 2014, TAIDEN continued to lead the development of conference system technology, and introduced a new generation of paperless multimedia conference system. The new generation paperless multimedia terminals are equipped with 10" with 1280X800 high resolution LCD touch screen, and the new experience of capacitive touch screen which supporting multi-touch, make paperless experience and operation more convenient and efficient, and can achieve a variety of HD video service, and a built-in 5 megapixel camera, and video intercom function, and E-ink nameplate with the latest electronic ink technology, at the same time, it can also realize interactive conference control and management (discussion, vote, 2 x 64 channel simultaneous interpretation), conference services, etc.
The cost effective xIn 4 increases a system’s analog input channel capacity resulting in a reduction in overall price per channel.
The cost effective xIn 4 increases a system’s analog input channel capacity resulting in a reduction in overall price per channel. Designed exclusively for use with Dante-enabled Symetrix DSP units, each of the four analog inputs’ parameters (5 gain levels, phantom power), along with bus assignments, are configured using Symetrix Composer open architecture software. xIn 4 set up is logical and fast with no requirement to use third party software; there are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure. A half-rack form factor conserves rack space, or, if preferred, the xIn 4 may be surface mounted.
Features
Audio input (A/D) expander for systems that capitalizes on the surplus DSP of a Dante-enabled Symetrix DSP unit to bring overall system
costs down.
4 mic/line inputs, including +48 VDC phantom power, with the industry leading performance specifications of Edge and Radius.
Configured with Symetrix Composer. No third party software, archaic DIP switches, or complicated front panel menus.
Network audio expansion using Dante protocol over standard IT networks. Ultra low latency.
Rack mount and surface mount kits sold separately.
The cost effective xIO 4x4 increases a system’s analog input and output channel capacity resulting in a reduction in overall price per channel.
The cost effective xIO 4x4 increases a system’s analog input and output channel capacity resulting in a reduction in overall price per channel. Designed exclusively for use with Dante-enabled Symetrix DSP units, each of the four analog inputs’ parameters (5 gain levels, phantom power) and four analog outputs’ parameters (mute), along with bus assignments, are configured using Symetrix Composer open architecture software. xIO 4x4 set up is logical and fast with no requirement to use third party software; there are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure. A half-rack form factor conserves rack space, or, if preferred, the xIO 4x4 may be surface mounted.
Features
Audio input (A/D), output (D/A) expander for systems that capitalizes on the surplus DSP of a Dante-enabled Symetrix DSP unit to bring
overall system costs down.
4 mic/line inputs, including +48 VDC phantom power, and 4 line outputs with the industry leading performance specifications of Edge and Radius.
Configured with Symetrix Composer. No third party software, archaic DIP switches, or complicated front panel menus.
Network audio expansion using Dante protocol over standard IT networks. Ultra low latency.
Rack mount and surface mount kits sold separately.
The cost effective xOut 4 increases a system’s analog output channel capacity resulting in a reduction in overall price per channel.
The cost effective xOut 4 increases a system’s analog output channel capacity resulting in a reduction in overall price per channel. Designed exclusively for use with Dante-enabled Symetrix DSP units, each of the four analog outputs’ parameters (mute), along with bus
assignments, are configured using Symetrix Composer open architecture software. xOut 4 set up is logical and fast with no requirement to use third party software; there are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure. A half-rack form factor conserves rack space, or, if preferred, the xOut 4 may be surface mounted.
Features
Audio output (D/A) expander for systems that capitalizes on the surplus DSP of a Dante-enabled Symetrix DSP unit to bring overall system
costs down.
4 line outputs with the industry leading performance specifications of Edge and Radius.
Configured with Symetrix Composer. No third party software, archaic DIP switches, or complicated front panel menus.
Network audio expansion using Dante protocol over standard IT networks. Ultra low latency.
Rack mount and surface mount kits sold separately.
The RSio64-D is an audio interface that can convert between Dante and Mini-YGDAI formats for up to 64 inputs and 64 outputs.
The RSio64-D is an audio interface that can convert between Dante and Mini-YGDAI formats for up to 64 inputs and 64 outputs. It provides versatile routing capability as well. Four Mini-YGDAI card slots allow cards for a wide variety of input/output formats as well as processing functions to be connected to a Dante network for live sound, broadcast, recording, post production, and other applications. The RSio64-D also supports remote setup from CL and QL series consoles.
Features
Accepts a wide range of Mini-YGDAI input/output and processing cards
Seven general routing presets, including routing between Mini-YGDAI cards
Supports matrix patching from R Remote V3 or a CL/QL series console
Sample rate converters for all four Mini-YGDAI slots
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each).
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application.
The M-5000 is the first offering in Roland's new approach to audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions.
Extensibility
Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
Outstanding 24-bit, 96kHz sound quality
High-precision 72-bit linear summing circuitry
High-end discrete preamps onboard and available in remote snake options
Surface Design
12" touch screen with “touch and turn” operation
20 freely scrollable, isolatable, or assignable faders
Numerous knobs and buttons, both contextual and assignable, to support rapid response
The QFlex 32LS column loudspeakers are designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message.
The QFlex 32LS column loudspeakers are designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message. These new QFlex life safety models are specifically intended to optimise voice reinforcement, and as a result make them more affordable, and therefore applicable, to a wider range of projects.
The QFlex 32LS contains a combination of 4-inch and 3-inch low frequency drivers, distributed over the equivalent length of the QFlex 48, and an eight-way tweeter array of 1-inch drivers. Each driver is individually powered by one of 32 discrete channels of integrated 100 Watt (RMS) Class D amplification and DSP.
The QFlex 32LS offers a horizontal dispersion pattern of 120 degrees and a vertical range of between 5 and 100 degrees, along with a beam steering range of ±70 degrees. Low frequency control is effective down to 200 Hz even with the fewer number and increased spread of drivers that are required for the power saving essential in the life safety environment
The new QFlex 16LS column loudspeaker is designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message.
The new QFlex 16LS column loudspeaker is designed primarily for large transportation hubs as part of a PA/VA system where speech is the main audio source, either from live announcements or via pre-recorded message. These new QFlex life safety models are specifically intended to optimise voice reinforcement, and as a result make them more affordable, and therefore applicable, to a wider range of projects.
The QFlex 16LS makes use of a fewer number of wider bandwidth 4-inch low frequency drivers than the equivalently sized QFlex 40 model to achieve an emphasis on the speech band only, over an effective distance of up to 70 metres. Each of the 16 drivers is controlled by its own discrete channel of 100 Watt (RMS) Class D amplification and cutting edge DSP, the reduced driver count and wider spacing enabling a 50% reduction in power consumption. The QFlex 16LS provides a beam steering range of ±40 degrees with effective low frequency control down to 230 Hz. Dispersion is nominally 120 degrees horizontal and a vertical range of between 5 degrees and 100 degrees, either symmetrical or asymmetrical.
The VNET2-Dante Bridge is a standalone device available from Tannoy, designed to facilitate integration of VNET2 products such as QFlex with Dante digital audio networks. It is powered via PoE, or alternatively by an optional extra 12 V power supply.
The VNET2-Dante Bridge is a standalone device available from Tannoy, designed to facilitate integration of VNET2 products such as QFlex with Dante digital audio networks. It is powered via PoE, or alternatively by an optional extra 12 V power supply.
Dante is an audio networking technology developed by Audinate. It allows many channels of uncompressed digital audio, and control data to be conveyed down a standard Ethernet network. The VNET2 Dante Bridge allows VNET2 devices to be seamlessly integrated into Dante systems with the minimum of fuss. Analog outputs also allow the Dante Bridge to be used with products that do not have VNET2 Interfaces, such as 1st generation VNET speakers and SC1 controllers.
The three primary uses for the Dante Bridge are:
Dante audio to AES3 conversion with VNET control (for use with VNET2 equipped products – currently only Tannoy QFlex)
Conversion of Dante audio to analogue audio with VNET™ control (for use with VNET equipped products)
Conversion of Dante audio to analogue audio (for Dante break-out to any product with analogue inputs)
Sound system requirements for corporate conference rooms, educational facilities, shopping malls, and a variety of other environments are becoming increasingly large and complex. The MRX7-D offers outstanding control efficiency and flexibility for a broad spectrum of audio installations.
Sound system requirements for corporate conference rooms, educational facilities, shopping malls, and a variety of other environments are becoming increasingly large and complex. The MRX7-D offers outstanding control efficiency and flexibility for a broad spectrum of audio installations.
Features:
AEC (Acoustic Echo Canceller) for remote conferencing systems, automatic mixing for multiple microphone inputs, a speech privacy function that can mask conversations in hospital or corporate systems where confidential information must be protected, and more. The MRX7-D offers a comprehensive range of components that offer effective solutions for a variety of issues faced in today’s audio installations
Built-in Dante digital audio networking capability makes it easy to set up systems of just about any scale while significantly reducing cabling cost and labor. Dante capable devices can be added to the system at any time, allowing flexible reconfiguration and expansion as needed.
As the scale and control requirements of an audio system grow, the number of devices required and overall complexity increase correspondingly. With the MRX7-D and dedicated MTX-MRX Editor software, input and output devices can be quickly arranged via a software wizard and internal MRX7-D processing components can be combined as needed. One simple software application provides everything needed for comprehensive system design and management.
The Mix320-D Personal Mixing System has been designed specifically for use with Dante™ enabled consoles and networks. It includes everything you need to create a personal mixing system for six performers.
The Mix320-D Personal Mixing System has been designed specifically for use with Dante™ enabled consoles and networks. It includes everything you need to create a personal mixing system for six performers.
The Mix320-D Personal Mixing System makes it easy to add Aviom monitoring to a Dante-enabled mixing console or audio network. No analog input module or console card is required; inputs get patched directly from your Dante network.
The Mix320-D system includes a D400-Dante A-Net Distributor that allows up to 32 channels to be patched from the Dante network to the personal mixing system inputs. The D400-Dante is also used to supply A-Net digital data and DC power to the mixers. The Mix320-D system includes six A320 Personal Mixer for the performers, plus six MT-1a Mic Stand Mounts for attaching the A320 mixers to mic stands, as well as all the Cat-5e cables you'll need to connect the products.
The KP-5032 keypanel delivers superior high-quality digital audio using the Bosch-branded OMNEO technology with Dante by Audinate audio over IP via either copper or fiber. The KP-5032 delivers top-notch audio, free of noise, delay, and other artifacts present in older technology. This family of keypanels includes a rich set of connectors as standard, including GPIO and RC. As with other RTS products, emphasis has been placed on backward compatibility with previous generations of matrices including analog technology.
The KP-5032 keypanel utilizes the latest generation of wide angle TFT displays providing superior clarity, resolution, and longer display life, delivering high-quality readability under a variety of lighting conditions.
MAS Pro Dante is designed to ensure maximum reliability for demanding live entertainment and attraction audio playback, as well as for centralized playback and control of large amount of audio channels in museums or showrooms.
MAS Pro Dante is designed to ensure maximum reliability for demanding live entertainment and attraction audio playback, as well as for centralized playback and control of large amount of audio channels in museums or showrooms.
MAS Pro Dante is a Professional audio server for both multi-track applications as well as multi-zoning.
Each of its Dante output channels can be synchronized together individually or by groups, and can be controlled independently or by groups. Its high quality Dante interface provides state-of-the-art audio quality.
It can be synchronized to time code through a Medialon Control System. Although MAS Pro Dante includes a remote application to upload media and start media individually, its capabilities expand when controlled by a Medialon Control System.
RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of AES/EBU connectivity to and from the Dante audio network.
RedNet D16R AES is a 1U, 19in rack-mount Dante interface featuring 16 channels of AES/EBU connectivity to and from the Dante audio network. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and any Dante network, RedNet D16R has SRC (Sample Rate Conversion) on each input pair allowing plug-and-play operation with any AES3 source. Word Clock I/O and DARS (Digital Audio Reference Signal) connections allow synchronisation with a wide range of external sources and hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid-state recorders/players.
Key features
16 Channel bi-directional RedNet AES3 Interface for Dante Networks.
Power supply and Ethernet redundancy with auto switchover in case of failure, and locking etherCON network connectors.
Sample rate conversion allows external equipment to run at any sample rate.
Compact 1U chassis allows maximum functionality in minimum rack space.
Two 8-channel AES59 combined I/O DB25 connections, plus a pair of XLR3 connectors duplicating channels 1 & 2.
Rear panel XLR input connector either be used as a DARS input or as a traditional AES3 audio input.
S/PDIF input and outputs provided on RCA connectors; ideal for connecting CD players or solid-state recorders.
Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network.
RedNet Control and Dante control software allow routing and control from your audio computer system via a software control panel – no hardware patching required.
Third party applications that use Dante Ready™ allow customers to purchase and activate Dante audio channels after installation using the Dante Activator tool in Dante Controller 4.5 or higher. Dante Activator is tied to an active Audinate user account and accepts standard credit card payments.
