Dante-enabled Product Catalog

Get a versatile mid-size control surface to take on any size production, from concert tours and theater installations, to houses of worship and broadcast events. Get a versatile mid-size control surface to take on any size production, from concert tours and theater installations, to houses of worship and broadcast events.

• 32 channel faders across 4 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
• 96 assignable channel knobs (encoders) across 3 Channel Knob Modules
• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control)
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• 3 Channel Touch Modules (touchscreen display provides access and control to parameters in Meters view and Channel view)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (sold separately) for VENUE software display

Get the same VENUE mixing efficiency and control in a smaller 24-fader control surface that’s ideal for smaller tours and club, theater, and church installations. Get the same VENUE mixing efficiency and control in a smaller 24-fader control surface that’s ideal for smaller tours and club, theater, and church installations.

• 24 channel faders across 3 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
• 64 assignable channel knobs (encoders) across 2 Channel Knob Modules
• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control)
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• 2 Channel Touch Modules (touchscreen display provides access and control to parameters in Meters view and Channel view)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (sold separately) for VENUE software display

Get the same VENUE mixing efficiency in a more compact and affordable 24-fader control surface that’s ideal for tours, festivals, corporate events, and live sound installations.

• 24 channel faders across 3 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
• 32 assignable channel knobs (encoders) across 1 Channel Knob Module
• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control, plus Channel and Meters view)
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (sold separately) for VENUE software display

12 channels Digital Automatic Mixer with Dante

Digital Mixer with Dante

Audio over IP does not need to be complicated or expensive. With the DARC Virtual Console, you can control any Dante network audio source. Mix, adjust levels, everything you need for an On-Air or production room console. Audio over IP does not need to be complicated or expensive. With the DARC Virtual Console, you can control any Dante network audio source. Mix, adjust levels, everything you need for an On-Air or production room console. The DARC Virtual Console can be ran as a stand alone unit, or in conjunction with an AoIP network with multiple studios. It will control any Dante enabled audio device on your LAN, whether it is a source connected to our Simple IP units, or any Dante device such as the Dante AVIO. As a standalone unit, you don't need a large AoIP network to utilize this brilliant board. Simply connect all your audio sources into one of our Simple IP boxes (or any Dante enabled device), then connect the Dante Virtual software onto the same network. Utilizing the Dante Controller software, you choose which sources to control, and away you go. Since DARC controls any Dante audio source, you can configure DARC to control any audio source on your LAN. This allows you to make your setup as large and complex as your studios require. Which also allows you to expand your operations in the future.  

A RIVAGE PM7 system is based around the CSD-R7 Digital Mixing Console with built-in signal processing for mixing and effects.  A RIVAGE PM7 system is based around the CSD-R7 Digital Mixing Console with built-in signal processing for mixing and effects. Other required components are one or more I/O racks for input and output, and a dedicated interface card for network connectivity. The RIVAGE PM7 system’s CSD-R7 Digital Mixing Console is the same size as the RIVAGE PM10 system CS-R10 Control Surface and has the same control layout. With built-in DSP it offers similarly high standards of operation and workflow efficiency in a relatively compact, portable system.

The CSD-R7 Digital Mixing Console is the core component of any RIVAGE PM7 system, with 96 kHz processing, 120 monaural inputs, and a versatile complement of mixing busses (60 MIX, 24 MATRIX, and 2 STEREO).  The CSD-R7 Digital Mixing Console is the core component of any RIVAGE PM7 system, with 96 kHz processing, 120 monaural inputs, and a versatile complement of mixing busses (60 MIX, 24 MATRIX, and 2 STEREO). The console has three 12-faders bays for flexible setup and configuration, and dual power supply units are built in for enhanced reliability.

• Display: 15" touch panel x 2
• Faders: 38 (12+12+12+2)
• Selected Channel section: comprehensive channel parameters
• Custom Fader banks: 6 x 2 on each bay
• User Defined keys: 12 x 4 banks
• User Defined knobs: 4 x 4 banks
• Touch and Turn knobs: 2
• Analog I/O: 8 in / 8 out
• Slot: 3 HY slots, 2 MY slots
• AES/EBU: 4 in / 4 out (with SRC)
• Ports: GPI (8 in / 8 out), Word Clock In/Out, MIDI In/Out, 5 USB (1 for 2-track recording), Video Out (DVI-D), TC In
• Power supply: Dual redundant power supply built-in
• Dimensions (WxHxD): 1,549 x 417 x 848mm (61.0" x 16.4" x 33.4")
• Net Weight: 94 kg (207 lbs)

At the heart of the system is the 4REA4 processing engine with DiGiCo connectivity options and powerful 4REA4 control software, providing routing, processing and mix control that allows your performance area to expand across your installation. With the release of 4REA4, DiGiCo is pushing the boundaries again with a new audio installation platform designed to deliver the highest quality performance across multi-space venues and stages. At the heart of the system is the 4REA4 processing engine with DiGiCo connectivity options and powerful 4REA4 control software, providing routing, processing and mix control that allows your performance area to expand across your installation. DiGiCo has been at the heart of live performance audio for over 15 years, creating digital consoles used by engineers the world over, who want the best in sound quality, usability and reliability. From the biggest live tours to the largest houses of worship and theatres, DiGiCo has been shaping the future of digital live sound that has transformed how live engineers mix. The processing engine rack has four dedicated mix areas, or zones, each with its own stereo master output, CGs, and allocated FX. Plus, with 128 input channel and 48 buss output processing strips available you can independently allocate processing to whichever area as required. Managing the mixing and routing of each individual performance area are a new range of premium designed hardware control panels and external I/O units with intelligent labelling and visual feedback, that work in conjunction with the 4REA4 processing engine and control software.

Powered by Allen & Heath's revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in demanding live sound, recording and streaming applications. Delivering class-leading high-resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity.

Powered by Allen & Heath's revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in demanding live sound, recording and streaming applications. Delivering class-leading high-resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity.

The Soundcraft Vi1000 digital mixing console represents the culmination of the groundbreaking achievements and rich feature set offered by Soundcraft's acclaimed Vi Series—now in a more compact form factor. The Soundcraft Vi1000 digital mixing console represents the culmination of the groundbreaking achievements and rich feature set offered by Soundcraft's acclaimed Vi Series—now in a more compact form factor. The reduced footprint of the Vi1000 makes it ideal for smaller touring projects, rental companies, corporate AV applications, as well as music venue, theater and HOW installations in search of a versatile digital mixer. Among its many features, the Vi1000 incorporates Vistonics II 'knobs-on-glass' functionality, making it easy to see and access the power and versatility of the mixing environment; along with Soundcraft Faderglow™ colour coding, which illuminates the fader slots according to function using clearly defined colours. Offering pristine audio quality, a wealth of functionality, an intuitive user interface for streamlined operation, and the roadworthy reliability that Soundcraft's Vi Series consoles are known for, the new Vi1000 delivers space saving, world-class audio mixing capability.

The Tempest Control Rack (TCR) offers an ideal solution for broadcast environments where a powerful broadcast audio mixer is required but a traditional console is not. The Tempest Control Rack (TCR) offers an ideal solution for broadcast environments where a powerful broadcast audio mixer is required but a traditional console is not. The Tempest Control Rack consists of a 3 RU PC enclosure with an optional retractable 15.6” touchscreen. TCR runs the complete System T control software so acts as a stand-alone control interface for a System T installation. The custom screen mounting system enables the screen to be used at a wide range of angles, allowing the unit to be mounted in a traditional 19” rack or in angled studio furniture. TCR features dual PSU, Primary and Secondary OCP Network Connections, Primary and Secondary Dante Networks connections, Studio Integration Network connections (for Production Automation systems) and SSL Network connectivity for other System T control interfaces or T-SOLSA control from any PC on the network. There are HDMI and DVI-D video outputs, plus front and rear panel USB connections for Keyboard, Mouse and USB storage devices. When combined with a T25 (or T80) Engine, the Tempest Control Rack creates a standalone System T mixer in a rack. This combination is ideal for Production Automation controlled studios or can be combined with SSL Stageboxes to create a ‘Flypack’ for remote production.

The S300 is the most powerful, versatile and user-friendly audio console in its class. It offers a compelling combination of extremely powerful features, hugely versatile installation options and outstanding value. The S300 is the most powerful, versatile and user-friendly audio console in its class. It offers a compelling combination of extremely powerful features, hugely versatile installation options and outstanding value. S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles. S300 comes in 2 versions: 16+1 faders and 32+1 faders. It can connect to either a T25 (256 paths @ 48kHz) or a T80 (800 paths @ 48kHz) Processor Engine and runs the same software as larger System T S500 consoles. S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required. Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.

With the mc²96, the mc² platform is pushed beyond limitations, culminating in a pure, unparalleled audio production tool dedicated to those who can tell the difference. Whether its intended to be used in broadcast, theater or recording – in each of these applications it stands out with a unique set of features. PURE, PRECISE, PEERLESS. With the mc²96, the mc² platform is pushed beyond limitations, culminating in a pure, unparalleled audio production tool dedicated to those who can tell the difference. Whether its intended to be used in broadcast, theater or recording – in each of these applications it stands out with a unique set of features. The mc²96 provides optimized performance within IP video production environments with native SMPTE 2110 support. In addition to standard channel labeling via channel numbers, individual text labels and static pictures or icons, the mc²96 also features LiveView™ video thumbnails for even more intuitive channel identification. Simply touch a fader and the LiveView™ thumbnail changes to full-screen mode, providing a more detailed view of that channel’s video source such as a camera or a replay machine.

This product has reached "end of life". The digiMIX24 Digital Mixing Console gives you complete control over your performance space. Light and portable, it’s easy to transport or store away―whether you’re mixing live bands, a high school musical, a worship service, or recording in a project studio―there are many applications where digiMIX24 feels right at home. With its traditional analog feel, the Live Control Surface allows optimum control with real knobs and a live fader when selecting important functions, while offering conveniences of a responsive touchscreen, USB interfacing, and companion Apple iPad® App. Together, its the ideal mixing experience.

The ENCHORUS ENC 1102 Dante™-based audio network module offers six AES3 outputs and six AES3 inputs with a four-band equalizer on each input and output. The ENC 1102 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 6x AES3 outputs
• 6x AES3 inputs
• Support of redundant Dante networks or daisy chainable
• Four-band EQ for each input and output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz
• Sample rate converter on AES3 inputs from 8kHz to 192kHz
• 19” rack-mounting kit available

The ENCHORUS ENC 1101 Dante™-based audio network module offers eight AES3 outputs with individual delay (at a maximum of 2.7 seconds) and four AES3 inputs, with a four-band equalizer on each input and output. The ENC 1101 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 8x AES3 outputs with delay (max. 2.7 sec.)
• 4x AES3 inputs
• Support of redundant Dante networks or daisy chainable
• Four-band EQ for each input and output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built-in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz
• Sample rate converter on AES3 inputs from 8kHz to 192kHz
• 19” rack-mounting kit available

The ENCHORUS ENC 1202 Dante™-based audio network module offers eight line outputs with individual delay (at a maximum of 2.7sec.) and four line inputs, with a four-band equalizer on each input and output. The ENC 1202 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 8x line outputs with delay (max. 2.7sec.)
• 4x line inputs
• Support of redundant Dante networks or daisy chainable
• 4-band EQ for each input and output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built-in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz

The ENCHORUS ENC 1201 Dante™-based audio network module offers eight high dynamic range (HDR) microphone inputs and four line outputs. Each microphone input has four splitters with individual trim, mute, phase reverse, and a 4-band equalizer. The dynamic range of each microphone amplifier is more than 152dB. A four-band equalizer is also provided for each output, and the ENC 1201 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.

• Throw-down Box
• 8x HDR microphone inputs with 4x splitters for each microphone
• Individual mute, phase reverse, trim, and 4-band EQ for each of the four splits
• Support of redundant Dante networks or daisy chainable
• 4-band EQ for each output
• 8x built-in mixing engines (16 inputs, stereo output)
• Built-in audio matrix for flexible routing of all signals
• Control via web interface
• Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz
• Dynamic range > 152dB

The C1500 is the first rack-mountable control Surface for the dLive MixRack. Packed in a tiny footprint are 12 faders over 6 layers, built-in audio I/O, an audio networking port, a 12«« capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.

The SD12 is set to raise the bar in terms of what users will now expect from a compact, affordable, multi- application digital console. The SD12 is set to raise the bar in terms of what users will now expect from a compact, affordable, multi- application digital console. Not only is SD12 a true sonic powerhouse, it also benefits from dual 15-inch touch screens, never before seen on a console in this price bracket, and is the first in the SD Range with built-in recording interfaces; which makes Virtual Soundchecking very straightforward indeed. Furthermore, the SD12 now includes a DVI output, for an overview of the console. New LED meters allow for a brighter, faster operation, and the SD12 Lightbar is identical to that of the SD5 and flagship SD7 consoles. And guess what? We even had space for two assignable master faders - only previously seen on the larger DiGiCo consoles - as well as dual DMI Slots, perfect for expandability.

The C3500 is the largest C Class control Surface for the dLive MixRack. It features 24 faders over 6 layers, built-in audio I/O and networking port, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

The C2500 is a small-footprint yet powerful control Surface for the dLive MixRack. It features 20 faders over 6 layers, built-in audio I/O, an audio networking port, a 12«« capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.

The Studer Glacier Series is a highly customizable broadcast audio solution that provides comprehensive control, flexibility, and interoperability for any on-air application. It includes two easy-to-use control surfaces which streamline live operation. All other controls are provided virtually, via intuitive multi-touch graphical user interfaces.  The Studer Glacier Series is a highly customizable broadcast audio solution that provides comprehensive control, flexibility, and interoperability for any on-air application. It includes two easy-to-use control surfaces which streamline live operation. All other controls are provided virtually, via intuitive multi-touch graphical user interfaces. The multi-touch graphical user interface provides a virtualized control surface that allows users to customize controls to suit their needs, host comprehensive control interfaces for additional equipment, and simplify the studio environment. Each Glacier Series component offers forwards and backwards compatibility with Studer DSP platforms. Multiple modules can be added to create custom-tailored consoles that bring new levels of control and versatility to any broadcast.

The Studer Micro Series is a budget-friendly, compact, all-in-one digital audio mixing system. Comprised of the core unit, graphical user interface, and optional fader control surface, the Micro Series delivers unprecedented value for a variety of applications. It features AoIP as standard, eight channels of DANTE I/O, and full control via standard web browsers. The Studer Micro Series is a budget-friendly, compact, all-in-one digital audio mixing system. Comprised of the core unit, graphical user interface, and optional fader control surface, the Micro Series delivers unprecedented value for a variety of applications. It features AoIP as standard, eight channels of DANTE I/O, and full control via standard web browsers. The Micro Series provides powerful features including AoIP, Lexicon effects processing, and VoiceMix automatic mixing. Since the core is browser based, there is no need to install specific software. Access is possible from any computer or tablet with a web browser, offering complete flexibility in the choice of hardware used. A single laptop or tablet can control multiple core units, and conversely, multiple devices can control a single core unit simultaneously. The Micro Series provides everything a facility needs in one box and is ideal for radio and TV broadcast, production studios, ENG/DSNG, and more.

Studer’s Vista 1 Black Edition is an all-in-one mixing system that offers premium functionality at an affordable price. The flexible mix system combines Studer’s industry-leading control surface with advanced DSP, fully-configurable I/O, and redundant power supplies – all within a single, compact console. Studer’s Vista 1 Black Edition is an all-in-one mixing system that offers premium functionality at an affordable price. The flexible mix system combines Studer’s industry-leading control surface with advanced DSP, fully-configurable I/O, and redundant power supplies – all within a single, compact console. Because of its powerful feature set and flexible I/O configurations, the Vista 1 Black Edition can handle the widest range of applications, from OB and ENG vans, to small studios, to mobile productions where the console needs to be moved frequently. Ready for easy integration with AoIP networks and expandable via Studer’s D21m system and Compact Stage Boxes, the Vista 1 Black Edition is a cost-effective, future-proof console ready for anything that gets thrown its way.