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Yamaha – RIVAGE PM7

Mixers

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Yamaha – QL1

Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more. The QL1 is a 16 + 2 fader configuration console in a compact, rack mountable unit.
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Yamaha – Rivage PM10 System

The Yamaha RIVAGE PM10 system provides flexible configuration encompassing the DSP-R10 DSP engine, CS-R10 control surface, the RPio622 I/O rack, two types of HY cards, and three types of RY cards. Its design allows numerous configurations to ideally match the scale and functional requirements of any application.

Connection to a computer for multitrack recording as well as to CL or QL series consoles and other external equipment is supported in the RIVAGE PM10 system via a Dante network. Dante, designed for simple setup with an extremely wide range of professional audio devices, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

The optional HY144-D card provides the interface to Dante networks. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a Dante Accelerator PCIe audio interface card. With Dante Virtual Soundcard the maximum in/out track count is 64.

Multitrack recordings of rehearsals made in this way can be used for "virtual sound checks" when the performers aren't available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.

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The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. The SD8 offers a truly superlative performance at a competitive price, something which will appeal to engineers across the board. There are two versions of the SD8: a 37-channel version, which boasts three banks of 12 motorised faders and one master fader; and the SD8-24, which has all the same power and functionality but in a smaller frame comprising 24 main channel faders and a master fader. At the heart of each console's worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 36 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning. In addition, the SD8 benefits from dedicated multi-function control knobs and electronic labelling.
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