Dante-enabled Product Catalog

The CL Series offers an evolved mixing experience with advanced sound shaping capabilities offering unprecedented creative freedom. New rack-mountable I/O units allow expandability via Audinate's highly flexible and scalable Dante network.

The CL Series offers an evolved mixing experience with advanced sound shaping capabilities offering unprecedented creative freedom. New rack-mountable I/O units allow expandability via Audinate's highly flexible and scalable Dante network.

This product has reached end of life. Please refer to dLive S7000.The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The flagship iLive-176 is the biggest of the modular series and allows a variety of audio I/O modules, network formats and redundant power supply options, and is shipped in a touring flight case.

This product has reached end of life. Please refer to dLive S5000.The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The modular iLive-144 allows a variety of audio I/O modules, network formats and redundant power supply options, and is shipped in a touring flight case.

This product has reached end of life. Please refer to dLive C3500.TheÊiLive-T112 provides all iLive functionality in a cost-effective, light weight chassis with fixed format I/O.It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback.

This product has reached end of life. Please refer to dLive S5000.The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The modular iLive-112 allows a variety of audio I/O modules, network formats and redundant power supply options, and is shipped in a touring flight case.

This product has reached end of life. Please refer to dLive C2500.TheÊiLive-T80 provides all iLive functionality in a cost-effective, light weight chassis with fixed format I/O. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback.

This product has reached end of life. Please refer to dLive S3000.The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The modular iLive-80 allows a variety of audio I/O modules, network formats and redundant power supply options, and can be shipped in a touring flight case.

This product has reached end of life. Please refer to dLive C1500.The iLive-R72 provides an ultra-compact rack mountable solution with fixed format I/O. It features a backlit TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback.

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLive's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n' play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

8-Channel Digital IntelliMix Automatic Mixer designed for use in speech applications, including sound reinforcement, broadcasting and audio recording. 8-Channel Digital IntelliMix Automatic Mixer designed for use in speech applications, including sound reinforcement, broadcasting and audio recording.

• Provides networking capabilities, comprehensive software control, AMX and Crestron compatibility, and analog / digital connectivity between devices
• Offers IntelliMix® technology and digital feedback reduction
• Features 8 active-balanced microphone or line-level inputs and 8 dedicated, impedance-balanced direct outputs
• Includes SCM820, hardware kit, ethernet cable, power cable, USB flash drive, and user guide

8-Channel Digital IntelliMix Automatic Mixer designed for use in speech applications, including sound reinforcement, broadcasting and audio recording. 8-Channel Digital IntelliMix Automatic Mixer designed for use in speech applications, including sound reinforcement, broadcasting and audio recording.

• Provides networking capabilities, comprehensive software control, AMX and Crestron compatibility, and analog / digital connectivity between devices
• Offers IntelliMix® technology and digital feedback reduction
• Features 8 active-balanced microphone or line-level inputs and 8 dedicated, impedance-balanced direct outputs
• Includes SCM820, hardware kit, ethernet cable, power cable, USB flash drive, and user guide

A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. As standard, Input to mix capacity is 46chs, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction busses, plus LR and Mono Mix busses. Up to 8 of the busses can be configured as Matrix mixes, each with up to 16 sources. The surface is just over a metre wide, and includes 16 motorised channel faders with fixed and user-definable layers, 8 output/VCA faders and 2 master faders. What's really cool about the Vi1 though, is the new Widescreen Vistonics interface, which will be instantly familiar to anyone who's driven a Vi6 or Vi4, as well as retaining the same 'walk-up' user-friendliness of the other Vi consoles. This new development displays all parameters for 16 channels side by side, on a single 22" Vistonics touch screen. The upper half of the screen handles the Output section control as well as Cue List or Menu displays. Parameter control is via two rows of 16 rotary encoders. Exactly the same channel functionality as the Vi6 and Vi4 is available here, along with all the same core snapshot, talkback and monitoring facilities. Naturally, the Vi1 inherits many of the facilities of its larger siblings, including Soundcraft FaderGlow™, 4 stereo Lexicon effects engines, BSS Audio graphic EQs on all output busses, and integral dynamics on all channels. The desk is also compatible with Vi2, 4 and 6 show files. As you’d expect, the price of the Vi1 is extremely attractive, which is sure to make it a clear winner with engineers and sound companies.