When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.
When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
The S7000 is the largest control Surface in the dLive family, with a whopping 216 assignable fader strips. It features 36 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation.
The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation.The SD-Nano is a 2U rack and can incorporate Dante with the MOD-SD-Dante I/O card. Running purely digital the Nano can run up to 16 ins and outs or if it’s all analogue you need then a maximum of 16 ins or outs is possible or any combination in banks of eight (8 in and 8 out for example). The Nano Rack is Optical only.
The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation.
The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation.
The SD-Mini is a 4U rack and accepts the MOD-SD Dante I/O card . Running purely digital the Mini can run up to 32 ins and outs or if it’s all analogue you need then a maximum of 32 ins or outs is possible or any combination in banks of eight (8 in and 24 out for example). The Mini has MADI connectivity as standard with optical as an option. With the ability to multi sample rate to external devices via MADI and also the ability for Gain TrackingTM.
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each).
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application.
The M-5000 is the first offering in Roland's new approach to audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions.
Extensibility
Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
Outstanding 24-bit, 96kHz sound quality
High-precision 72-bit linear summing circuitry
High-end discrete preamps onboard and available in remote snake options
Surface Design
12" touch screen with “touch and turn” operation
20 freely scrollable, isolatable, or assignable faders
Numerous knobs and buttons, both contextual and assignable, to support rapid response
Drawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft.
Drawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft. Designed to be as simple as an analog mixer, but offer radical workflow enhancements such as the unique FaderGlow™ system, massive DSP power, and a pristine 32-in/32-out USB audio interface, Si Impact delivers digital live sound mixing and recording for those who refuse to compromise on audio quality.
Key Features:
32 Mic Inputs
8 XLR/1/4" Combi-jacks for line inputs and instruments
The new Studer Vista V console harnesses Quad Star technology from the acclaimed Vista X to deliver a powerful, dependable and flexible broadcast audio mixing solution in a compact form factor. Studer's Vistonics™ interface and FaderGlow™ create a uniquely intuitive and stress-free operator experience, while the Infinity Core provides unprecedented levels of CPU-based processing power, handling the largest productions with ease.
The new Studer Vista V console harnesses Quad Star technology from the acclaimed Vista X to deliver a powerful, dependable and flexible broadcast audio mixing solution in a compact form factor. Studer's Vistonics™ interface and FaderGlow™ create a uniquely intuitive and stress-free operator experience, while the Infinity Core provides unprecedented levels of CPU-based processing power, handling the largest productions with ease.
32-, 42- or 52-fader console with optional built-in meter bridge.
Harnesses Vista X Quad Star technology in a more compact form factor, for no single point of failure redundancy.
Fully surround-capable with versatile panning and monitoring functionality.
Sophisticated built-in Dynamic Automation system with DAW remote control.
High-quality motorised faders.
VistaMix – Studer's acclaimed automated microphone mixing algorithm, based on gain sharing. Runs directly on the Infinity Core with no external hardware required.
Infinity Core with 12 high-capacity A-Link ports (1536 channels/port) for D23m I/O integration or direct connection into routing systems including Riedel, Evertz, Artel, etc.
Easy integration into popular AoIP broadcast networks including Dante, Livewire, AES67, etc.
BSS DPR-901 Dynamic EQ Plug-In, assignable to any channel as desired and running directly on the Infinity Core.
Up to 6 Lexicon PCM96 Surround high quality reverb processors can be connected with their parameters stored in the mixer's snap shots and accessible directly from the Vistonics Interface.
Connecting up to 4 Soundcraft Realtime Racks gives the user access to Universal Audio's huge UAD plug-in library. Parameters are stored and managed directly in the mixer's CUE-List automation.
Ember and Pro-Bel protocol support for use with broadcast/newsroom automation systems.
High input capacity and fader count makes this powerful console ideal for larger applications.
High input capacity and fader count makes this powerful console ideal for larger applications.
Ample input capacity and hands-on control in a compact console that can handle a wide range of applications.
Ample input capacity and hands-on control in a compact console that can handle a wide range of applications.
Yamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. The highly regarded Selected Channel and Centralogic™ interfaces attest to the success of that approach. The TF series combines Yamaha know-how with new input from the field and the latest touch-screen technology to deliver an evolved experience in console operation. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications.
Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.
Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.
Yamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. The highly regarded Selected Channel and Centralogic™ interfaces attest to the success of that approach. The TF series combines Yamaha know-how with new input from the field and the latest touch-screen technology to deliver an evolved experience in console operation. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications.
Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses
Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses
The ground-breaking M32R console combines legendary MIDAS sound quality with advanced digital technology, future-proof 96 kHz capable open architecture design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32R features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.
The Dugan Model N provides 32 channels of Dugan automixing at 96K or 64 channels at 48K with connection capabilities to a Dante network.
The Dugan Model N is an automatic microphone mixer designed to work in conjunction with standard audio mixing consoles. The Model N has Dante I/O, primary and secondary; it provides 32 channels of Dugan automixing at 96K or 64 channels at 48K and are PoE capable. The Dugan Speech System, Music System, and Gain Limiting are all supported. In addition the Model N includes a scene memory that can record and recall all operating settings, either globally or by unit, in a library of named scenes.
Benefits: Eliminates late upcuts, reduces PA feedback and studio noise, and reduces comb filtering from adjacent mics
The Avid VENUE | S6L is a modular system that continues Avid's legacy of live mixing systems—designed to take on the world’s most demanding tours and events with ease. S6L provides onboard plug-ins and Pro Tools integration, more processing power and track counts than ever before, and an array of network and I/O offerings including Dante, so you can easily configure the system to meet the demands of any gig.
The Avid VENUE | S6L is a modular system that continues Avid's legacy of live mixing systems—designed to take on the world’s most demanding tours and events with ease. Offering unprecedented processing capabilities—with over 300 processing channels—S6L delivers unrelenting performance and reliability through its advanced engine design and backs it up with modern touchscreen workflows and scalability to meet any challenge. S6L provides onboard plug-ins and Pro Tools integration, more processing power and track counts than ever before, and an array of network and I/O offerings including Dante, so you can easily configure the system to meet the demands of any gig.
Key highlights:
Industry's most powerful processing engine
High-performance preamps running at high sample rates
Share I/O across multiple networked systems with advanced gain tracking
High-resolution touchscreens and OLED displays
Familiar VENUE workflows and interface, total show file compatibility
The 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our DL16 or DL32 Stage Boxes to effortlessly run sound with high I/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q.
This product has reached end-of-life and is discontinued
The DL32R delivers 32-channels of powerful digital mixing that’s completely controlled wirelessly from your iPad, freeing you to get in the mix like never before. Stream your sound to a Dante audio network using a DL Dante Expansion card or do direct-to-drive multi-track recording/playback. An ultra-compact 3U rackmount design that lets you ditch the snake once and for all. Fully loaded with DSP on each of the 32 Onyx+™ mic pres and 28 busses, the DL32R provides the power needed for professional applications. The industry-proven Master Fader™ control app delivers extremely intuitive control over everything, including the ability to digitally recall each and every setting for incredibly fast setup. Control everything from anywhere with the Mackie DL32R.
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each).
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application.
The M-5000 is the first offering in Roland's new approach to audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions.
Extensibility
Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
Outstanding 24-bit, 96kHz sound quality
High-precision 72-bit linear summing circuitry
High-end discrete preamps onboard and available in remote snake options
Surface Design
12" touch screen with “touch and turn” operation
28 freely scrollable, isolatable, or assignable faders
Numerous knobs and buttons, both contextual and assignable, to support rapid response
The FORUM is a self-contained digital audio mixing console specifically designed to meet the most rigorous demands of the radio and television broadcast industry. Its flexible design allows it to readily be adapted to any ON-AIR application. FORUM adapts perfectly to any environment: auto-control, studio control, television production, sound production, mixed configurations, integration in large installations, etc. The control surface can be configured with a minimum of 4 faders, and easily expanded to 8, 12 or even 20 channels with the FRGRAND chassis.
Mid-scale live production console. L300 helps highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. The L300 offers ample power for mid-scale productions and combines superb audio quality with a comprehensive collection of processing tools, within a superb user interface.
Smaller But Still Mighty
There are two models available in the SSL Live console range, the larger L500 Plus and the more compact L300. Both consoles are perfectly equipped for applications in Touring, Installation, Houses Of Worship and Theatre.
At SSL we believe that offering a more compact console should not mean compromising and reducing quality or features. Both consoles offer the same immaculate, huge SSL sound and the same superb operator experience. There are no compromises in build quality and both consoles use and can share the same Remote I/O. The L300 is physically smaller than the L500 Plus, so it is a more compact, lower cost option… with no hidden performance compromises – it’s that simple.
POLARIS evolution is based on a novel digital mixing DSP concept that can be controlled from an advanced touch screen user interface. Driven by the desire to create the most flexible and scalable system on the market, the SALZBRENNER engineering team proudly presents the first cloud-based audio processing system for pro applications.
The POLARIS evolution concept allows multiple users to share a single DSP core—a major benefit for multipurpose venues, broadcast applications, OB trucks and any project or operation requiring maximum flexibility.
Thanks to a revolutionary audio network concept, rigid constraints are a thing of the past. With POLARIS evolution, live, theatre and broadcast productions can be run concurrently on the same DSP engine!
The Soundcraft Vi2 is equipped with one channel section of 8 input faders, and the master section which holds 12 faders. The Vi2 can handle as many inputs as a Vi4 or Vi6 (96 channels) using the standard stagebox and local rack hardware, with access to 8 inputs at a time on the channel bay.
Soundcraft now offers a Vi Series control surface for applications where space is very tight. The new Soundcraft Vi2 inherits all the basic functionality of its larger brothers the Vi4 and Vi6, but measures just 850mm in width, around half the size of a Vi6.
The Soundcraft Vi2 is equipped with one channel section of 8 input faders, and the master section which holds 12 faders. The Vi2 can handle as many inputs as a Vi4 or Vi6 (96 channels) using the standard stagebox and local rack hardware, with access to 8 inputs at a time on the channel bay. By simply touching the input meters on the Vistonics™ screen of the master section, control of those inputs is brought onto the channel faders, along with all the channel functionality such as EQ, auxes, groups etc.
In addition to the meter selection, three fully customisable layouts of the 8 input faders are available via the user-defined fader page feature.
The Soundcraft Vi2 will therefore appeal to anyone who wants to use a Vi console but has more limited space than usual in which to operate. For example, it could be easily brought in at stage side for monitors alongside an existing console at festivals, or in corporate events where input access is less demanding than a multi-piece live band. The Vi2 is also suitable for use as a space-efficient spare console, and as an easily transportable training or programming unit. The Vi2's Show files are fully compatible with Vi4 and Vi6 consoles, and also with the Virtual Vi Offline Editing software.
All the usual processing is accessible via the Local Rack, and even the 30-band graphic EQ's are available, by using a paging system, accessed via the 8 output section faders.
The Soundcraft Vi2 provides a cost effective and useful accessory for existing Vi4 and Vi6 owners, who can use a Vi2 surface with their existing racks, which helps maximise rental inventory usage so that Vi console systems can be used on both large and small scale productions.
Now firmly established on riders and in performance venues around the world, the Soundcraft Vi6™ has been acclaimed as one of the most ergonomic, user-friendly and best-sounding large format digital console around.
Now firmly established on riders and in performance venues around the world, the Soundcraft Vi6™ has been acclaimed as one of the most ergonomic, user-friendly and best-sounding large format digital console around. Audio quality is assured thanks to the integration of a proven DSP engine and algorithms from sister company STUDER, who's digital broadcast consoles like Vista™ and On-Air 3000™ are highly respected in national, state and independent broadcast studios and OB trucks throughout the world.
Ergonomically, the Vi6 offers a wonderfully inviting user experience, thanks to the patented Vistonics™ II 'knobs-on-glass' channel strip interface. As another innovation from STUDER, Vistonics™ provides an incredibly tactile 'where you look is where you control' operating philosophy which combines the speed of access and visibility of controls of an analogue desk with the power of icon-based graphics and fully recallable settings that can only come from a digital console. The provision of 32 input faders plus a 12-fader master section makes changing layers much less frequent, enhancing the speed of operation, and world-class effects and processing from Lexicon and BSS completes the picture.
The Vi6 offers connectivity to almost every type of digital audio format out there, via integration of Studer's D21m modular IO system, and comes complete with a modular remote Stagebox with a choice of either optical or copper connection to the main console.
The new Studer Vista 1 is a transportable digital mixing console for broadcast, live and production use. For the first time with a Vista, all you need is contained within the console, the control surface, I/O system, DSP and power supplies are all in one box. This makes it the ideal choice when space is restricted, such as in OB and ENG vans, small studios, or for applications where the console needs to be moved with ease.
Thanks to the patented Vistonics™ user interface with 40 on-screen rotary knobs, its look and feel is identical to that of its larger and more sophisticated sisters. Anyone who is already used to the intuitive Vista surface will immediately be familiar with the Vista 1. Anyone new to Vista will be amazed at how simple it is to learn.
The Studer Vista X, together with the Studer Infinity Core, offers an unsurpassed intuitive user interface, providing control of 800 or more audio DSP channels and more than 5,000 inputs and outputs.
The Studer Vista X, together with the Studer Infinity Core, offers an unsurpassed intuitive user interface, providing control of 800 or more audio DSP channels and more than 5,000 inputs and outputs.
And the use of CPU-based processors suggests exciting possibilities for scaling up to even larger channel counts, and for running third party algorithms.
The new Vista X with Quad Star technology uses four processors to achieve aviation-standard levels of redundancy in the control surface while CPU-based DSP makes it viable to provide two completely independent DSP cores running in parallel with ‘instant’ change over.
The DiGiCoSD Rack is the newly-designed rack for the various versions of the SD5, SD7, SD8, SD9, SD10 and SD11 consoles. It delivers up to 192kHz high resolution analogue I/O converters and multiple digital formats, but you can select different sample rate options for specific outputs. In other words, when used in conjunction with any SD console, the SD Rack will serve you as a multi-sample rate signal splitter that even allows you to use our ultra-smooth microphone preamps to replace the standard mic preamps of an analogue or other digital console.
Third party applications that use Dante Ready™ allow customers to purchase and activate Dante audio channels after installation using the Dante Activator tool in Dante Controller 4.5 or higher. Dante Activator is tied to an active Audinate user account and accepts standard credit card payments.
