Dante-enabled Product Catalog

Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable. Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.

Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable. Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

The S7000 is the largest control Surface in the dLive family, with a whopping 216 assignable fader strips. It features 36 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

The S5000 is a medium-sized control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 28 faders over 6 layers, dual 12«« capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

The S3000 is a small-footprint yet powerful control Surface for the dLive MixRack, with the addition of built-in audio I/O and audio networking ports. It features 20 faders over 6 layers, a 12«« capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.

When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.  When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.

When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford.  When PreSonus designed StudioLive mixers, their goal was to combine the ease of a surface-driven analog workflow with the power of digital mixing. At a price that anybody could afford. The StudioLive 16.4.2 and 24.4.2 revolutionized modern mixing by combining a powerful, continuously bi-directional audio interface, massive DSP horsepower, and the flexibility to mix your show and monitors from anywhere in the venue. StudioLive AI Mix Systems build on this legacy, taking full advantage of the StudioLive cascading feature, adding even more processing, and a level of software integration only found in high-end touring consoles.

The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation. The SD-Nano Rack complements the SD, SD-Mini and D racks to make a completely flexible remote rack solution for any situation. The SD-Nano is a 2U rack and can incorporate Dante with the MOD-SD-Dante I/O card. Running purely digital the Nano can run up to 16 ins and outs or if it’s all analogue you need then a maximum of 16 ins or outs is possible or any combination in banks of eight (8 in and 8 out for example). The Nano Rack is Optical only.

The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation. The SD-Mini Rack complements the SD-Nano and D racks to make a completely flexible remote rack solution for any situation. The SD-Mini is a 4U rack and accepts the MOD-SD Dante I/O card . Running purely digital the Mini can run up to 32 ins and outs or if it’s all analogue you need then a maximum of 32 ins or outs is possible or any combination in banks of eight (8 in and 24 out for example). The Mini has MADI connectivity as standard with optical as an option. With the ability to multi sample rate to external devices via MADI and also the ability for Gain TrackingTM.

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility

• Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
• Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
• Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording

High Resolution

• Outstanding 24-bit, 96kHz sound quality
• High-precision 72-bit linear summing circuitry
• High-end discrete preamps onboard and available in remote snake options

Surface Design

• 12" touch screen with “touch and turn” operation
• 20 freely scrollable, isolatable, or assignable faders
• Numerous knobs and buttons, both contextual and assignable, to support rapid response
• Dedicated, freely assignable user section

Drawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft.  Drawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft. Designed to be as simple as an analog mixer, but offer radical workflow enhancements such as the unique FaderGlow™ system, massive DSP power, and a pristine 32-in/32-out USB audio interface, Si Impact delivers digital live sound mixing and recording for those who refuse to compromise on audio quality. Key Features:

• 32 Mic Inputs
• 8 XLR/1/4" Combi-jacks for line inputs and instruments
• 40 DSP input channels (32 mono inputs and 4 stereo channels/returns)
• 31 Output busses (All with full DSP processing and GEQ)
• 4-band Fully Parametric EQ on each channel and bus
• 8 VCAs + 8 Mute groups
• 26 motorised faders (24 input + LR/Mono)
• 4 fully customisable Fader Layers
• Built-in Stagebox Connectivity
• 5" touchscreen display
• Multi-Colour LCD Channel Displays on each input fader
• 4 studio-grade Lexicon Effects engines and dedicated FX busses
• BSS Graphic Equalisers on every bus
• 20 sub-group / aux busses
• 4 mono/stereo matrix busses
• 32x32 USB audio interface for multi-track recording and playback

The new Studer Vista V console harnesses Quad Star technology from the acclaimed Vista X to deliver a powerful, dependable and flexible broadcast audio mixing solution in a compact form factor. Studer's Vistonics™ interface and FaderGlow™ create a uniquely intuitive and stress-free operator experience, while the Infinity Core provides unprecedented levels of CPU-based processing power, handling the largest productions with ease. The new Studer Vista V console harnesses Quad Star technology from the acclaimed Vista X to deliver a powerful, dependable and flexible broadcast audio mixing solution in a compact form factor. Studer's Vistonics™ interface and FaderGlow™ create a uniquely intuitive and stress-free operator experience, while the Infinity Core provides unprecedented levels of CPU-based processing power, handling the largest productions with ease.

• 32-, 42- or 52-fader console with optional built-in meter bridge.
• Harnesses Vista X Quad Star technology in a more compact form factor, for no single point of failure redundancy.
• Fully surround-capable with versatile panning and monitoring functionality.
• Sophisticated built-in Dynamic Automation system with DAW remote control.
• High-quality motorised faders.
• VistaMix – Studer's acclaimed automated microphone mixing algorithm, based on gain sharing. Runs directly on the Infinity Core with no external hardware required.
• Infinity Core with 12 high-capacity A-Link ports (1536 channels/port) for D23m I/O integration or direct connection into routing systems including Riedel, Evertz, Artel, etc.
• Easy integration into popular AoIP broadcast networks including Dante, Livewire, AES67, etc.
• BSS DPR-901 Dynamic EQ Plug-In, assignable to any channel as desired and running directly on the Infinity Core.
• Up to 6 Lexicon PCM96 Surround high quality reverb processors can be connected with their parameters stored in the mixer's snap shots and accessible directly from the Vistonics Interface.
• Connecting up to 4 Soundcraft Realtime Racks gives the user access to Universal Audio's huge UAD plug-in library. Parameters are stored and managed directly in the mixer's CUE-List automation.
• Ember and Pro-Bel protocol support for use with broadcast/newsroom automation systems.

High input capacity and fader count makes this powerful console ideal for larger applications. High input capacity and fader count makes this powerful console ideal for larger applications.

Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems. Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems. Yamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. The highly regarded Selected Channel and Centralogic™ interfaces attest to the success of that approach. The TF series combines Yamaha know-how with new input from the field and the latest touch-screen technology to deliver an evolved experience in console operation. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications.

Ample input capacity and hands-on control in a compact console that can handle a wide range of applications. Ample input capacity and hands-on control in a compact console that can handle a wide range of applications. Yamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. The highly regarded Selected Channel and Centralogic™ interfaces attest to the success of that approach. The TF series combines Yamaha know-how with new input from the field and the latest touch-screen technology to deliver an evolved experience in console operation. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications.

Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses The ground-breaking M32R console combines legendary MIDAS sound quality with advanced digital technology, future-proof 96 kHz capable open architecture design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32R features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.

The Dugan Model N provides 32 channels of Dugan automixing at 96K or 64 channels at 48K with connection capabilities to a Dante network. The Dugan Model N is an automatic microphone mixer designed to work in conjunction with standard audio mixing consoles. The Model N has Dante I/O, primary and secondary; it provides 32 channels of Dugan automixing at 96K or 64 channels at 48K and are PoE capable. The Dugan Speech System, Music System, and Gain Limiting are all supported. In addition the Model N includes a scene memory that can record and recall all operating settings, either globally or by unit, in a library of named scenes. Benefits: Eliminates late upcuts, reduces PA feedback and studio noise, and reduces comb filtering from adjacent mics

The Avid VENUE | S6L is a modular system that continues Avid's legacy of live mixing systems—designed to take on the world’s most demanding tours and events with ease. S6L provides onboard plug-ins and Pro Tools integration, more processing power and track counts than ever before, and an array of network and I/O offerings including Dante, so you can easily configure the system to meet the demands of any gig. The Avid VENUE | S6L is a modular system that continues Avid's legacy of live mixing systems—designed to take on the world’s most demanding tours and events with ease. Offering unprecedented processing capabilities—with over 300 processing channels—S6L delivers unrelenting performance and reliability through its advanced engine design and backs it up with modern touchscreen workflows and scalability to meet any challenge. S6L provides onboard plug-ins and Pro Tools integration, more processing power and track counts than ever before, and an array of network and I/O offerings including Dante, so you can easily configure the system to meet the demands of any gig. Key highlights:

• Industry's most powerful processing engine
• High-performance preamps running at high sample rates
• Share I/O across multiple networked systems with advanced gain tracking
• High-resolution touchscreens and OLED displays
• Familiar VENUE workflows and interface, total show file compatibility

The 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our DL16 or DL32 Stage Boxes to effortlessly run sound with high I/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q.

This product has reached end-of-life and is discontinued The DL32R delivers 32-channels of powerful digital mixing that’s completely controlled wirelessly from your iPad, freeing you to get in the mix like never before. Stream your sound to a Dante audio network using a DL Dante Expansion card or do direct-to-drive multi-track recording/playback. An ultra-compact 3U rackmount design that lets you ditch the snake once and for all. Fully loaded with DSP on each of the 32 Onyx+™ mic pres and 28 busses, the DL32R provides the power needed for professional applications. The industry-proven Master Fader™ control app delivers extremely intuitive control over everything, including the ability to digitally recall each and every setting for incredibly fast setup. Control everything from anywhere with the Mackie DL32R.

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility

• Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
• Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
• Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording

High Resolution

• Outstanding 24-bit, 96kHz sound quality
• High-precision 72-bit linear summing circuitry
• High-end discrete preamps onboard and available in remote snake options

Surface Design

• 12" touch screen with “touch and turn” operation
• 28 freely scrollable, isolatable, or assignable faders
• Numerous knobs and buttons, both contextual and assignable, to support rapid response
• Dedicated, freely assignable user section

The FORUM is a self-contained digital audio mixing console specifically designed to meet the most rigorous demands of the radio and television broadcast industry. Its flexible design allows it to readily be adapted to any ON-AIR application. FORUM adapts perfectly to any environment: auto-control, studio control, television production, sound production, mixed configurations, integration in large installations, etc. The control surface can be configured with a minimum of 4 faders, and easily expanded to 8, 12 or even 20 channels with the FRGRAND chassis.

Mid-scale live production console. L300 helps highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. The L300 offers ample power for mid-scale productions and combines superb audio quality with a comprehensive collection of processing tools, within a superb user interface. Smaller But Still Mighty There are two models available in the SSL Live console range, the larger L500 Plus and the more compact L300. Both consoles are perfectly equipped for applications in Touring, Installation, Houses Of Worship and Theatre. At SSL we believe that offering a more compact console should not mean compromising and reducing quality or features. Both consoles offer the same immaculate, huge SSL sound and the same superb operator experience. There are no compromises in build quality and both consoles use and can share the same Remote I/O. The L300 is physically smaller than the L500 Plus, so it is a more compact, lower cost option… with no hidden performance compromises – it’s that simple.

The M32 is a live performance and studio recording digital console with up to 40 simultaneous input channels. It includes 32 award-winning MIDAS microphone preamplifiers, 25 time-aligned and phase-coherent mix buses and Dante network connectivity when including the DN32-DANTE card. By installing the DN32-DANTE card in place of the DN32-USB card, your M32 will interface with Dante networks using virtually any 100Mbit/s or Gigabit Network infrastructure with DSCP-based QoS – providing dependable multi-channel audio that coexist with other IP-based data traffic on the same network. The DN32-DANTE card utilizes 24-bit signal transmission with sample-accurate synchronization and low latency, ensuring the highest audio integrity. And a secondary input allows you to set up a seamless, redundant network. Full remote control of the M32 is possible using the integrated Ethernet switch. When the DN32-DANTE card is connected to a computer, Audinate’s Dante Controller application gives you full control over configuration and signal routing among your Dante-enabled devices.