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PreSonus – StudioLive RML16AI

Mixers

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midas-m32c-mixer
  • Midas

Midas – M32C

The 40-input, 25-bus M32C takes the brain of the flagship M32 Digital Mixing Console and packs it all into a high-performance aluminium and steel 1U form factor. Combine the M32C with our DL16 or DL32 Stage Boxes to effortlessly run sound with high I/O counts in multiple remote locations. Dual AES50 networking CAT5 connectors allow for up to 96 remote inputs and 48 output channels to be controlled from and processed by the M32C. All of this can be managed concurrently from various locations and instances via our free remote control software applications, M32-EDIT, M32-MIX, and M32-Q.
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  • RDL

RU-NMP44

The RU-NMP44 is a network mixing processor containing six virtual audio mixers controlled by network commands from RDL and other network remote controls. Each mixer operates independently with input signal attenuation from unity to off. The output level from each mixer is independently adjustable from unity to off. Based on the commands sent to the RU-NMP44, each mixer can be used as a mixer, a source selector, a priority paging inserter and/or as a volume control. The outputs from four of the mixers drive corresponding network audio channels. The outputs from two of the mixers drive line-level +4 dBu audio outputs. The RU-NMP44 is configured using RDL CONSOLE or other network control software. If ducking is used, one of the four network audio inputs is assigned as the priority input. That input is connected to all six virtual mixers. An audio detector with installer-defined threshold and recovery delay may be assigned to one, several, or all of the six mixers. For each of those mixers, the priority input is set to a defined level, and the remaining three inputs are each set to attenuate to a fixed level between -10 and -64 dB when a message is detected on the priority input. If hum is anticipated from the paging source, one of four high-pass filter may be enabled. Up to four preset configurations may be stored in the RU-NMP44. Each preset can define any or all mixer level settings. A preset is activated by a network command, an RDL network or wired remote control, a momentary switch closure or a compatible open-collector from other equipment. The RU-NMP44 may be configured to power up to a preset, to the last settings used, or with all levels “off”. The RU-NMP44 may be powered from an external 24 Vdc power supply, available separately. The RU-NMP44 is equipped to operate from a PoE enabled network switch. The RU-NMP44 will reserve power from the switch even while being powered from an external 24 Vdc supply. If PoE power and an external 24 Vdc supply are both feeding an RU-NMP44, the unit will run from the external supply and will seamlessly switch over to PoE power upon loss of the external supply. The RU-NMP44 is ideal for adding volume control, mixing, switching and ducking to existing network audio systems. The digital signal processing offered in the RU-NMP44 often fulfills all the requirements for an audio system design, such as in classrooms, meeting rooms, restaurants/bars, fitness gyms and retail stores. The RU-NMP44’s superior performance specifications make it ideally suited to the most demanding installations, and an exceptional value in commercial networked audio systems. The RU-NMP44 is constructed in a durable, professional all-metal enclosure suitable for free-standing, surface-mounted or rack-mounted operation. This full-featured product is engineered and manufactured in the U.S.A for continuous duty in demanding installations. Built to last. Built to outperform.
    Mixers
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Soundcraft_-_Vi_1|Soundcraft_-_Vi_1
  • Soundcraft

Soundcraft – Vi1

A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. As standard, Input to mix capacity is 46chs, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction busses, plus LR and Mono Mix busses. Up to 8 of the busses can be configured as Matrix mixes, each with up to 16 sources. The surface is just over a metre wide, and includes 16 motorised channel faders with fixed and user-definable layers, 8 output/VCA faders and 2 master faders. What's really cool about the Vi1 though, is the new Widescreen Vistonics interface, which will be instantly familiar to anyone who's driven a Vi6 or Vi4, as well as retaining the same 'walk-up' user-friendliness of the other Vi consoles. This new development displays all parameters for 16 channels side by side, on a single 22" Vistonics touch screen. The upper half of the screen handles the Output section control as well as Cue List or Menu displays. Parameter control is via two rows of 16 rotary encoders. Exactly the same channel functionality as the Vi6 and Vi4 is available here, along with all the same core snapshot, talkback and monitoring facilities. Naturally, the Vi1 inherits many of the facilities of its larger siblings, including Soundcraft FaderGlow™, 4 stereo Lexicon effects engines, BSS Audio graphic EQs on all output busses, and integral dynamics on all channels. The desk is also compatible with Vi2, 4 and 6 show files. As you’d expect, the price of the Vi1 is extremely attractive, which is sure to make it a clear winner with engineers and sound companies.
    Mixers
  • Dante Ch: 64x64
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