The DMG20 series is divided into 4 versions to meet different market needs. Please pay attention when purchasing.
DMG20 trial version
Only 2 scenes can be stored
DMG20 Popular Version
100 scene storage
DMG20 function version
Including all-pass filter + dynamic equalization DEQ advanced algorithm
DMG20 synchronous version
Includes dual-machine real-time data synchronization (hot backup)
Master Class, Talking Circuit
Out of 16 analog inputs, 14 digital gain amplifier channels, smooth 1dB step gain adjustment, signal through high-performance low-delay 24-bit analog-to-digital converter, minimal distortion and ultra-low noise floor, multi-function parameters Adjustable; digital gain brings good consistency, which can effectively prevent misuse; these are unmatched by analog mixers.
Talking floor noise: 30dBu Talking gain -86.8dBu without credit (AP test AES17-20Khz)
Talking noise floor: 40dBu Talking gain -80dBu without credit (AP test AES17-20Khz)
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each).
The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application.
The M-5000 is the first offering in Roland's new approach to audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions.
Extensibility
Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
Outstanding 24-bit, 96kHz sound quality
High-precision 72-bit linear summing circuitry
High-end discrete preamps onboard and available in remote snake options
Surface Design
12" touch screen with “touch and turn” operation
28 freely scrollable, isolatable, or assignable faders
Numerous knobs and buttons, both contextual and assignable, to support rapid response
The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are 3 sizes of dLive MixRack available. All feature the same mix engine and differ only in the number of analogue I/O. All models can work with the full 128 channels by adding DX expanders or patching digital sources.
