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PreSonus – StudioLive RML32AI

Mixers

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iLive-176
  • Allen & Heath

Allen & Heath – iLive-176

This product has reached end of life. Please refer to dLive S7000.The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The flagship iLive-176 is the biggest of the modular series and allows a variety of audio I/O modules, network formats and redundant power supply options, and is shipped in a touring flight case.
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Soundcraft_-_Vi_1|Soundcraft_-_Vi_1
  • Soundcraft

Soundcraft – Vi1

A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. A complete standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. As standard, Input to mix capacity is 46chs, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction busses, plus LR and Mono Mix busses. Up to 8 of the busses can be configured as Matrix mixes, each with up to 16 sources. The surface is just over a metre wide, and includes 16 motorised channel faders with fixed and user-definable layers, 8 output/VCA faders and 2 master faders. What's really cool about the Vi1 though, is the new Widescreen Vistonics interface, which will be instantly familiar to anyone who's driven a Vi6 or Vi4, as well as retaining the same 'walk-up' user-friendliness of the other Vi consoles. This new development displays all parameters for 16 channels side by side, on a single 22" Vistonics touch screen. The upper half of the screen handles the Output section control as well as Cue List or Menu displays. Parameter control is via two rows of 16 rotary encoders. Exactly the same channel functionality as the Vi6 and Vi4 is available here, along with all the same core snapshot, talkback and monitoring facilities. Naturally, the Vi1 inherits many of the facilities of its larger siblings, including Soundcraft FaderGlow™, 4 stereo Lexicon effects engines, BSS Audio graphic EQs on all output busses, and integral dynamics on all channels. The desk is also compatible with Vi2, 4 and 6 show files. As you’d expect, the price of the Vi1 is extremely attractive, which is sure to make it a clear winner with engineers and sound companies.
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  • Dante Ch: 64x64
  • 24-bit
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yamaha-rivage-pm7_1200px
  • Yamaha

Yamaha – CSD-R7

The CSD-R7 Digital Mixing Console is the core component of any RIVAGE PM7 system, with 96 kHz processing, 120 monaural inputs, and a versatile complement of mixing busses (60 MIX, 24 MATRIX, and 2 STEREO).  The CSD-R7 Digital Mixing Console is the core component of any RIVAGE PM7 system, with 96 kHz processing, 120 monaural inputs, and a versatile complement of mixing busses (60 MIX, 24 MATRIX, and 2 STEREO). The console has three 12-faders bays for flexible setup and configuration, and dual power supply units are built in for enhanced reliability.
  • Display: 15" touch panel x 2
  • Faders: 38 (12+12+12+2)
  • Selected Channel section: comprehensive channel parameters
  • Custom Fader banks: 6 x 2 on each bay
  • User Defined keys: 12 x 4 banks
  • User Defined knobs: 4 x 4 banks
  • Touch and Turn knobs: 2
  • Analog I/O: 8 in / 8 out
  • Slot: 3 HY slots, 2 MY slots
  • AES/EBU: 4 in / 4 out (with SRC)
  • Ports: GPI (8 in / 8 out), Word Clock In/Out, MIDI In/Out, 5 USB (1 for 2-track recording), Video Out (DVI-D), TC In
  • Power supply: Dual redundant power supply built-in
  • Dimensions (WxHxD): 1,549 x 417 x 848mm (61.0" x 16.4" x 33.4")
  • Net Weight: 94 kg (207 lbs)
    Mixers
  • 96kHz
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