DiGiCo – Quantum 7


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  • Studer

Studer – Glacier Series

The Studer Glacier Series is a highly customizable broadcast audio solution that provides comprehensive control, flexibility, and interoperability for any on-air application. It includes two easy-to-use control surfaces which streamline live operation. All other controls are provided virtually, via intuitive multi-touch graphical user interfaces.  The Studer Glacier Series is a highly customizable broadcast audio solution that provides comprehensive control, flexibility, and interoperability for any on-air application. It includes two easy-to-use control surfaces which streamline live operation. All other controls are provided virtually, via intuitive multi-touch graphical user interfaces. The multi-touch graphical user interface provides a virtualized control surface that allows users to customize controls to suit their needs, host comprehensive control interfaces for additional equipment, and simplify the studio environment. Each Glacier Series component offers forwards and backwards compatibility with Studer DSP platforms. Multiple modules can be added to create custom-tailored consoles that bring new levels of control and versatility to any broadcast.
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roland_M-5000_front-right|roland_M-5000_front-right
  • Roland

Roland – M-5000

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility
  • Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
  • Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
  • Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
  • Outstanding 24-bit, 96kHz sound quality
  • High-precision 72-bit linear summing circuitry
  • High-end discrete preamps onboard and available in remote snake options
Surface Design
  • 12" touch screen with “touch and turn” operation
  • 28 freely scrollable, isolatable, or assignable faders
  • Numerous knobs and buttons, both contextual and assignable, to support rapid response
  • Dedicated, freely assignable user section
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  • Dante Ch: 64x64
  • 24-bit
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  • DVAE

DVAE – DMG20

The DMG20 series is divided into 4 versions to meet different market needs. Please pay attention when purchasing.

DMG20 trial versionOnly 2 scenes can be stored
DMG20 Popular Version100 scene storage
DMG20 function versionIncluding all-pass filter + dynamic equalization DEQ advanced algorithm
DMG20 synchronous versionIncludes dual-machine real-time data synchronization (hot backup)

Master Class, Talking Circuit

    Out of 16 analog inputs, 14 digital gain amplifier channels, smooth 1dB step gain adjustment, signal through high-performance low-delay 24-bit analog-to-digital converter, minimal distortion and ultra-low noise floor, multi-function parameters Adjustable; digital gain brings good consistency, which can effectively prevent misuse; these are unmatched by analog mixers.

Talking floor noise: 30dBu Talking gain -86.8dBu without credit (AP test AES17-20Khz)

Talking noise floor: 40dBu Talking gain -80dBu without credit (AP test AES17-20Khz)

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