Yamaha – QL5


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  • DiGiCo

DiGiCo – Quantum 225

Under The Hood

Quantum 225 brings a 17-inch, 1000 nit, high brightness multitouch screen with both a meter bridge and soft quick select buttons for quick and intuitive operation. 41 individual TFT LCDs displaying channel information and metering, bank information, macros and more guide you immediately to the controls you need. Plus, 25 100mm touch sensitive faders in two banks of 12 plus a dedicated user-assignable master fader with high resolution metering.

But there’s more… The defining feature of the Quantum 225 is the ability to customise the left worksurface with the Mounting Bracket. Mount a laptop for creative control, or a KLANG:kontroller for immersive control. You could even mount an extra screen to show your KLANG:app, plugin computer, console overview screen, or it could even display the channel screen for your left bank of faders, transforming your Quantum 225 into a dual screen console at an unbelievable price point!

With a maximum of 72 input channels with 36 busses and a 12 x 12 matrix, all with full channel processing, Quantum 225 brings Quantum to a wider user base. Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.

I/O

Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.

Local I/O: Quantum 225’s local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)

MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.

Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.

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Dante Option Card
  • Avid

Avid VENUE | Dante HD Option Card

High-density Dante networking for VENUE | S6L systems  The Dante HD Option Card brings powerful and scalable Dante connectivity to Avid VENUE | S6L. The Dante HD Option Card delivers 128×128 Dante channels per card at 96 kHz and uses BNC clocking for stable synchronization within Dante domains. Fully compatible with Avid VENUE | E6L and E6LX engines, it expands your system’s flexibility while preserving the pristine sound quality and workflow efficiency of VENUE. Key Features High-Density Dante Connectivity Handle up to 256 channels of Dante audio at 96 kHz across a maximum of two cards. This supports complex routing between FOH, monitors, broadcast trucks, amplifiers, and DSP networks. It is well suited for productions that demand low latency and high-resolution audio. Full S6L Integration The Dante HD card installs directly into any VENUE | E6L or E6LX engine running VENUE 8.1 (or higher) software. No external converters are required. Routing and patching are managed through VENUE software. BNC Clocking Output for Broadcast Stability  A dedicated BNC clock interface provides reliable synchronization in broadcast environments and Dante domains. This supports consistent performance in mission-critical situations. Purpose-Built for Large Productions The card supports high-channel-count routing for touring, corporate AV, theaters, and immersive environments. It works well with distributed I/O, multi-console workflows, and modern IP-based audio infrastructures. Applications It enables seamless integration into modern networked-audio environments and is designed for touring, broadcast, performing arts centers, and large AV installations.
  • Concert touring and festivals
  • Broadcast and remote production
  • Houses of worship
  • Theater and immersive sound
  • Corporate AV and large venues
Features 
  • 128×128 channels at 96 kHz, 24-bit PCM
  • E6LX engines support 2 Dante HD Option Cards for up to 256 Channels
  • E6L engines support 1 Dante HD Option Card for up to 128 Channels
  • BNC Word Clock Output
  • Compatible with all Avid VENUE | E6L and E6LX engines
  • Two RJ45 Ethernet ports supporting Switched and Redundancy Modes
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32Classic
  • Harrison Audio

32Classic

Beautiful analog tone is at the heart of the 32Classic. Its no-compromise modular design, flexible workflows and hybrid features create a classic recording console that’s ready for the modern studio.
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