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Studio Technologies – Model 5412 Audio Interface

I/O Interfaces

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AudioScience - Iyo Dante
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AudioScience – Iyo Dante 0.16LR

The Iyo Dante® is a cost-effective family of microphone/line Dante audio-over-IP (AoIP) interfaces in a 1U rack mount format. The 0.16MR provides 16 balanced outputs. the output levels are configurable up to +24dBu. With RJ-45/StudioHub + GPIO Connector close-up.

RGB LEDs on the Iyo’s front panel show per channel audio levels and streaming status.

The Iyo family feature an embedded web server, allowing configuration and monitoring of input and output levels. Routing is achieved using the Dante Controller.

Power is provided from a built-in universal AC power supply. Redundant power is available using an external 12VDC supply via a locking 2.1mm jack.

All units can also be operated in Livewire+ AES67 interoperability mode.

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  • Dante Ch: 16x0
  • 16-bit, 24-bit, 32-bit
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Focusrite – Red 16Line

Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt™ connections, it's now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface. Red’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the Focusrite Control software mixer) or playing back, with all your plug-ins in place, all the time. Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.
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  • Dante Ch: 32x32
  • 24-bit
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BARE – BR-106A

The BR-106A digital audio processor is an audio processing and control system that can be freely designed. It uses advanced DSP processing technology and has a new algorithm of automatic mixing and feedback cancellation, which can solve various practical problems in application scenarios. Since most of the controls are operated by software, the appearance is more concise and lively. The operator only needs to click the mouse lightly, instead of adjusting complex large-scale mixers on the spot to complete the function conversion as before, which greatly simplifies the operation.

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