RDL – RU-BNF


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  • BARE

BARE – WCS-500C/D

• Exquisite and minimalist structure design, highlighting the modern atmosphere, accord with ergonomics; • Special electret capacitive dual microphone core design, clear and bright sound quality, high sensitivity; • Equipped with a 2-inch high-definition true color screen, which can display the battery level of the microphone, the signal strength, the working status of the microphone, the grouping and ID number of the channel where the microphone is located. Use wireless radio frequency technology to transmit audio signals and control management signals; • With the camera tracking host, after using the computer preset, the camera can be automatically tracked; • Original microphone directivity variable technology, the user can adjust the microphone directivity according to different environments, locations, meeting methods, and the needs of the speaker, so as to achieve an optimal pickup effect. It supports 5 modes: omnidirectional, Cardioid directivity, super-cardioid directivity, sharp heart directivity, figure 8 directivity, etc.; • The chairman has priority button function and chairman priority mode; •• Anti-interference from mobile phone microphone core, stable connection, durable and reliable; Ultra-low power consumption circuit design, built-in large-capacity lithium battery, can be charged through the charging box; Cooperate with the host to realize network audio transmission and realize audio signal interconnection and intercommunication; • The conference unit has a unique serial number, and the conference system can automatically assign an ID to the conference unit.
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DP02_018_DA-60PWR-ASM
  • Danacoid

Danacoid – DA-60DD

Dante POE Power Module

Specifications

System Power Efficiency> 85%
SNR100 dB
Background Noise< 300 uV
Interface
Input Port1 Dante Audio (RJ-45)
Output Port1 Analog Audio (Terminal Block)
Power
PoE StandardIEEE 802 3at (PoE+)
PoE Power60 W, 8 ohms; 100 W, 4 ohms (peak power)
Enclosure
Chassis MaterialMetal
Chassis ColorBlack
Chassis Dimensions (Hight×Width×Depth)147 2×60×24 8 mm
Chassis Weight0 5 kg
Environment
Operating Temperature+32 to +104 °F (0 to +40 °C)
Humidity10% to 90% RH (non-condensing)
Compliance
Regulatory ComplianceFCC, CCC, CE, RoHS
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focusrite-Red16line_1200px|focusrite-Red16line_1200px
  • Focusrite

Focusrite – Red 16Line

Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Red 16Line is a 64x64 Pro Tools | HD™ and dual Thunderbolt™ 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt™ connections, it's now easier than ever to switch from Pro Tools | HD™ to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface. Red’s ultra-low round trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the Focusrite Control software mixer) or playing back, with all your plug-ins in place, all the time. Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.
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