AMK – DS64-B-X


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The KH5 is the biggest speaker of the K-array Concert Series and represents a revolutionary compact line array element for large scale events.

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Think of the hs-25 as the hs-28’s “bully” little brother, it also deploys our patent-pending Active Compliance Management technology. ACM combines both band-pass and vented alignments into a single enclosure. The hs-25 places two precision-designed, 15-inch transducers into this configuration, with both woofers sharing a common vented chamber. Think of the hs-25 as the hs-28’s “bully” little brother, it also deploys our patent-pending Active Compliance Management technology. ACM combines both band-pass and vented alignments into a single enclosure. The hs-25 places two precision-designed, 15-inch transducers into this configuration, with both woofers sharing a common vented chamber. One woofer’s frontal radiation is direct, while the second woofer’s frontal radiation drives the band-pass chamber. Onboard electronics include amplifier module that supplies 830W pure sine wave power (2000W “peak” power) to each woofer and DSP to ensures the precise phase arrivals of the front facing woofer and both vents. The combination of ACM, sophisticated DSP and active electronics allow the hs-25 to deliver much higher output throughout its operating bandwidth from a footprint that’s smaller than most dual 15-inch vented designs.
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BARE – AD-48

The digitally guided full-frequency sound column adopts a multi-channel high-current digital power amplifier with advanced dedicated coaxial transducers, and each transducer is equipped with a high-frequency array of three tweeters. "Array in an array" three tweeter designs shorten the distance between high-frequency sources, thereby greatly improving high-frequency performance through a continuous and wide horizontal distribution.

As long as it is simple and directly connected to the network, multi-channel digital audio transmission, user-controlled DSP, user-selectable presets, and comprehensive remote system management control can be achieved , and all use standard Ethernet hardware and cables.

With computer remote control, audio system technicians can make settings that cover almost all audience areas. Multiple beams can be set one by one, and a software-controlled DSP is designed to separate them from a single array: up to 4 beams. The acoustic center of the array can also be raised or lowered because all array elements are identical and equidistant. Suitable for large lecture halls, stadiums, theaters, etc.

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