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  • DiGiCo

DiGiCo – Quantum 5

Continuing the legacy of previous Quantum consoles, the Quantum 5 brings you the extraordinary might of three large-scale FPGAs working in unison.

Developed with seventh generation FPGA devices that further expand audio processing power and allows DiGiCo to provide its users with unrivalled flexibility.

Inside the Quantum engine, up to 2,000 channels can be transported across 458 processing paths at 96kHz. New GTX ports run at 6.6GHz while simple two wire connections ensure the fastest possible data speeds to reach a new pinnacle in mixing capability. Fully scalable and designed to communicate seamlessly with the next generation of FPGAs, the Quantum engine is a uniquely formidable platform for an ambitious industry.

Under The Hood

Unlike the SD5, the Quantum 5 has over 450 processing paths at 96kHz. This includes 288 processing channels configurable as up to 256 input channels and up to 128 busses, plus a 36 x 36 matrix. The engine is also equipped with four redundant, or eight individual, MADI ports and two DMI slots (DiGiCo Multi-Channel Interface) for AoIP and other connectivity options from the complete family of DMI card options, plus a built-in Waves port and up to two Optocore loops.

Quantum 5 hosts the world’s most flexible and feature-rich mixing experience right at your very fingertips. Across both inputs and outputs includes Channel Delay, DiGiTube, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters at 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

Just like our other Quantum consoles, the Quantum 5 includes the legendary Mustard Processing. A fully integrated suite of additional processing that can be assigned to any strip to boost your mix with a range of modelled preamps, vintage dynamics units and EQ sections, all only a touch away.

In addition, 128 busses are assignable as mono/stereo groups or auxiliaries, while a 36×36 output matrix, dual solo busses with True Solo, and a LR/LCR/5.1 Master buss is available for even deeper configurability.

Last but not least, with the inclusion of the now highly regarded Nodal Processing which allows monitor engineers unrivalled creativity on their IEM mixes, and of course True Solo to allow them to hear exactly as their artist does.

Quantum 5 Features

Nodal Processing which allows monitor engineers unrivalled creativity on their IEM mixes.

True Solo to allow them to hear exactly as their artist does. These are combined with the multiple flavours of 48 channels of Mustard processing and 12 Spice Rack processing slots, including Chilli 6.

Mustard processing which provides a choice of two pre-amp modellers, a four-band EQ (including all-pass filters), four different boutique style compressor models and a gate/ducker. Quantum 5 is equipped with 48 mono Mustard processing strips which can be used on any channel type.

The Spice Rack, meanwhile, supports plugin style native FPGA processing options, allowing you to build a rack of up to twelve insertable processors. The first of these is the Chilli 6 – a six-band multi-band compressor which allows full control of all parameters, including DiGiCo’s unique, patented, release shape control, which means Chilli 6 is perfect for shaping vocals and instruments as well as focusing on problem frequencies.

I/O

Local I/O: Quantum 5’s local I/O includes 8 analogue inputs, 8 analogue outputs and 8 AES I/O (mono)

Optocore: The amount of connectivity is very special. Quantum5 comes as standard with one Optocore fibre loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop; and there is an option to upgrade to dual loop, which allows for 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, so you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.

    Mixers
  • Dante Ch: 64x64
  • 24-bit
SSL-Live-L350
  • Solid State Logic

SSL – L350

Like all SSL consoles the secret to the success of the L350 is SSL’s dedication to great sound. Part of the success is attributable to exemplary hardware performance throughout the signal chain: bringing SSL Studio grade mic pre’s to the stage, outstanding audio conversion, 96kHz operation and magnificent summing. Since their introduction in 2013 SSL Live consoles have met widespread praise from many of the world’s leading live engineers. SSL Live consoles are designed to help highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. Like all SSL consoles the secret to the success of the L350 is SSL’s dedication to great sound. Part of the success is attributable to exemplary hardware performance throughout the signal chain: bringing SSL Studio grade mic pre’s to the stage, outstanding audio conversion, 96kHz operation and magnificent summing. There is a sublime transparency, definition and detail in the fundamental sound of the L350 that is difficult to describe but is immediately recognisable as the SSL signature. An equal, perhaps even greater part of the secret of the power of the L350 is however the way it enables operators to perform at their very best. The deceptively simple ergonomic excellence of the combination of multi-touch screen control with assignable hardware controls, the use of colour coding, the open architecture which lets engineers configure the console layout to suit their own way of working, the arsenal of processing options, the precision and depth of those processing tools… and so much more… it all combines to let the operator get where they can hear they want to be extremely quickly. Like all great creative audio technology, SSL Live consoles are instruments for engineers. Control The key to a great control surface is a clear view of everything in your audio environment and finding exactly the control you need at your fingertips when you need it. With the Live SSL’s obsession with ergonomics and workflow has delivered an intelligent, elegant and comfortable layout. All of the most commonly used functions are carefully arranged so that they sit within reach where your hands naturally fall on the console. There is a wealth of visual feedback with carefully considered use of colour change technology that will not fatigue the user during long periods of operation. The Live control surface delivers a genuinely intuitive combination of gestural touch screen & hardware control and a whole collection of innovative features designed to streamline workflow. Power The power within SSL Live consoles is provided by our new ‘Tempest’ platform, developed specifically to meet the demands of live production. We are of course very proud of our clever new processing technology, but at SSL our focus is always on what really matters and that is you having the power to do your job well. Live harnesses Tempest’s power in a sensibly flexible way to let you balance allocation of resource between signal processing and console architecture to suit each project. Thanks to the intrinsic flexibility of our approach, no matter how you configure it, when you compare the numbers, Live gives you more Inputs and Outputs, more Channels, Stem Groups, Auxes, VCA’s and Masters, more processing tools and more signal processing power than many consoles with much bigger price tags. Tempest Live consoles are powered by Tempest, a new fourth generation digital audio platform developed specifically to meet the demanding requirements of the live environment. Learning from more than 25 years of digital console development, Tempest is a ground up development. All legacy code – the key to the sonic excellence of previous generations of SSL digital consoles – has been rewritten in the latest software languages. The high capacity signal processing engine at the heart of Tempest uses SSL’s patented Optimal Core Processing (OCP) to deliver highly efficient and reliable performance with minimal latency. Tempest delivers all of the power required to equip Live with all of the mixer architecture, processing power and connectivity to handle large scale events. The Live signal processing engine is integrated entirely within the control surface.
    Mixers
  • Dante Ch: 64x64
  • 24-bit
sb-16d_w_rack_01_left_angled
  • TASCAM

Tascam – SB-16D

16-in/16-out Dante analog converter with built-in 32-bit ADC & Class 1 HDIA mic preamps. Controllable with TASCAM IO Control app or with TASCAM Sonicview series.
    Mixers
  • Dante Ch: 64x64
  • 32-bit