CABOLO One


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AX Center It's the audio interface that dreams are made of, as it unites the distinguished audio quality of pristine Digital Audio Denmark AD & DA conversion with the renowned transparency and musicality of the DAD mic preamps. It's all about capturing the source truthfully and get it into your DAW exactly as it is. But that's only the beginning of this journey through the various applications covered by AX Center. On the analog side, two XLR / 1/4" Jack combo connectors on the front for connecting microphones and instruments, you can add two 8 ch. mic/line A/D cards for 16 mic inputs and you have the perfect interface for a small studio or location recording. Or add one 8 ch. D/A card for an additional 8 analog outputs and you have the perfect interface for mixing in 7.1.4 ATMOS format. With one 8 ch. line A/D card and one 8 ch. D/A card, you have the perfect mastering converter. And all along you have two headphone connections where all sources in the system can be easily monitored. Included on the rear panel are a host of connectivity, covering Thunderbolt, Dante AoIP, MADI, ADAT, S/PDIF and Word Clock. In total - and fully expanded - you can max out AX Center with a staggering 984 input and output channels.
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Jünger – Coding Audio Processor D*AP8 CODEC EDITION

The D*AP8 CODEC EDITION is designed to replace a wide range of legacy Dolby® processors wherever there is a requirement for decoding, encoding or transcoding of audio signals. Multiple audio I/O formats are supported including native AES along with optional SDI, MADI, Dante™ and analog. Developed in close cooperation with Dolby® Labs, the D*AP8 CODEC EDITION is designed to replace a wide range of legacy Dolby® processors wherever there is a requirement for decoding, encoding or transcoding of audio signals. Multiple audio I/O formats are supported including native AES along with optional 3G SDI, MADI, Dante™ and analog. Designed for use in all areas of audio broadcast and distribution, Jünger Audio’s D*AP8 CODEC EDITION offers the functionality to decode and/or encode any current Dolby® audio bitstream and to effectively manage and emulate all Metadata parameters. The D*AP8 CODEC EDITION has built in Dolby® decoding with metadata management and emulation as standard. Encoding is also available as an option. Network based loudness metering and voice over are standard whilst logging, automatic Upmix and fail over are optional. The following Dolby® formats are supported: Dolby® E, Dolby® Digital Plus, Dolby® Digital, Pro Logic II, AAC, HE-AAC.
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